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Tag: extraction (Page 1 of 6)

Summer 1970

We hadn’t been married two years when we volunteered to serve as leaders for a group of college students on a summer long trip to promote a singing group from our church, Van Nuys Baptist. We spent most of our time in the Philippines. I kept a journal in summer, 1970, handwritten pages tied together with yarn, filled with details about the Philippines: waking up to the sound of jeepneys, shopping for meat in open air markets, cooking in a pressure cooker, listening to the daily rain on a tin roof collected for cold showers, riding a bus out of the city, walking to a small village into a corn field to find a bathroom, laughing at our caribou ride, hearing Bill preach on David and Goliath in a little dirt floor church.The words tell a story not seen in these photos, my thoughts and feelings. Now that I think about it, summers before we had children, a detail about which Philippinos questioned us, are some of our best memories.

I continue to work on my heritage project, deciding which photos to include, what to write and simply remembering what it was like 50 years ago. It’s not as easy as I thought to create a page that conveys the essence of an experience in our early marriage. I took some time to think and plan before beginning this two page spread.

I began by reducing the size of templates 7 and 8 from Hipster Plume Album Template No. 2 to about 85% and placing them above solid paper 3 from ArtPlay Palette Sage on the template provided in Heritage Live.

Note: I deleted the masks included with the template for the small photos. To each matte, I added a stroke style to keep the framing consistent through my project.

Next, I clipped a photo to each of the fotoblendz masks and some of the stains. I also extracted us from the photos and created a custom shadow.

Note: The photos on these pages are from old slides and required some work in Lightroom as well as adjustments in Photoshop.

On the left, I placed the layers from transfer 5 of Artsy Transfers Sage between the extraction and the photo copy clipped to the fotoblendz mask. I placed layers from transfer 1 below the cluster of frames on the far left. On the right, layers from transfer 4 of Artsy Transfers Sage are below both the extraction and the fotoblendz mask.

To accommodate one additional photo, I duplicated the square matte and shadow on the right and moved it to the place where the text box was originally. I gave the matte the same stroke style and clipped my photo to it.

Finally, I photographed the handwritten journal I kept that summer, reduced the size and gave it a shadow. I tucked it next to one of the small photos. I gave the gold yarn, a popular color then, it’s own custom shadow.

After rereading my journal, I decided that if my family wants more details about the summer of 1970, they can read my journal too.

I Remember the Music

A few weeks ago, a cousin sent me the photo of the house in Dallas that my Grandfather and Grandmother Kennamer moved to in 1939. I have few memories of my grandfather, but I do remember his music. I remember dancing on his porch while he played Mockingbird Hill on his fiddle. Independent of a few photos, music is my strongest memory of my grandfather. The extraction above is from the last photo I have of him, taken in 1964. Below are the steps for creating this page.

Create a new blank document. Place file 1 from Luster FotoBlendz No. 1 on solid paper 2 from ArtPlay Palette Luster.Clip the photo sketch to mask. Add Screen adjustment layers at 100%. Above the adjustment layer, place a duplicate of the original photo. Add an inverted mask and bring back in the roof. At the top of photo layers clipped to the mask, duplicate one more copy of the original photo on Pin Light blend mode at 50%. Place textures 3 and 6 from Paper Textures No. 1.

Note: I used a Lightroom preset by Studio Romy to create the sketch. I recolored the mask white so that I could change the blend mode of the sketch to multiply.Place transfers 1 and 6 from ArtPlay Palette Luster below the mask and photo layers.Above the fotoblendz mask and photo layers, extract subject with the Quick Selection tool from group photo. Give the extraction a custom shadow.Add a black and white adjustment layer to the photo. On the layer mask use a round brush to reveal the red bow tie and face. Above the black and white adjustment layer add an adjustment layer on Soft Light at 100%. Place musical instrument 6 of Instrumental No. 1 below the extraction. Give it a 1 px stroke. Place stitches 3 and 11 from UrbanStitchez No. 12 below the text box and extraction. Add title.On the left side, place the tag from ArtPlay Palette Luster. Add address of house. Add button from ArtPlay Palette Joyeux and a thread 6 from ButtonThreadz No. 3. Add text box and journaling.

I don’t have a photo, but I can see my grandfather standing on the porch and hear him playing his fiddle.

Color Challenge

This is the first layout that I have finished as part of the 100th Color Challenge with Anna Aspnes Designs. It’s all about red, black and white in combination with one of the quotes provided in the forum at Oscraps. I already had an idea for a photo when Kate and I walked to the park Saturday afternoon. Below are the steps for creating this page.

After extracting Kate and the play apparatus from four photos, I combined them to create one composite. I gave the composite a custom shadow.

Note: I made the black and white adjustments to the photos in Lightroom.

To color just part of the apparatus, I duplicated the composite and then used the Quick Selection tool to extract just the part I wanted red. I added a color overlay using the styles panel at the bottom of the layers panel.

To build a background, I placed brush 1 from Countryside No. 2 and brush 2 from Countryside No. 1 on the page below the extractions. I blended out part of the second brush with a layer mask.

To ground the play equipment, I added threads from UrbanThreadz No. 9 and three layers of stitching from UrbanStitchez Misc. No. 1.

The hardest part was scaling and combining the four extractions so that I could have a complete scene. That and adjusting to a new version of Photoshop CC. The rest was easy!

Best Man

I can’t tell you how difficult it was to work with that old photo of my husband and his best man. I had to figure out how to correct the color and hide the photo crop and bland background. Stu and Bill have been friends for a long time; their parents had known each other for years. They both loved the outdoors: camping, fishing and hunting. That’s what gave me the idea to create an unexpected look for the background of them at our wedding. The guys were good sports when I asked them to recreate a wedding photo for our 50th anniversary.

To begin, I extracted my husband and his best man from the photo on the left. I gave the extraction a custom shadow. I placed the layers of file 13 from WaterColor Template Album No. 2 on the right side. On the left, I pulled the text box from page 1 of WaterColor Template Album 1. I moved one frame, duplicated another from the other side and changed the stitching.

Next, I extracted the guys from a photo I captured on our recent anniversary trip. I added a custom shadow.

I clipped some photos to the small frames and adjusted the exposure with adjustment layers.

To fill in the background on the right side, I placed layers of files 1 and 4 from Artsy Transfers Sonoma.

On the left, I placed transfer edge overlay 1 and transfer 4 from ArtPlay Palette Sonoma. In addition, I added artsy transfer layers to create a better edge for the old photo.

I am going to revise the journaling I think and try to find that photo of the red Mustang convertible.

Fifty Years of Friendship

It’s been six years since we were last all together. We’ve shared more than fifty years of friendship with Bill and Sue Woods and Stu and Patty Macy. We’ve attended weddings and baby showers for one another, traveled together, i.e. the zoo, San Diego, Disneyland, even as far as the Philippines. We watched the Olympic Soccer finals in 1984 and numerous fireworks shows together. We made one more memory when we had lunch at Azul Latina Kitchen in South Lake Tahoe. For me the contrast between the photo of us all now and a few snapshots from the past are a treasure.

To create this page, I began with the template from Heritage Live and psd file 4 from Feuillemort FotoBlendz No 1.

I clipped a copy of the photo from our trip to the fotoblendz mask. I could have left it at that, but I wanted the photo to pop with depth.

I extracted parts of us from the photo and gave that extraction a shadow. Then I added two adjustment layers, one on Soft Light blend mode at 40% and the other on Screen blend mode at 30%. Between the two layers angled transfer 1 from ArtPlay Palette Feuillemort.

Note: I clipped copies of the photo to the stains included in the psd fotoblendz file.

Below those layers, I placed a combination of layers from Artsy Transfers Feuillemort 4 and 5.

On the right side, I used template 16 from WaterColor Template Album No. 3, deleting some of the stains included with the template. First, I clipped another photo to the fotoblendz mask included in the template and added an adjustment layer.

I clipped my photos to the small frames and added a stroke layer style to make the photos look as if they had the same frames used on the previous pages.

Note: the frames on the template are different from those that I’ve used for the other pages in this book. I deleted the masked included in the template, leaving just the frames. I added the stoke to the frames of the template by clicking the styles button at the bottom of my layers panel. Each frame has a style attached.

To finish my page, I added transfers from ArtPlay Palette Feuillemort and layers from transfer 5 of Artsy Transfers Feuillemort. I added a title with a thread from UrbanThreads No. 17.

I really didn’t take many photos with our friends over lunch, but that one was enough to tell this story.

Honeymoon

Bill’s brother handcuffed us together as we left the church following our wedding, but his dad unlocked the cuffs on the way to the airport to catch our flight to San Francisco for a short honeymoon. We only had a few days before I began my first teaching assignment at Langdon Elementary. I didn’t capture many photos on our trip; I can’t remember what kind of camera I used. However, I will have my Fuji X-T2 when we return to San Francisco in a few weeks.

To create the right side of this layout, I clipped solid paper 1 from ArtPlay Palette Riant to both sides of the template that I received in Anna’s class, Heritage Live. On the right edge, I placed the layers of frame 1 from UrbanThreadz FotoBlendz Frames No. 2.

Next, I clipped my photo to the fotoblendz mask included in the psd file. I used a brush to darken parts to reveal more of my photo. I extracted myself from the photo and gave the extraction a custom shadow. I also duplicated the entire photo twice, one on Screen blend mode at 50% and the other on Soft Light at 50%.

Note: I blended my legs into the mask to disguise the way my feet were cut off in the original photo.

I placed the frames from template 10 of WaterColor Template Album No. 7 on my page and adjusted the placement of one frame to accommodate one of my photos.

Note The thread and text boxes was included in the template. The button is from ArtPlay Palette Riant.

After adjusting the position of the frame grouping, I clipped my photos to the frames. I adjusted the exposure by duplicating the photo copies and changing the blend modes to Screen or Soft Light.

Below the group of frames, I placed most of the layers of psd file 3 from Artsy Transfers Riant, adjusting the position of the layers to line up with the top frame.

Below the circular frame, I placed transfers 3 and 7 from ArtPlay Palette Riant.

Note: I adjusted the yellow in transfer 7 with a Hue and Saturation adjustment layer after I rotated it. I had already created the textbox on the left before adding the transfers so all I needed to do was adjust its position.

My friend, Adryane, is going to help us recreate a couple of these photos for the opposing page of this layout when we are in San Francisco. We are really looking forward to our trip.

Family

“Strive to capture the heartbeat of love in this family: preserve and transplant it into the hearts of its members both present and future,” my grandfather said. His children, including my father, reflected that love of family and it’s history. That is what I wanted to capture with these two pages.

First, I extracted my parents from a photo with the Quick Selection tool using a layer mask and gave the masked result a shadow.

Note: I used the Clone Stamp tool on solid paper 4 from ArtPlay Palette Bravura so that I could erase the transfer on the paper to create a background for both pages.

Next, I placed the overlay from ArtPlay Palette Bravura and blended into the background another photo of my father. I changed the blend mode to Overlay blend mode at 60%.

I then placed a small frame from a template from WaterColor Template Album No. 7 to the left of my dad and clipped a photo of my dad with his siblings to the mask. Below the frame I placed a splatter and stain from the template.

I then positioned the layers of file 3 from MultiMedia Flowers No. 5 below my mother. To ground my parents, I also added file 6 from UrbanStitchez No. 1.

To finish the right side, I wrote my journaling in the textbox included in the template and added a title.

After placing the same solid paper on the left side, I dragged the layers of template 4 from WaterColor Template Album No. 7 onto the page. I clipped a photo to the templates’s fotoblendz mask and adjusted the focal photo by clipping duplicated copies to the original: black and white at 90%, Screen blend mode at 30% and Soft Light at 100%. I switched out one frame by duplicating the top one to accommodate my photos.

Note: I adjusted the size and position of the lower two text boxes.

I clipped my photos to the small frame masks. I added a button from the artplay palette.

Note: I initially adjusted these photos in Lightroom but added a duplicate copy of each and changed the blend mode to Soft Light.

Below the frames, I placed most of the layers of the layers of transfer 5 from Artsy Transfers Bravura.

Note: The splatter is part of the template.

Finally, I added the quote from my grandfather. I thought the word family summarizes what was most important in my dad’s family.

Extractions with Old Photos

My grandmother, the little girl on the far left, died in 1952 from a stroke at the age of 52. The small photo of me and my sister on the right is the only photo that I have with my grandparents. We moved to California not long after my Grandmother Irene died. Although I didn’t see my grandfather often, I have a few photos and memories for which I am grateful.

I love the effect of partially extracting the people from an old photo. That way I can change a background and add shadows to the people to create depth on my pages. That was my first step for this page, extracting the people from both photos.

Note: I didn’t have a lot of space with which to work in the photo on the left, so I blurred part with brushes on the layer mask. I duplicated each photo and changed the blend mode of the duplicated photos to soft light to increase the contrast.

Next I clipped the photo of my grandfather on the right to overlay 5 from FotoBlendz Overlays No. 12. On the left, I used overlay 1 from the same package. I will add a different background, i.e. artsy paper or artsy transfers to create a background within the mask/overlays.

To fill the black areas, I positioned artsy paper 2 from ArtPlay Palette Fernweh between the photo and mask on the right. On the left, I placed most of the layers of psd transfer 5 from ArtsyTransfers Fernweh between the photo and the overlay.

I continued to build the background on both sides. To the right, I added the layers of transfer 5 from ArtsyTransfers Fernweh. To the left, I positioned the psd layers of files 3 and 5 from the same set.

Note: When I work with Anna’s transfer layers, I often move them around, add layer masks to hide parts of a layer I don’t want or delete layers.

Once I had finished the background for each photo, I placed the small frames and thread from Hipster Plume Template Album No. 1 on the right. I clipped my photos to the frame masks. Below the frames, I added file 4 from MultiMedia Branches No. 10, reducing the size and adjusting the position. On the left, behind my grandmother, I placed file 1 from MultiMedia Branches No. 1o. I reduced the size of those layers, added masks so that the layers didn’t interfere with the photo and changed the position of other layers, i.e. the button. Finally, I added wrote my journaling and a title.

Although these pages took time, I enjoyed every minute.

Mother

Finding the words to express what I feel now and then about my mother is difficult. I don’t think I ever really knew her. I remember the pain in the few stories she shared from her childhood with me. I know I didn’t understand her un-diagnosed Bipolar. She was complicated, always demanding my best, our relationship never intimate. I know that she gave the best she could. I will always be grateful she did. I imagine that everyone has a few difficult stories to tell about family. It’s not that I wanted this to be one of my first pages for my anniversary book, but the color in Anna’s ArtPlay Palette Rougir was perfect for an early color photo of my mother from 1947.

As I did on my first page, I used primarily fotoblendz masks, artsy transfers, brushes and small frames from templates.

I worked with the photo of my mother in Lightroom first to improve the color. After importing it into Photoshop CC, I used the Camera Raw filter to improve it further. The background was dark so I extracted my mother and added a custom shadow. I clipped transfer 2 and solid paper 2 from ArtPlay Palette Rougir to overlay 1 from FotoBlendz Overlays No. 12. Below that I placed the layers of psd file 5 from Artsy Transfers Rougir.

To build depth and interest, I added the notebook from ArtPlay Palette Rougir and pasted photos on it to create the look of a photo album. I added addition transfers, leaves and lace from ArtPlay Palette Rougir as well as the layers of file 1 from MultiMedia Roses No. 1.

On the right side, I began by clipping the original photo to mask 5 from Hipster Plume FotoBlendz No. 7. To the left of the masked photo, I placed transfers 1 and 2 from ArtPlay Palette Rougir and masked out parts as needed with blending brushes.

Note: I used the basic design of template 15 from WaterColor Template Album No. 5 for this page.

I continued to build the background by placing the layers of transfers 1 and 4 from Artsy Transfers Rougir, masking as needed.

Note: My jumpsuit was actually yellow. I recolored it by masking out just my clothing and adding a color overlay to that layer.

Finally, I clipped photos to the small frame masks of template 15 of WaterColor Template Album No. 5 before adding elements from ArtPlay Palette Rougir.

I’m looking forward to hearing how Anna handled her difficult stories in her upcoming class, Heritage Live. Maybe its a good thing that I’ve finished one of the difficult stories early in my project.

Ready for Kindergarten

My granddaughter looks so grown up now. I have mixed feelings about this little girl beginning kindergarten in August. On one hand, I know how much I’m going to miss driving her to preschool, making lunch and playing with her in the afternoons.  However, I also know how much she will enjoy school, how much she’ll learn academically and socially. The teacher in me loves knowing all the wonderful possibilities waiting for her. I created this page in celebration of those possibilities. The steps are simple.

Roughly extract child from three photographs using the Quick Selection tool and a layer mask.

Clip photos of grass to mask 2 and 3 from WaterColor FotoBlendz No. 8.

Note: I photographed the grass to unify the extractions since each was a separate photo.

Add the psd layers of frame 1 from Postage Frames No. 1. Clip grass photo to masks. Above the masks, place a second copy of extractions. Add a custom shadow to each extraction.

Below the extractions and first set of frames, place a second frame set. Clip a copy of the grass photo to the frame masks.

Add one more psd frame 1. Again, clip grass photo to masks.

Add transfer 1, art stroke 2 and overlay 1 and 3 from ArtPlay Palette Ariose below the fotoblendz masks. Just below the top postage stamp frames, place two copies of overlay 4 and art stroke 2. Place solid paper 1. Lighten paper with a levels adjustment layer. Change blend mode to screen at 80%.

Note: I erased part of the paper with the Clone Stamp tool.

Finish with a title and cluster with elements from ArtPlay Palette Ariose.

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