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Tag: layer mask Page 1 of 6

Add a Sketch to a Mask

I like the artsy look of a sketch placed above a photo, especially combined with texture in FotoBlendz masks. While I have used Find Edges under Stylize in the Filter drop down menu, I don’t like the weight of the lines. So I’m experimenting again with different techniques for creating a sketch from photo. Below is the simplest version for creating a sketch that I know.

Start with a Photo
  • Place photo on new 12×12 blank document in Photoshop.
  • Resize photo.
Apply a Filter to Create Sketch
  • Open the Filter Gallery from the Filter drop down menu in Photoshop.
  • Choose Photocopy from the menu.
  • Adjust the settings and click ok to apply.
  • Turn off sketch.
Clip Photo to FotoBlendz Mask
  • Clip original photo to mask 6 from FotoBlendz Overlays No. 15.
  • Clip Levels adjustment layer to photo and change blend mode to Soft Light at 100%.
Adjust Blend Mode and Opacity
  • Turn on sketch and clip to Fotoblendz mask layer.
  • Change blend mode to Multiply at 50%.
Paper
Cluster

I have another sketch technique that I’m experimenting with that I hope to share in the next few weeks, something I’m trying to simplify within one Photoshop file. I really do like the lines created from a sketch with the texture in a mask like the one I used on this paper.

Roses

Artsy Paper #1 from ArtPlay Palette Narcissus by Anna Aspnes is a stunning piece of art without any photos. I can only hope that the roses I bought yesterday specifically for this paper do it justice.

I created this page with an Artsy Paper, photos of three different roses and a tag. Below are the steps.

Place Artsy Paper
Extract Roses
  • Place photos of three different roses above Artsy Paper #1
  • Using the Quick Selection Tool, find the edges of each rose.
  • Click the Select and Mask tab at the top of the screen.
  • Adjust the Smooth, Feather and Shift Edge levers.
  • Select Output to Layer Mask.
  • Repeat process for each rose.
  • Resize and arrange as desired.
Custom Drop Shadows
  • From the Styles Panel select a shadow for each rose. 
  • Click the FX symbol on the right of the photo layer and choose Create Layer option to place the drop shadow on a separate layer.
  • Press Command+V to access the Warp Tool. Drag the shadow a little to create more variability on your shadow layer.
  • Repeat for each photo layer.
  • To each photo layer clip a Hue and Saturation Layer. Select the Sepia Preset from the drop down menu. Change the opacity to 30% on Normal blend mode.
Add Tag and Quote
  • Place the .psd file of the tag included in ArtPlay Palette Narcissus.
  • Drag another copy of Artsy Paper #1 and reduce the size so that it just covers the tag. Clip it to the tag.
  • Add a Layer Mask to the paper layer. With a small hard round brush reveal the threads and staples.
  • Duplicate the layer. Change the blend mode to Linear Burn and invert the Layer Mask by pressing Command+I to darken the staples.
  • Add a quote if desired.

Extractions add dimension to layouts.  I encourage you to practice with the Quick Selection Tool as an alternative to using the Pen Tool for extractions.

Poetry

There is still snow here, piles of snow, so much that I haven’t seen the lawn in weeks. Thus I found the color in Anna’s new ArtPlay Palette Melic very appealing as I long for spring and the tulips that will bloom in April. Below I explain my process for creating this page.

First, place solid paper 3 on a new blank 12×12 inch document.

Extract three tulip blooms with the Quick Selection Tool, arrange and give each a shadow.

Note: I adjusted the color a little by applying a Hue and Saturation Adjustment to each bloom.

Place transfer 3 and transfer 1 from ArtPlay Palette Melic above the paper. Change the blend mode of both transfers to Linear Burn. Attach a layer mask to transfer 1 to hide parts of the transfer.

Stamp brush 7 and 4 from ArtPlay Palette Melic in a red orange on Normal blend mode on new blank layers just above the transfers. Tilt as needed to create the effect of stems extending from blooms.

Arrange three of the stitching .png files from MultiMedia Melic No. 1 below the blooms as well as a splatter and piece of lace. Roughly align the stitching with the brush lines

Drag one .psd leaf file from ArtPlay Palette Melic and place above the stitching. Adjust the position of the shadow included with the leaves. Place a second leaf file, rotate and reduce its size.

Finish the page with beaded word art from Melic WordART Mix No. 1 and a thread from ArtPlay Mini Palette Breeze. On the left, place a button and splatter from MultiMedia Melic No. 1.

That’s it, so simple!

Fifty Years Later

It seems like yesterday, not fifty years ago, that we honeymooned in San Francisco. We didn’t stay at the same hotel, the American Motor Lodge, but instead chose Hotel Zoe Fisherman’s Wharf this time, with its ultra modern decor. I hoped we would be able to replicate some of the photos from 1968 on this trip as we remembered our honeymoon.

We searched for the Fisherman’s Wharf sign and finally found a man who recognized it in copy of the photo where I sat. He told us it had been removed a long time ago. Even though we couldn’t access the balcony at the top of Ghiradelli Square, we found the sign at the top of the building. We posed on Pier 39, a tourist trap or a Pokemon player’s dream, depending on your perspective.

For the focal photo, I used frame set 3 from UrbanThreadz FotoBlendz Frames No. 2 in order to tie the two pages together. The photo I clipped to the mask is actually a blended composite so that I could have the entire heart behind us.

I chose the frames, threads and text box from template 10 in Travel Album No. 2 to accommodate the photos I wanted to include on my page. I reduced the size to 85%, before clipping my photos to the masks and adding adjustment layers.

Note: Because I am reducing the size of frames, masks and shadows from different templates, I am deleting the frames and giving each mask a stroke style of 20px so that all frames are consistent throughout my book.

I placed transfer 3 from ArtPlay Palete Riant just above the paper as well as layers from files 3 and 4 of Artsy Transfers Riant.

Note: I added a Hue and Saturation Layer to adjust the color of two layers.

Finally, I tucked a button from ArtPlay MiniPalette Blithe under the threads above the frames.

I want to thank my friend Adryane and her husband for helping us replicate some old photos for this page. It was Adryane’s idea to capture some shots holding our wedding photo. What a wonderful day searching for landmarks and remembering!

South Lake Tahoe

We used to rent bicycles for the 3.8 mile ride from Camp Richardson to Spring Creek, the place where we turned around for the ride back. From the bike trail we’d take the road into the Tallic Estates. We walked the paths on the estate this year. We sat on a bench near the boat house where we had sat previously and we battled for a virtual creature, a Rhydon, at one of the Pokemon gyms on the grounds. There were no Pokemon gyms five years ago although I did have an iPhone by then. Below are the details for creating this page.

On the left, I placed layers from Artsy Layered Template No. 283. On the right side, I placed the frames and text boxes from template 7 of Project Template Album No. 3.

I then placed .jpeg mask 3 from Coolth FotoBlendz No. 1 on the left and mask 1 on the right. I clipped a photo to each mask, adjusted the masks to accommodate my photos and extracted us on a separate layers. I gave the extraction layers a shadow.

Next, I clipped additional photos to the small frames and added adjustment layers to the photos.

On the left, I combined layers from the artsy template with five of the layers from transfer 3 of Artsy Transfers Coolth below the masked photo and frames. On the right, I placed six layers from transfer 3 below the lower two frames and 7 layers from transfer 2 below the masked photo.

Note: I adjusted the color of one layer with a Color Overlay to accommodate the colors in my photos.

To finish the page, I placed three copies of the watercolor flower from ArtPlay Palette Coolth, rotating and resizing for variation. I also repeated a button from the ArtPlay palette. I tacked down the button on the left with thread 11 from ButtonThreadz No. 2. The threads on the right were included with the frames in the template.

Note: My title is in the same position as suggested by the template.

While the small photo on the right, taken in 1999, is the earliest photo that I could find at Pope Estates, we began exploring South Lake Tahoe much earlier. It’s been our favorite place to vacation over the years.

Christmas

Christmas has always been my favorite holiday; celebrating the birth of Christ by exchanging gifts, decorating a tree, dinner with family, the music and the lights. As a child I remember a tree appearing on Christmas morning decorated with lights and strings of silver tinsel, but when I was older my dad would bring home a tree on Christmas Eve for us to decorate.

On our first Christmas, Bill and I decorated a tree with lights, round balls Bill’s mother gave us and silver tinsel. On the top we placed a little red angel, thinking that we’d have a collection of ornaments some day.

For these two layouts, I began by placing templates from Project Album Template No. 4 above solid paper 3 from ArtPlay Palette Rejoice that I had clipped to the masks from Heritage Live template. On the left I placed the layers from template 15 and on the right I placed the layers of template 5. I turned off all but the fotoblendz masks from both templates.

I clipped my photos to the large fotoblendz masks but gave them each a sepia look with a Hue and Saturation layer. The color in my photos didn’t work well together.

Note: On the left I used the basic arrangement of the fotoblendz mask and text boxes, but on the right, I moved the mask to accommodate my overall page design.

Before deciding how to arrange the small photos that I wanted to include, I worked with layers from transfers 2, 4 and 5 of Artsy Transfers Rejoice. I placed all the layers for each psd file and began to turn off layers and move some around. On the right I used a combination of layers from psd files 4 and 5. On the left, I combined layers from psd files 2 and 4.

Next, I turned back on the frames on the left and deleted all but two square frames to accommodate the photo format of a Kodak Instamatic camera. On the right, I selected similar frames from those included in the template but moved them down below the fotoblendz mask. I clipped my photos to the small frames and added adjustment layers.

Note: I toned down the color in the two photos on the right by adding a Hue and Saturation adjustment layer for a sepia tone but reduced the opacity to 50%.

I filled the area to the left of the small frames on the right with two layers from transfer 4 of Artsy Transfers Rejoice.

To finish my layout I opened frame 3 from MultiMedia Frames No. 5 and placed only the deer included in the file on my layout. On the right, I used the heart, word art and branch from file 1 of MultiMedia Frames No. 5. I added the red and green paint from file 4. I completed my journaling, changing the size of one of the text boxes included with the template. With a title and a little more of the red and green paint, I finished my layout.

You may not be old enough to remember 1968, but gold was a very popular color. Anna’s new palette, ArtPlay Palette Rejoice, was perfect for remembering our first Christmas.

I Remember the Music

A few weeks ago, a cousin sent me the photo of the house in Dallas that my Grandfather and Grandmother Kennamer moved to in 1939. I have few memories of my grandfather, but I do remember his music. I remember dancing on his porch while he played Mockingbird Hill on his fiddle. Independent of a few photos, music is my strongest memory of my grandfather. The extraction above is from the last photo I have of him, taken in 1964. Below are the steps for creating this page.

Create a new blank document. Place file 1 from Luster FotoBlendz No. 1 on solid paper 2 from ArtPlay Palette Luster.Clip the photo sketch to mask. Add Screen adjustment layers at 100%. Above the adjustment layer, place a duplicate of the original photo. Add an inverted mask and bring back in the roof. At the top of photo layers clipped to the mask, duplicate one more copy of the original photo on Pin Light blend mode at 50%. Place textures 3 and 6 from Paper Textures No. 1.

Note: I used a Lightroom preset by Studio Romy to create the sketch. I recolored the mask white so that I could change the blend mode of the sketch to multiply.Place transfers 1 and 6 from ArtPlay Palette Luster below the mask and photo layers.Above the fotoblendz mask and photo layers, extract subject with the Quick Selection tool from group photo. Give the extraction a custom shadow.Add a black and white adjustment layer to the photo. On the layer mask use a round brush to reveal the red bow tie and face. Above the black and white adjustment layer add an adjustment layer on Soft Light at 100%. Place musical instrument 6 of Instrumental No. 1 below the extraction. Give it a 1 px stroke. Place stitches 3 and 11 from UrbanStitchez No. 12 below the text box and extraction. Add title.On the left side, place the tag from ArtPlay Palette Luster. Add address of house. Add button from ArtPlay Palette Joyeux and a thread 6 from ButtonThreadz No. 3. Add text box and journaling.

I don’t have a photo, but I can see my grandfather standing on the porch and hear him playing his fiddle.

Color Challenge

This is the first layout that I have finished as part of the 100th Color Challenge with Anna Aspnes Designs. It’s all about red, black and white in combination with one of the quotes provided in the forum at Oscraps. I already had an idea for a photo when Kate and I walked to the park Saturday afternoon. Below are the steps for creating this page.

After extracting Kate and the play apparatus from four photos, I combined them to create one composite. I gave the composite a custom shadow.

Note: I made the black and white adjustments to the photos in Lightroom.

To color just part of the apparatus, I duplicated the composite and then used the Quick Selection tool to extract just the part I wanted red. I added a color overlay using the styles panel at the bottom of the layers panel.

To build a background, I placed brush 1 from Countryside No. 2 and brush 2 from Countryside No. 1 on the page below the extractions. I blended out part of the second brush with a layer mask.

To ground the play equipment, I added threads from UrbanThreadz No. 9 and three layers of stitching from UrbanStitchez Misc. No. 1.

The hardest part was scaling and combining the four extractions so that I could have a complete scene. That and adjusting to a new version of Photoshop CC. The rest was easy!

Best Man

I can’t tell you how difficult it was to work with that old photo of my husband and his best man. I had to figure out how to correct the color and hide the photo crop and bland background. Stu and Bill have been friends for a long time; their parents had known each other for years. They both loved the outdoors: camping, fishing and hunting. That’s what gave me the idea to create an unexpected look for the background of them at our wedding. The guys were good sports when I asked them to recreate a wedding photo for our 50th anniversary.

To begin, I extracted my husband and his best man from the photo on the left. I gave the extraction a custom shadow. I placed the layers of file 13 from WaterColor Template Album No. 2 on the right side. On the left, I pulled the text box from page 1 of WaterColor Template Album 1. I moved one frame, duplicated another from the other side and changed the stitching.

Next, I extracted the guys from a photo I captured on our recent anniversary trip. I added a custom shadow.

I clipped some photos to the small frames and adjusted the exposure with adjustment layers.

To fill in the background on the right side, I placed layers of files 1 and 4 from Artsy Transfers Sonoma.

On the left, I placed transfer edge overlay 1 and transfer 4 from ArtPlay Palette Sonoma. In addition, I added artsy transfer layers to create a better edge for the old photo.

I am going to revise the journaling I think and try to find that photo of the red Mustang convertible.

The Boat

In the spring of 1971, we bought a 21 foot inboard outboard Gulf Stream. Why would two teachers who lived in a tiny apartment need a boat? I guess a boat sounded like a fun thing to have for our summers. We hooked the boat to our yellow Plymouth Duster and set off for Lake Havasu, Isabella, Folsom and Orville. Despite the fact that owning a boat turned out to be a bit more complicated than we anticipated, there is no denying that the boat was a great value for the time we owned it. We made some wonderful memories with friends. However, all good things come to an end. By the end of the summer I was pregnant with our son. We sold the boat for a downpayment on our first home.

To create this page I clipped solid paper 3 from ArtPlay Palette Mountain High to the template’s large masks before dragging the layers of templates 7 and 8 from WaterColor Template Album No. 4 on to my page.

Note: I chose the square shape of the fotoblendz masks from template 7 because they suited the 3.5×3.5 snapshots so common in the 1970s. I duplicated one frame on the right instead of using the longer framed mask included in the template.

However, because I wanted to include as much of the square photo as possible, I added overlay 2 from FotoBlendz Overlays No. 7 below the template’s mask on the right to square the mask shape more.

I then clipped copies of the photo to the two masks and stains below.

Note: I extended the photo by blending in an edge on a separate layer in order to get rid of the trapped space in the template.

I clipped two additional photos to the fotoblendz masks on the left as well as the stains below that were included in the template.

I clipped my photos to the small framed masks, adjusting the exposure and look by duplicating copies and changing the blend mode.

Next, I placed overlay 1 and 2 from ArtPlay Palette Coastline below the fotoblendz masks and stains on the left. On the right, I rotated overlay 2 and placed it below the fotoblendz masks and stains.

Finally, I added layers of psd file 5 from Artsy Transfers Coastline on the left. I used the same layered psd file on the right, but rotated it and moved some layers.

Writing our story was the last step in creating this page. Oh what memories we have made together.

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