Photo Storify

Photos, Stories and Scrapbooking

Tag: template (Page 1 of 7)

Parties

Creating a book based on events fifty years ago has its challenges. For example, I don’t have photos from the first two showers given in my honor. I have the dates and names, but I can’t remember many of the details. Maybe that’s why I treasure the photos that I do have because they help me remember. There is no way I will forget the crepe paper dress that my mother and mother-in-law created for me. For one thing, I can’t believe that two mothers would shorten the hemline that much in 1968.

I am getting close to finishing my anniversary project, so I am looking for ways to simplify my process to keep the momentum going. For this two page spread, I combined two templates from WaterColor Template Album No. 8, substituting the small frames from another album on the right side.

Components From Template

Place the layers of template template 13 from WaterColor Template Album No. 8 on the left and template 5 on the right. Change the alignment of the second text box of template 13 to match the top text box. Rearrange the frames, deleting one to accommodate photos. On the right, delete the small frames.

Note: I included the stitching from the templates, moving it as needed. I added a 20px white stroke to each frame for consistency throughout my book project. I also reduced the size of all template layers to 85%% instead of 100%.

Clip Photos to Masks and Stains

Duplicate the focal photo on the left and clip it to the fotoblendz mask and one of the stains. Adjust exposure using Camera Raw Filter within Photoshop and add a Soft Light adjustment layer at 100% opacity. Repeat with the photo on the right, duplicating and clipping the copies to six stains included in the template.

Clip Photos to Small Frames

On the left, resize and clip three photos to the small frames. Add adjustment layers as needed. On the right, place the small frames from template 6 of Travel Album No. 2, reducing the size to 85%. Adjust the positioning of the thread. Clip small photos to the frames and add adjustment layers as needed.

Add Artsy Transfers and Stains

Below the fotoblendz mask and small frames on the right, place overlay 1, transfer 2 and transfer 6 from ArtPlay Palette Glance, reducing the size to 85%. On the left, place stain overlay from ArtPlay MiniPalette Opacus, transfer 3 from ArtPlay MiniPalette Honor, 7 layers from Artsy Transfers Summery and two copies of overlay 1 (Linear Burn blend mode) from ArtPlay MiniPalette Honor.

Two Buttons

Place a yellow gold button from ArtPlay Palette Glance on the right and tack down with thread 2 from ButtonThreadz No. 2. Place a pink button from ArtPlay Palette Infatuated on the left along with thread 6 from ButtonThreadz No. 1.

I am within three pages of finishing this project. Using templates to create the basic design and switching out small frames or fotoblendz masks will help me maintain my momentum. Although Anna Aspnes provides information about this technique in her earlier project classes, I recommend two of her most recent classes, Artsy Doubles and AA Project 2018, for detailed instructions on what I have shared in this post.

Fifty Years Later

It seems like yesterday, not fifty years ago, that we honeymooned in San Francisco. We didn’t stay at the same hotel, the American Motor Lodge, but instead chose Hotel Zoe Fisherman’s Wharf this time, with its ultra modern decor. I hoped we would be able to replicate some of the photos from 1968 on this trip as we remembered our honeymoon.

We searched for the Fisherman’s Wharf sign and finally found a man who recognized it in copy of the photo where I sat. He told us it had been removed a long time ago. Even though we couldn’t access the balcony at the top of Ghiradelli Square, we found the sign at the top of the building. We posed on Pier 39, a tourist trap or a Pokemon player’s dream, depending on your perspective.

For the focal photo, I used frame set 3 from UrbanThreadz FotoBlendz Frames No. 2 in order to tie the two pages together. The photo I clipped to the mask is actually a blended composite so that I could have the entire heart behind us.

I chose the frames, threads and text box from template 10 in Travel Album No. 2 to accommodate the photos I wanted to include on my page. I reduced the size to 85%, before clipping my photos to the masks and adding adjustment layers.

Note: Because I am reducing the size of frames, masks and shadows from different templates, I am deleting the frames and giving each mask a stroke style of 20px so that all frames are consistent throughout my book.

I placed transfer 3 from ArtPlay Palete Riant just above the paper as well as layers from files 3 and 4 of Artsy Transfers Riant.

Note: I added a Hue and Saturation Layer to adjust the color of two layers.

Finally, I tucked a button from ArtPlay MiniPalette Blithe under the threads above the frames.

I want to thank my friend Adryane and her husband for helping us replicate some old photos for this page. It was Adryane’s idea to capture some shots holding our wedding photo. What a wonderful day searching for landmarks and remembering!

Christmas

Christmas has always been my favorite holiday; celebrating the birth of Christ by exchanging gifts, decorating a tree, dinner with family, the music and the lights. As a child I remember a tree appearing on Christmas morning decorated with lights and strings of silver tinsel, but when I was older my dad would bring home a tree on Christmas Eve for us to decorate.

On our first Christmas, Bill and I decorated a tree with lights, round balls Bill’s mother gave us and silver tinsel. On the top we placed a little red angel, thinking that we’d have a collection of ornaments some day.

For these two layouts, I began by placing templates from Project Album Template No. 4 above solid paper 3 from ArtPlay Palette Rejoice that I had clipped to the masks from Heritage Live template. On the left I placed the layers from template 15 and on the right I placed the layers of template 5. I turned off all but the fotoblendz masks from both templates.

I clipped my photos to the large fotoblendz masks but gave them each a sepia look with a Hue and Saturation layer. The color in my photos didn’t work well together.

Note: On the left I used the basic arrangement of the fotoblendz mask and text boxes, but on the right, I moved the mask to accommodate my overall page design.

Before deciding how to arrange the small photos that I wanted to include, I worked with layers from transfers 2, 4 and 5 of Artsy Transfers Rejoice. I placed all the layers for each psd file and began to turn off layers and move some around. On the right I used a combination of layers from psd files 4 and 5. On the left, I combined layers from psd files 2 and 4.

Next, I turned back on the frames on the left and deleted all but two square frames to accommodate the photo format of a Kodak Instamatic camera. On the right, I selected similar frames from those included in the template but moved them down below the fotoblendz mask. I clipped my photos to the small frames and added adjustment layers.

Note: I toned down the color in the two photos on the right by adding a Hue and Saturation adjustment layer for a sepia tone but reduced the opacity to 50%.

I filled the area to the left of the small frames on the right with two layers from transfer 4 of Artsy Transfers Rejoice.

To finish my layout I opened frame 3 from MultiMedia Frames No. 5 and placed only the deer included in the file on my layout. On the right, I used the heart, word art and branch from file 1 of MultiMedia Frames No. 5. I added the red and green paint from file 4. I completed my journaling, changing the size of one of the text boxes included with the template. With a title and a little more of the red and green paint, I finished my layout.

You may not be old enough to remember 1968, but gold was a very popular color. Anna’s new palette, ArtPlay Palette Rejoice, was perfect for remembering our first Christmas.

Summer 1970

We hadn’t been married two years when we volunteered to serve as leaders for a group of college students on a summer long trip to promote a singing group from our church, Van Nuys Baptist. We spent most of our time in the Philippines. I kept a journal in summer, 1970, handwritten pages tied together with yarn, filled with details about the Philippines: waking up to the sound of jeepneys, shopping for meat in open air markets, cooking in a pressure cooker, listening to the daily rain on a tin roof collected for cold showers, riding a bus out of the city, walking to a small village into a corn field to find a bathroom, laughing at our caribou ride, hearing Bill preach on David and Goliath in a little dirt floor church.The words tell a story not seen in these photos, my thoughts and feelings. Now that I think about it, summers before we had children, a detail about which Philippinos questioned us, are some of our best memories.

I continue to work on my heritage project, deciding which photos to include, what to write and simply remembering what it was like 50 years ago. It’s not as easy as I thought to create a page that conveys the essence of an experience in our early marriage. I took some time to think and plan before beginning this two page spread.

I began by reducing the size of templates 7 and 8 from Hipster Plume Album Template No. 2 to about 85% and placing them above solid paper 3 from ArtPlay Palette Sage on the template provided in Heritage Live.

Note: I deleted the masks included with the template for the small photos. To each matte, I added a stroke style to keep the framing consistent through my project.

Next, I clipped a photo to each of the fotoblendz masks and some of the stains. I also extracted us from the photos and created a custom shadow.

Note: The photos on these pages are from old slides and required some work in Lightroom as well as adjustments in Photoshop.

On the left, I placed the layers from transfer 5 of Artsy Transfers Sage between the extraction and the photo copy clipped to the fotoblendz mask. I placed layers from transfer 1 below the cluster of frames on the far left. On the right, layers from transfer 4 of Artsy Transfers Sage are below both the extraction and the fotoblendz mask.

To accommodate one additional photo, I duplicated the square matte and shadow on the right and moved it to the place where the text box was originally. I gave the matte the same stroke style and clipped my photo to it.

Finally, I photographed the handwritten journal I kept that summer, reduced the size and gave it a shadow. I tucked it next to one of the small photos. I gave the gold yarn, a popular color then, it’s own custom shadow.

After rereading my journal, I decided that if my family wants more details about the summer of 1970, they can read my journal too.

Start with a Brush

Sometimes all you need to begin a piece of art is just one brush as I share below.

Stamp brush 1 of San Francisco No. 1 on a new blank document.

Drag the frames, stitching and one text box from template 3 of Travel Album No. 4 on to the document above the brush.

Clip a photo to each mask. In this case I used just one photo, but changed the crop for each mask.

Below the brush place transfers 1, 3 and 4 from ArtPlay Mini Palette Harken.

Add heart and button from mini palette. Create title and write journaling.

Yes, I left my heart in San Francisco and I’d go back to see all the things I didn’t see.

Fifty Years of Friendship

It’s been six years since we were last all together. We’ve shared more than fifty years of friendship with Bill and Sue Woods and Stu and Patty Macy. We’ve attended weddings and baby showers for one another, traveled together, i.e. the zoo, San Diego, Disneyland, even as far as the Philippines. We watched the Olympic Soccer finals in 1984 and numerous fireworks shows together. We made one more memory when we had lunch at Azul Latina Kitchen in South Lake Tahoe. For me the contrast between the photo of us all now and a few snapshots from the past are a treasure.

To create this page, I began with the template from Heritage Live and psd file 4 from Feuillemort FotoBlendz No 1.

I clipped a copy of the photo from our trip to the fotoblendz mask. I could have left it at that, but I wanted the photo to pop with depth.

I extracted parts of us from the photo and gave that extraction a shadow. Then I added two adjustment layers, one on Soft Light blend mode at 40% and the other on Screen blend mode at 30%. Between the two layers angled transfer 1 from ArtPlay Palette Feuillemort.

Note: I clipped copies of the photo to the stains included in the psd fotoblendz file.

Below those layers, I placed a combination of layers from Artsy Transfers Feuillemort 4 and 5.

On the right side, I used template 16 from WaterColor Template Album No. 3, deleting some of the stains included with the template. First, I clipped another photo to the fotoblendz mask included in the template and added an adjustment layer.

I clipped my photos to the small frames and added a stroke layer style to make the photos look as if they had the same frames used on the previous pages.

Note: the frames on the template are different from those that I’ve used for the other pages in this book. I deleted the masked included in the template, leaving just the frames. I added the stoke to the frames of the template by clicking the styles button at the bottom of my layers panel. Each frame has a style attached.

To finish my page, I added transfers from ArtPlay Palette Feuillemort and layers from transfer 5 of Artsy Transfers Feuillemort. I added a title with a thread from UrbanThreads No. 17.

I really didn’t take many photos with our friends over lunch, but that one was enough to tell this story.

Honeymoon

Bill’s brother handcuffed us together as we left the church following our wedding, but his dad unlocked the cuffs on the way to the airport to catch our flight to San Francisco for a short honeymoon. We only had a few days before I began my first teaching assignment at Langdon Elementary. I didn’t capture many photos on our trip; I can’t remember what kind of camera I used. However, I will have my Fuji X-T2 when we return to San Francisco in a few weeks.

To create the right side of this layout, I clipped solid paper 1 from ArtPlay Palette Riant to both sides of the template that I received in Anna’s class, Heritage Live. On the right edge, I placed the layers of frame 1 from UrbanThreadz FotoBlendz Frames No. 2.

Next, I clipped my photo to the fotoblendz mask included in the psd file. I used a brush to darken parts to reveal more of my photo. I extracted myself from the photo and gave the extraction a custom shadow. I also duplicated the entire photo twice, one on Screen blend mode at 50% and the other on Soft Light at 50%.

Note: I blended my legs into the mask to disguise the way my feet were cut off in the original photo.

I placed the frames from template 10 of WaterColor Template Album No. 7 on my page and adjusted the placement of one frame to accommodate one of my photos.

Note The thread and text boxes was included in the template. The button is from ArtPlay Palette Riant.

After adjusting the position of the frame grouping, I clipped my photos to the frames. I adjusted the exposure by duplicating the photo copies and changing the blend modes to Screen or Soft Light.

Below the group of frames, I placed most of the layers of psd file 3 from Artsy Transfers Riant, adjusting the position of the layers to line up with the top frame.

Below the circular frame, I placed transfers 3 and 7 from ArtPlay Palette Riant.

Note: I adjusted the yellow in transfer 7 with a Hue and Saturation adjustment layer after I rotated it. I had already created the textbox on the left before adding the transfers so all I needed to do was adjust its position.

My friend, Adryane, is going to help us recreate a couple of these photos for the opposing page of this layout when we are in San Francisco. We are really looking forward to our trip.

The Boat

In the spring of 1971, we bought a 21 foot inboard outboard Gulf Stream. Why would two teachers who lived in a tiny apartment need a boat? I guess a boat sounded like a fun thing to have for our summers. We hooked the boat to our yellow Plymouth Duster and set off for Lake Havasu, Isabella, Folsom and Orville. Despite the fact that owning a boat turned out to be a bit more complicated than we anticipated, there is no denying that the boat was a great value for the time we owned it. We made some wonderful memories with friends. However, all good things come to an end. By the end of the summer I was pregnant with our son. We sold the boat for a downpayment on our first home.

To create this page I clipped solid paper 3 from ArtPlay Palette Mountain High to the template’s large masks before dragging the layers of templates 7 and 8 from WaterColor Template Album No. 4 on to my page.

Note: I chose the square shape of the fotoblendz masks from template 7 because they suited the 3.5×3.5 snapshots so common in the 1970s. I duplicated one frame on the right instead of using the longer framed mask included in the template.

However, because I wanted to include as much of the square photo as possible, I added overlay 2 from FotoBlendz Overlays No. 7 below the template’s mask on the right to square the mask shape more.

I then clipped copies of the photo to the two masks and stains below.

Note: I extended the photo by blending in an edge on a separate layer in order to get rid of the trapped space in the template.

I clipped two additional photos to the fotoblendz masks on the left as well as the stains below that were included in the template.

I clipped my photos to the small framed masks, adjusting the exposure and look by duplicating copies and changing the blend mode.

Next, I placed overlay 1 and 2 from ArtPlay Palette Coastline below the fotoblendz masks and stains on the left. On the right, I rotated overlay 2 and placed it below the fotoblendz masks and stains.

Finally, I added layers of psd file 5 from Artsy Transfers Coastline on the left. I used the same layered psd file on the right, but rotated it and moved some layers.

Writing our story was the last step in creating this page. Oh what memories we have made together.

Family

“Strive to capture the heartbeat of love in this family: preserve and transplant it into the hearts of its members both present and future,” my grandfather said. His children, including my father, reflected that love of family and it’s history. That is what I wanted to capture with these two pages.

First, I extracted my parents from a photo with the Quick Selection tool using a layer mask and gave the masked result a shadow.

Note: I used the Clone Stamp tool on solid paper 4 from ArtPlay Palette Bravura so that I could erase the transfer on the paper to create a background for both pages.

Next, I placed the overlay from ArtPlay Palette Bravura and blended into the background another photo of my father. I changed the blend mode to Overlay blend mode at 60%.

I then placed a small frame from a template from WaterColor Template Album No. 7 to the left of my dad and clipped a photo of my dad with his siblings to the mask. Below the frame I placed a splatter and stain from the template.

I then positioned the layers of file 3 from MultiMedia Flowers No. 5 below my mother. To ground my parents, I also added file 6 from UrbanStitchez No. 1.

To finish the right side, I wrote my journaling in the textbox included in the template and added a title.

After placing the same solid paper on the left side, I dragged the layers of template 4 from WaterColor Template Album No. 7 onto the page. I clipped a photo to the templates’s fotoblendz mask and adjusted the focal photo by clipping duplicated copies to the original: black and white at 90%, Screen blend mode at 30% and Soft Light at 100%. I switched out one frame by duplicating the top one to accommodate my photos.

Note: I adjusted the size and position of the lower two text boxes.

I clipped my photos to the small frame masks. I added a button from the artplay palette.

Note: I initially adjusted these photos in Lightroom but added a duplicate copy of each and changed the blend mode to Soft Light.

Below the frames, I placed most of the layers of the layers of transfer 5 from Artsy Transfers Bravura.

Note: The splatter is part of the template.

Finally, I added the quote from my grandfather. I thought the word family summarizes what was most important in my dad’s family.

Let’s Not Forget

At the moment, we are dealing with a sewer backup that flooded our daughter’s basement and the reconstruction entailed. So I am very grateful that I already have a plan for this project. As I explained last week, I am using a template provided in Anna’s Heritage Live class. In addition, I am using fotoblendz overlays and masks, artsy transfers and frames from templates.

I had already clipped the solid paper 3 from ArtPlay Palette Elysium to both masks. I placed overlay 3 from FotoBlendz Overlays No. 12 on the right side and clipped my focal photo to it. I reduced the size of both the photo and mask.

Note: I darkened parts with a brush directly on the mask and lightened other parts on a layer mask once I knew where I was going to place the text.

I then placed the frames from template 16 of Hipster Plume Template Album No. 1.

Note: I am selecting the frames based on the design I want with the mask I use. That way I don’t have to make adjustments, although I did reduce the size of the frames just a little.

I clipped my photos to the masks.

Note: Because I am clipping everything to the page mask, I cannot use adjustment layers on my photos as I normally do because those layers affect the entire page. So I am duplicating some photos to apply a blend mode like soft light for example.

I created the title and list subtitle.

Below the fotoblendz overlay, I placed the layers of file 4 from Artsy Transfers Elysium. I added a layer mask to one layer and reduced the opacity of a couple of others so that my text was more readable.

Finally, I finished writing the story in two text boxes that I created. I also added a button from ArtPlay Palette Routine and thread 5 from ButtonThreadz No. 3.

I’m enjoying remembering our stories.

Page 1 of 7

Powered by WordPress & Theme by Anders Norén