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Three Ideas for Brushes

Bill remembers that his grandfather was 13 years older than his grandmother, definitely a man of the 19th century, meaning the woman was expected to do everything. His grandmother hated her middle name (Garfield after a President) and the pipe his grandfather smoked. She’d say when Samuel retired, he retired. Families are complicated aren’t they.

After initially losing this entire file on Wednesday, I started again, challenging myself to practice distinct ways for using brushes and at the same time, make it easier for myself. The time was well spent in my mind.

Extract and Mask
Stamp Brushes on Inverted Layer Masks

Rather than bring back in the entire background on one inverted layer mask attached to a photo, I think it is easier to see what’s happening to the photo on a page by using different brushes on different layers.

  • Duplicate the photo and add an inverted layer mask.
  • On each layer mask stamp a brush with the foreground color on white.

Note: On this page I used brushes from ArtPlay Palette Patriarch and the bonus brushes included with the full release, Anna Release 7 June 2019 on the multiple layer masks.

Place Overlays and Artsy Transfers

Note: I moved the transfer layers around to provide color and texture where I needed them, i.e. grounding the couple.

Place Frames
Stamp Brushes on New Blank Layers

Stamping a brush on a new layer makes it easier to adjust the position of each brush while adding texture and interest below frames.

  • Create a new layer below the frames and stamp brush 9 just below the frames.
  • Create new layers for each brush: brushes 16, 17 and 18, available in the Anna Release 7 June 2019.
Duplicate, Enlarge and Arrange Extracted Couple
  • Duplicate the layer of the extracted couple twice.
  • Move it down in the layers panel.
  • On one copy, add a layer mask and hide one person using a brush with the foreground color on white.
  • Repeat for the second copy, masking out the other person.
  • Reduce the opacity of both to 25% on Darken blend mode.
  • Rearrange both layers as desired.

Note: In order to darken one part, I stamped brush 4 on a new blank layer. Then I merged the two extractions to create one copy and clipped that to the brush layer.

Add Title and Journaling
  • Use two fonts to create a title; I used Hello Sunshine and Hello Sunshine Marker again on this page.
  • Finish journaling.

Note: The text boxes I used for my journaling are from the same file with the small frames: WaterColor Template Album No. 6.

My self-challenge for this page was to practice distinct ways for using brushes and at the same time, make it easier for myself. As I explained in a previous post, I initially stamped the brushes on one blank layer just so that I could see what they looked like. From that sample layer, I decided which brushes I wanted to use. I used brushes in three different ways on this page.

  • Stamp brushes on layer masks clipped to multiple photo layers.
  • Stamp brushes on new blank layers to add interest below small frames.
  • Use a brush as a mask by stamping it on a new layer and then clipping a photo to the brush.

I challenge you to experiment with brushes and find ways that make it easier for yourself.

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A Photo and Artsy Transfers

2 Comments

  1. Marnie

    Lovely results and helpful instruction, Linda!

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