Photo Storify

Photos, Stories and Scrapbooking

Tag: extraction Page 1 of 6

Three Ideas for Brushes

Bill remembers that his grandfather was 13 years older than his grandmother, definitely a man of the 19th century, meaning the woman was expected to do everything. His grandmother hated her middle name (Garfield after a President) and the pipe his grandfather smoked. She’d say when Samuel retired, he retired. Families are complicated aren’t they.

After initially losing this entire file on Wednesday, I started again, challenging myself to practice distinct ways for using brushes and at the same time, make it easier for myself. The time was well spent in my mind.

Extract and Mask
Stamp Brushes on Inverted Layer Masks

Rather than bring back in the entire background on one inverted layer mask attached to a photo, I think it is easier to see what’s happening to the photo on a page by using different brushes on different layers.

  • Duplicate the photo and add an inverted layer mask.
  • On each layer mask stamp a brush with the foreground color on white.

Note: On this page I used brushes from ArtPlay Palette Patriarch and the bonus brushes included with the full release, Anna Release 7 June 2019 on the multiple layer masks.

Place Overlays and Artsy Transfers

Note: I moved the transfer layers around to provide color and texture where I needed them, i.e. grounding the couple.

Place Frames
Stamp Brushes on New Blank Layers

Stamping a brush on a new layer makes it easier to adjust the position of each brush while adding texture and interest below frames.

  • Create a new layer below the frames and stamp brush 9 just below the frames.
  • Create new layers for each brush: brushes 16, 17 and 18, available in the Anna Release 7 June 2019.
Duplicate, Enlarge and Arrange Extracted Couple
  • Duplicate the layer of the extracted couple twice.
  • Move it down in the layers panel.
  • On one copy, add a layer mask and hide one person using a brush with the foreground color on white.
  • Repeat for the second copy, masking out the other person.
  • Reduce the opacity of both to 25% on Darken blend mode.
  • Rearrange both layers as desired.

Note: In order to darken one part, I stamped brush 4 on a new blank layer. Then I merged the two extractions to create one copy and clipped that to the brush layer.

Add Title and Journaling
  • Use two fonts to create a title; I used Hello Sunshine and Hello Sunshine Marker again on this page.
  • Finish journaling.

Note: The text boxes I used for my journaling are from the same file with the small frames: WaterColor Template Album No. 6.

My self-challenge for this page was to practice distinct ways for using brushes and at the same time, make it easier for myself. As I explained in a previous post, I initially stamped the brushes on one blank layer just so that I could see what they looked like. From that sample layer, I decided which brushes I wanted to use. I used brushes in three different ways on this page.

  • Stamp brushes on layer masks clipped to multiple photo layers.
  • Stamp brushes on new blank layers to add interest below small frames.
  • Use a brush as a mask by stamping it on a new layer and then clipping a photo to the brush.

I challenge you to experiment with brushes and find ways that make it easier for yourself.

Roses

Artsy Paper #1 from ArtPlay Palette Narcissus by Anna Aspnes is a stunning piece of art without any photos. I can only hope that the roses I bought yesterday specifically for this paper do it justice.

I created this page with an Artsy Paper, photos of three different roses and a tag. Below are the steps.

Place Artsy Paper
Extract Roses
  • Place photos of three different roses above Artsy Paper #1
  • Using the Quick Selection Tool, find the edges of each rose.
  • Click the Select and Mask tab at the top of the screen.
  • Adjust the Smooth, Feather and Shift Edge levers.
  • Select Output to Layer Mask.
  • Repeat process for each rose.
  • Resize and arrange as desired.
Custom Drop Shadows
  • From the Styles Panel select a shadow for each rose. 
  • Click the FX symbol on the right of the photo layer and choose Create Layer option to place the drop shadow on a separate layer.
  • Press Command+V to access the Warp Tool. Drag the shadow a little to create more variability on your shadow layer.
  • Repeat for each photo layer.
  • To each photo layer clip a Hue and Saturation Layer. Select the Sepia Preset from the drop down menu. Change the opacity to 30% on Normal blend mode.
Add Tag and Quote
  • Place the .psd file of the tag included in ArtPlay Palette Narcissus.
  • Drag another copy of Artsy Paper #1 and reduce the size so that it just covers the tag. Clip it to the tag.
  • Add a Layer Mask to the paper layer. With a small hard round brush reveal the threads and staples.
  • Duplicate the layer. Change the blend mode to Linear Burn and invert the Layer Mask by pressing Command+I to darken the staples.
  • Add a quote if desired.

Extractions add dimension to layouts.  I encourage you to practice with the Quick Selection Tool as an alternative to using the Pen Tool for extractions.

Poetry

There is still snow here, piles of snow, so much that I haven’t seen the lawn in weeks. Thus I found the color in Anna’s new ArtPlay Palette Melic very appealing as I long for spring and the tulips that will bloom in April. Below I explain my process for creating this page.

First, place solid paper 3 on a new blank 12×12 inch document.

Extract three tulip blooms with the Quick Selection Tool, arrange and give each a shadow.

Note: I adjusted the color a little by applying a Hue and Saturation Adjustment to each bloom.

Place transfer 3 and transfer 1 from ArtPlay Palette Melic above the paper. Change the blend mode of both transfers to Linear Burn. Attach a layer mask to transfer 1 to hide parts of the transfer.

Stamp brush 7 and 4 from ArtPlay Palette Melic in a red orange on Normal blend mode on new blank layers just above the transfers. Tilt as needed to create the effect of stems extending from blooms.

Arrange three of the stitching .png files from MultiMedia Melic No. 1 below the blooms as well as a splatter and piece of lace. Roughly align the stitching with the brush lines

Drag one .psd leaf file from ArtPlay Palette Melic and place above the stitching. Adjust the position of the shadow included with the leaves. Place a second leaf file, rotate and reduce its size.

Finish the page with beaded word art from Melic WordART Mix No. 1 and a thread from ArtPlay Mini Palette Breeze. On the left, place a button and splatter from MultiMedia Melic No. 1.

That’s it, so simple!

South Lake Tahoe

We used to rent bicycles for the 3.8 mile ride from Camp Richardson to Spring Creek, the place where we turned around for the ride back. From the bike trail we’d take the road into the Tallic Estates. We walked the paths on the estate this year. We sat on a bench near the boat house where we had sat previously and we battled for a virtual creature, a Rhydon, at one of the Pokemon gyms on the grounds. There were no Pokemon gyms five years ago although I did have an iPhone by then. Below are the details for creating this page.

On the left, I placed layers from Artsy Layered Template No. 283. On the right side, I placed the frames and text boxes from template 7 of Project Template Album No. 3.

I then placed .jpeg mask 3 from Coolth FotoBlendz No. 1 on the left and mask 1 on the right. I clipped a photo to each mask, adjusted the masks to accommodate my photos and extracted us on a separate layers. I gave the extraction layers a shadow.

Next, I clipped additional photos to the small frames and added adjustment layers to the photos.

On the left, I combined layers from the artsy template with five of the layers from transfer 3 of Artsy Transfers Coolth below the masked photo and frames. On the right, I placed six layers from transfer 3 below the lower two frames and 7 layers from transfer 2 below the masked photo.

Note: I adjusted the color of one layer with a Color Overlay to accommodate the colors in my photos.

To finish the page, I placed three copies of the watercolor flower from ArtPlay Palette Coolth, rotating and resizing for variation. I also repeated a button from the ArtPlay palette. I tacked down the button on the left with thread 11 from ButtonThreadz No. 2. The threads on the right were included with the frames in the template.

Note: My title is in the same position as suggested by the template.

While the small photo on the right, taken in 1999, is the earliest photo that I could find at Pope Estates, we began exploring South Lake Tahoe much earlier. It’s been our favorite place to vacation over the years.

Summer 1970

We hadn’t been married two years when we volunteered to serve as leaders for a group of college students on a summer long trip to promote a singing group from our church, Van Nuys Baptist. We spent most of our time in the Philippines. I kept a journal in summer, 1970, handwritten pages tied together with yarn, filled with details about the Philippines: waking up to the sound of jeepneys, shopping for meat in open air markets, cooking in a pressure cooker, listening to the daily rain on a tin roof collected for cold showers, riding a bus out of the city, walking to a small village into a corn field to find a bathroom, laughing at our caribou ride, hearing Bill preach on David and Goliath in a little dirt floor church.The words tell a story not seen in these photos, my thoughts and feelings. Now that I think about it, summers before we had children, a detail about which Philippinos questioned us, are some of our best memories.

I continue to work on my heritage project, deciding which photos to include, what to write and simply remembering what it was like 50 years ago. It’s not as easy as I thought to create a page that conveys the essence of an experience in our early marriage. I took some time to think and plan before beginning this two page spread.

I began by reducing the size of templates 7 and 8 from Hipster Plume Album Template No. 2 to about 85% and placing them above solid paper 3 from ArtPlay Palette Sage on the template provided in Heritage Live.

Note: I deleted the masks included with the template for the small photos. To each matte, I added a stroke style to keep the framing consistent through my project.

Next, I clipped a photo to each of the fotoblendz masks and some of the stains. I also extracted us from the photos and created a custom shadow.

Note: The photos on these pages are from old slides and required some work in Lightroom as well as adjustments in Photoshop.

On the left, I placed the layers from transfer 5 of Artsy Transfers Sage between the extraction and the photo copy clipped to the fotoblendz mask. I placed layers from transfer 1 below the cluster of frames on the far left. On the right, layers from transfer 4 of Artsy Transfers Sage are below both the extraction and the fotoblendz mask.

To accommodate one additional photo, I duplicated the square matte and shadow on the right and moved it to the place where the text box was originally. I gave the matte the same stroke style and clipped my photo to it.

Finally, I photographed the handwritten journal I kept that summer, reduced the size and gave it a shadow. I tucked it next to one of the small photos. I gave the gold yarn, a popular color then, it’s own custom shadow.

After rereading my journal, I decided that if my family wants more details about the summer of 1970, they can read my journal too.

I Remember the Music

A few weeks ago, a cousin sent me the photo of the house in Dallas that my Grandfather and Grandmother Kennamer moved to in 1939. I have few memories of my grandfather, but I do remember his music. I remember dancing on his porch while he played Mockingbird Hill on his fiddle. Independent of a few photos, music is my strongest memory of my grandfather. The extraction above is from the last photo I have of him, taken in 1964. Below are the steps for creating this page.

Create a new blank document. Place file 1 from Luster FotoBlendz No. 1 on solid paper 2 from ArtPlay Palette Luster.Clip the photo sketch to mask. Add Screen adjustment layers at 100%. Above the adjustment layer, place a duplicate of the original photo. Add an inverted mask and bring back in the roof. At the top of photo layers clipped to the mask, duplicate one more copy of the original photo on Pin Light blend mode at 50%. Place textures 3 and 6 from Paper Textures No. 1.

Note: I used a Lightroom preset by Studio Romy to create the sketch. I recolored the mask white so that I could change the blend mode of the sketch to multiply.Place transfers 1 and 6 from ArtPlay Palette Luster below the mask and photo layers.Above the fotoblendz mask and photo layers, extract subject with the Quick Selection tool from group photo. Give the extraction a custom shadow.Add a black and white adjustment layer to the photo. On the layer mask use a round brush to reveal the red bow tie and face. Above the black and white adjustment layer add an adjustment layer on Soft Light at 100%. Place musical instrument 6 of Instrumental No. 1 below the extraction. Give it a 1 px stroke. Place stitches 3 and 11 from UrbanStitchez No. 12 below the text box and extraction. Add title.On the left side, place the tag from ArtPlay Palette Luster. Add address of house. Add button from ArtPlay Palette Joyeux and a thread 6 from ButtonThreadz No. 3. Add text box and journaling.

I don’t have a photo, but I can see my grandfather standing on the porch and hear him playing his fiddle.

Color Challenge

This is the first layout that I have finished as part of the 100th Color Challenge with Anna Aspnes Designs. It’s all about red, black and white in combination with one of the quotes provided in the forum at Oscraps. I already had an idea for a photo when Kate and I walked to the park Saturday afternoon. Below are the steps for creating this page.

After extracting Kate and the play apparatus from four photos, I combined them to create one composite. I gave the composite a custom shadow.

Note: I made the black and white adjustments to the photos in Lightroom.

To color just part of the apparatus, I duplicated the composite and then used the Quick Selection tool to extract just the part I wanted red. I added a color overlay using the styles panel at the bottom of the layers panel.

To build a background, I placed brush 1 from Countryside No. 2 and brush 2 from Countryside No. 1 on the page below the extractions. I blended out part of the second brush with a layer mask.

To ground the play equipment, I added threads from UrbanThreadz No. 9 and three layers of stitching from UrbanStitchez Misc. No. 1.

The hardest part was scaling and combining the four extractions so that I could have a complete scene. That and adjusting to a new version of Photoshop CC. The rest was easy!

Best Man

I can’t tell you how difficult it was to work with that old photo of my husband and his best man. I had to figure out how to correct the color and hide the photo crop and bland background. Stu and Bill have been friends for a long time; their parents had known each other for years. They both loved the outdoors: camping, fishing and hunting. That’s what gave me the idea to create an unexpected look for the background of them at our wedding. The guys were good sports when I asked them to recreate a wedding photo for our 50th anniversary.

To begin, I extracted my husband and his best man from the photo on the left. I gave the extraction a custom shadow. I placed the layers of file 13 from WaterColor Template Album No. 2 on the right side. On the left, I pulled the text box from page 1 of WaterColor Template Album 1. I moved one frame, duplicated another from the other side and changed the stitching.

Next, I extracted the guys from a photo I captured on our recent anniversary trip. I added a custom shadow.

I clipped some photos to the small frames and adjusted the exposure with adjustment layers.

To fill in the background on the right side, I placed layers of files 1 and 4 from Artsy Transfers Sonoma.

On the left, I placed transfer edge overlay 1 and transfer 4 from ArtPlay Palette Sonoma. In addition, I added artsy transfer layers to create a better edge for the old photo.

I am going to revise the journaling I think and try to find that photo of the red Mustang convertible.

Fifty Years of Friendship

It’s been six years since we were last all together. We’ve shared more than fifty years of friendship with Bill and Sue Woods and Stu and Patty Macy. We’ve attended weddings and baby showers for one another, traveled together, i.e. the zoo, San Diego, Disneyland, even as far as the Philippines. We watched the Olympic Soccer finals in 1984 and numerous fireworks shows together. We made one more memory when we had lunch at Azul Latina Kitchen in South Lake Tahoe. For me the contrast between the photo of us all now and a few snapshots from the past are a treasure.

To create this page, I began with the template from Heritage Live and psd file 4 from Feuillemort FotoBlendz No 1.

I clipped a copy of the photo from our trip to the fotoblendz mask. I could have left it at that, but I wanted the photo to pop with depth.

I extracted parts of us from the photo and gave that extraction a shadow. Then I added two adjustment layers, one on Soft Light blend mode at 40% and the other on Screen blend mode at 30%. Between the two layers angled transfer 1 from ArtPlay Palette Feuillemort.

Note: I clipped copies of the photo to the stains included in the psd fotoblendz file.

Below those layers, I placed a combination of layers from Artsy Transfers Feuillemort 4 and 5.

On the right side, I used template 16 from WaterColor Template Album No. 3, deleting some of the stains included with the template. First, I clipped another photo to the fotoblendz mask included in the template and added an adjustment layer.

I clipped my photos to the small frames and added a stroke layer style to make the photos look as if they had the same frames used on the previous pages.

Note: the frames on the template are different from those that I’ve used for the other pages in this book. I deleted the masked included in the template, leaving just the frames. I added the stoke to the frames of the template by clicking the styles button at the bottom of my layers panel. Each frame has a style attached.

To finish my page, I added transfers from ArtPlay Palette Feuillemort and layers from transfer 5 of Artsy Transfers Feuillemort. I added a title with a thread from UrbanThreads No. 17.

I really didn’t take many photos with our friends over lunch, but that one was enough to tell this story.

Honeymoon

Bill’s brother handcuffed us together as we left the church following our wedding, but his dad unlocked the cuffs on the way to the airport to catch our flight to San Francisco for a short honeymoon. We only had a few days before I began my first teaching assignment at Langdon Elementary. I didn’t capture many photos on our trip; I can’t remember what kind of camera I used. However, I will have my Fuji X-T2 when we return to San Francisco in a few weeks.

To create the right side of this layout, I clipped solid paper 1 from ArtPlay Palette Riant to both sides of the template that I received in Anna’s class, Heritage Live. On the right edge, I placed the layers of frame 1 from UrbanThreadz FotoBlendz Frames No. 2.

Next, I clipped my photo to the fotoblendz mask included in the psd file. I used a brush to darken parts to reveal more of my photo. I extracted myself from the photo and gave the extraction a custom shadow. I also duplicated the entire photo twice, one on Screen blend mode at 50% and the other on Soft Light at 50%.

Note: I blended my legs into the mask to disguise the way my feet were cut off in the original photo.

I placed the frames from template 10 of WaterColor Template Album No. 7 on my page and adjusted the placement of one frame to accommodate one of my photos.

Note The thread and text boxes was included in the template. The button is from ArtPlay Palette Riant.

After adjusting the position of the frame grouping, I clipped my photos to the frames. I adjusted the exposure by duplicating the photo copies and changing the blend modes to Screen or Soft Light.

Below the group of frames, I placed most of the layers of psd file 3 from Artsy Transfers Riant, adjusting the position of the layers to line up with the top frame.

Below the circular frame, I placed transfers 3 and 7 from ArtPlay Palette Riant.

Note: I adjusted the yellow in transfer 7 with a Hue and Saturation adjustment layer after I rotated it. I had already created the textbox on the left before adding the transfers so all I needed to do was adjust its position.

My friend, Adryane, is going to help us recreate a couple of these photos for the opposing page of this layout when we are in San Francisco. We are really looking forward to our trip.

Page 1 of 6

Powered by WordPress & Theme by Anders Norén