Photos, Stories and Scrapbooking

Tag: extraction Page 1 of 7

Inhale Exhale

I finally felt like venturing out with my camera to inhale the sweet smell of my beautiful peonies and cut some to bring inside. I feel like I’m breathing again, inhaling and exhaling: gardening, swimming and walking without as much arthritis pain in my spine. It’s especially nice to have a little more energy to get back to creating again.

It’s fitting I think that my first layout after an extended hiatus showcases my beloved Sarah Bernhardt peonies. They are the first to bloom in my garden. This layout uses my favorite creations by Anna, Artsy Transfers, to color a background sketch, create a visual triangle of color and build depth on a layout.

Build Background
  1. Place solid paper 2 from ArtPlay Palette Aubade.
  2. Create a black and white sketch using the Photocopy Filter. Duplicate. Change the blend mode of both sketch layers to Linear Burn.
  3. Extract one bloom using the Magic Wand Tool, blend mode Normal at 100%. Extract again using a soft round brush to include the shadow from the photograph. Change the blend mode to Multiply at 85% opacity.
Place Transfers from ArtPlay Palette Aubade.
  1. Below the extraction place Transfer 2 from the ArtPlay Palette Audade. Change the blend mode to Multiply at 50% opacity. Add a Hue and Saturation Layer to adjust the color to blend with the photo extraction.
  2. Place Splatters 1 and Gold Paint.
  3. Place Transfer 2.
Create a Visual Triangle of Color with Artsy Transfers
  1. Place all the layers of file 1 from Artsy Transfers Romance below the sketch layers.
  2. To create the visual triangle of color place a another set of layers from file 1 below the first set. Using the Transform Tool, select and flip the layers horizontally. Then adjust their position and delete layers as necessary. Use a layer mask to hide parts so that the two sides look different.
Continue Building Background Depth with Artsy Transfers
  1. Place the layers of Artsy Transfer Romance 3 just above the paper. Delete the cream paint layers, an art stroke and floral transfer. Adjust position of layers and blend modes as desired.
  2. Place a copy of the Pink Paint from ArtPlay Palette Romance just above the sketch layers. Change the blend mode to Multiply at 50% opacity.
  3. Place a second copy of the Pink Paint just above the solid paper. Change the blend mode to Linear Burn at 100%.
Embellish
  1. Place the net and shadow from ArtPlay Palette Aubade below the extraction.
  2. Place the string and shadow from the same palette above the extraction.

For additional ideas for using Artsy Transfers see a recent post by team member Michelle James, 7 Ways to Use Artsy Transfers. Anna’s combinations of shape, texture, transfers and color in Artsy Transfers are my favorite of Anna’s designs because they are so versatile.

Superman Needed

A small spaceship with a baby inside landed in a fictional town in the American countryside. Named Clark Kent by the couple who found him, the child developed superhuman abilities: incredible strength and impervious skin. His foster parents advised him to use his abilities for the benefit of humanity, and he decided to fight crime as a vigilante. I think that’s just what we need now in this land, a superhero, like Superman, to repair this American mess.

Often I experiment and a page just evolves. That’s the case with this layout. Initially, I was practicing with a sketch technique that I learned from Zwyck, another team member, a technique that she shared several years ago on Anna’s old blog

MultiMedia
Artsy Transfers
  • Below the shadow box, place layers of Artsy Transfers Salute 2 and 5.
  • Adjust the color of the blue layers of file 2 with a Hue and Saturation Adjustment layer.
  • Arrange layers as desired to fill in the background around the shadow box.
Extraction
  • Extract Superman using the Object Selection Tool
  • Add a custom shadow.
  • Below the extraction place the layers of file 1 from Artsy Transfers Salute.
  • Delete the color transfer layer from file 1.

Note: I extracted the Superman emblem from another photo of my grandson’s shirt and placed it inside the shadow box.

Flag Sketch

I am close to memorizing Zwyck’s technique. I labeled the layers in the Layers Panel as I worked with a jpeg photo. Once I finished, I created a composite. After I moved the layers to my layout, I extracted the flag from the sky. I changed the shadows to match the direction the flag was blowing.

Light Up the Sky

With the pandemic, I’m not getting out to photograph as much as I have previously. I miss it. So I wrote about a favorite photo of my granddaughter: I remember the joy of seeing you all dressed up, marching across the yard with a little flag in hand. I missed our normal July 4 this year, but I’m hopeful to see you will light up the sky again next year.

Extraction
  • With Object Selection Tool, outline subject from background.
  • With the ants marching around the subject, click layer mask icon.
  • Adjust mask in properties panel and refine directly on the mask with a small round hard brush.
  • Place extraction above framed mask layer from file 2 of MultiMedia Salute No. 1.
Make Changes
Background
  • Place Transfer 6 from ArtPlay Palette Salute above solid paper 1. Blend mode Normal
  • Place Overlay 2. Blend mode Normal.
  • Place Lace from ArtPlay Palette Salute to left of frame.
  • Place Transfer 3 and change the blend mode to Linear Burn. Adjust color of blue with a Hue and Saturation adjustment layer.
  • Add layer mask to Transfer 6 to mask out overlapping parts to keep color as desired.
  • Place text from Salute WordART Mix No. 1 just above the paper. Change to Linear Burn Blend mode at 50% opacity.
Title and Splatters

That Time When

It’s that time of year when my Happy Days daylilies bloom. While the blooms don’t last long, massed, the display is beautiful with my Rozanne geraniums. The best feature of daylilies is how easy they are to grow. I cut them to the ground in the fall and they return in the spring. Every four or five years, I divide them.

This layout combines layers from two templates, an extraction and some artsy transfers.

Template
Clip Photos to Fotoblendz Mask and Small Frames
  • Clip large photo to template’s mask and stains.
  • Clip detail photos to small frames.
  • Duplicate the small photo on the left. Use the Object Selection tool to extract and mask.
  • Erase parts of extraction to make it appear as if it is tucked inside the frame.
  • Add a small shadow to the extraction.
Fill in Background
  • Move the fotoblendz mask, stains and tissue paper of template 8 from Special One Template Album No. 1 below the layers of template 12.
  • Place title from template 8 in left corner above tissue paper.
  • Clip another photo to the mask and stain layers and adjust photo position.
Artsy Transfers and Splatters

Gnome in My Garden

Kate gave me this gnome for Mother’s Day a couple of two years ago. She used to sit on the porch and play with him. Both of us were sad when he broke. Remember him Kate.

Extractions are part of my style. I use the technique frequently. There are also products I use often to create my style of digital scrapbook pages, for example the Artsy Transfers that Anna Aspnes creates from the paper in her ArtPlay Palettes. This page combines an extraction, a brush and layers from three different transfers available in Artsy Transfers Veranda.

Brush and Extraction
  • Stamp brush 1 from Garden No. 1 on a new blank layer in black. Change the blend mode to Linear Burn at 100%.
  • Place photo and reduce size to fit in front of the brush layer. Extract using the Object Selection Tool which is available in Photoshop CC.
  • Add a custom shadow.
Artsy Transfer 4
Artsy Transfers 1
  • Place the layers of file 1 from Artsy Transfers Veranda below file 1.
  • Arrange, recolor and delete layers as needed. Note I only used 4 of the transfer layers.
Artsy Transfer 3
  • Place the layers of file 3 from Artsy Transfers Veranda.
  • Adjust the position of the layers to create a block of stripes. Delete layers as needed.
Duplicate Layers to Fill White Space

I used elements from ArtPlay Palette Veranda and MultiMedia Flowers No. 1 to create the cluster to the left of my gnome photo.

Three Ideas for Brushes

Bill remembers that his grandfather was 13 years older than his grandmother, definitely a man of the 19th century, meaning the woman was expected to do everything. His grandmother hated her middle name (Garfield after a President) and the pipe his grandfather smoked. She’d say when Samuel retired, he retired. Families are complicated aren’t they.

After initially losing this entire file on Wednesday, I started again, challenging myself to practice distinct ways for using brushes and at the same time, make it easier for myself. The time was well spent in my mind.

Extract and Mask
Stamp Brushes on Inverted Layer Masks

Rather than bring back in the entire background on one inverted layer mask attached to a photo, I think it is easier to see what’s happening to the photo on a page by using different brushes on different layers.

  • Duplicate the photo and add an inverted layer mask.
  • On each layer mask stamp a brush with the foreground color on white.

Note: On this page I used brushes from ArtPlay Palette Patriarch and the bonus brushes included with the full release, Anna Release 7 June 2019 on the multiple layer masks.

Place Overlays and Artsy Transfers

Note: I moved the transfer layers around to provide color and texture where I needed them, i.e. grounding the couple.

Place Frames
Stamp Brushes on New Blank Layers

Stamping a brush on a new layer makes it easier to adjust the position of each brush while adding texture and interest below frames.

  • Create a new layer below the frames and stamp brush 9 just below the frames.
  • Create new layers for each brush: brushes 16, 17 and 18, available in the Anna Release 7 June 2019.
Duplicate, Enlarge and Arrange Extracted Couple
  • Duplicate the layer of the extracted couple twice.
  • Move it down in the layers panel.
  • On one copy, add a layer mask and hide one person using a brush with the foreground color on white.
  • Repeat for the second copy, masking out the other person.
  • Reduce the opacity of both to 25% on Darken blend mode.
  • Rearrange both layers as desired.

Note: In order to darken one part, I stamped brush 4 on a new blank layer. Then I merged the two extractions to create one copy and clipped that to the brush layer.

Add Title and Journaling
  • Use two fonts to create a title; I used Hello Sunshine and Hello Sunshine Marker again on this page.
  • Finish journaling.

Note: The text boxes I used for my journaling are from the same file with the small frames: WaterColor Template Album No. 6.

My self-challenge for this page was to practice distinct ways for using brushes and at the same time, make it easier for myself. As I explained in a previous post, I initially stamped the brushes on one blank layer just so that I could see what they looked like. From that sample layer, I decided which brushes I wanted to use. I used brushes in three different ways on this page.

  • Stamp brushes on layer masks clipped to multiple photo layers.
  • Stamp brushes on new blank layers to add interest below small frames.
  • Use a brush as a mask by stamping it on a new layer and then clipping a photo to the brush.

I challenge you to experiment with brushes and find ways that make it easier for yourself.

Roses

Artsy Paper #1 from ArtPlay Palette Narcissus by Anna Aspnes is a stunning piece of art without any photos. I can only hope that the roses I bought yesterday specifically for this paper do it justice.

I created this page with an Artsy Paper, photos of three different roses and a tag. Below are the steps.

Place Artsy Paper
Extract Roses
  • Place photos of three different roses above Artsy Paper #1
  • Using the Quick Selection Tool, find the edges of each rose.
  • Click the Select and Mask tab at the top of the screen.
  • Adjust the Smooth, Feather and Shift Edge levers.
  • Select Output to Layer Mask.
  • Repeat process for each rose.
  • Resize and arrange as desired.
Custom Drop Shadows
  • From the Styles Panel select a shadow for each rose. 
  • Click the FX symbol on the right of the photo layer and choose Create Layer option to place the drop shadow on a separate layer.
  • Press Command+V to access the Warp Tool. Drag the shadow a little to create more variability on your shadow layer.
  • Repeat for each photo layer.
  • To each photo layer clip a Hue and Saturation Layer. Select the Sepia Preset from the drop down menu. Change the opacity to 30% on Normal blend mode.
Add Tag and Quote
  • Place the .psd file of the tag included in ArtPlay Palette Narcissus.
  • Drag another copy of Artsy Paper #1 and reduce the size so that it just covers the tag. Clip it to the tag.
  • Add a Layer Mask to the paper layer. With a small hard round brush reveal the threads and staples.
  • Duplicate the layer. Change the blend mode to Linear Burn and invert the Layer Mask by pressing Command+I to darken the staples.
  • Add a quote if desired.

Extractions add dimension to layouts.  I encourage you to practice with the Quick Selection Tool as an alternative to using the Pen Tool for extractions.

Poetry

There is still snow here, piles of snow, so much that I haven’t seen the lawn in weeks. Thus I found the color in Anna’s new ArtPlay Palette Melic very appealing as I long for spring and the tulips that will bloom in April. Below I explain my process for creating this page.

First, place solid paper 3 on a new blank 12×12 inch document.

Extract three tulip blooms with the Quick Selection Tool, arrange and give each a shadow.

Note: I adjusted the color a little by applying a Hue and Saturation Adjustment to each bloom.

Place transfer 3 and transfer 1 from ArtPlay Palette Melic above the paper. Change the blend mode of both transfers to Linear Burn. Attach a layer mask to transfer 1 to hide parts of the transfer.

Stamp brush 7 and 4 from ArtPlay Palette Melic in a red orange on Normal blend mode on new blank layers just above the transfers. Tilt as needed to create the effect of stems extending from blooms.

Arrange three of the stitching .png files from MultiMedia Melic No. 1 below the blooms as well as a splatter and piece of lace. Roughly align the stitching with the brush lines

Drag one .psd leaf file from ArtPlay Palette Melic and place above the stitching. Adjust the position of the shadow included with the leaves. Place a second leaf file, rotate and reduce its size.

Finish the page with beaded word art from Melic WordART Mix No. 1 and a thread from ArtPlay Mini Palette Breeze. On the left, place a button and splatter from MultiMedia Melic No. 1.

That’s it, so simple!

South Lake Tahoe

We used to rent bicycles for the 3.8 mile ride from Camp Richardson to Spring Creek, the place where we turned around for the ride back. From the bike trail we’d take the road into the Tallic Estates. We walked the paths on the estate this year. We sat on a bench near the boat house where we had sat previously and we battled for a virtual creature, a Rhydon, at one of the Pokemon gyms on the grounds. There were no Pokemon gyms five years ago although I did have an iPhone by then. Below are the details for creating this page.

On the left, I placed layers from Artsy Layered Template No. 283. On the right side, I placed the frames and text boxes from template 7 of Project Template Album No. 3.

I then placed .jpeg mask 3 from Coolth FotoBlendz No. 1 on the left and mask 1 on the right. I clipped a photo to each mask, adjusted the masks to accommodate my photos and extracted us on a separate layers. I gave the extraction layers a shadow.

Next, I clipped additional photos to the small frames and added adjustment layers to the photos.

On the left, I combined layers from the artsy template with five of the layers from transfer 3 of Artsy Transfers Coolth below the masked photo and frames. On the right, I placed six layers from transfer 3 below the lower two frames and 7 layers from transfer 2 below the masked photo.

Note: I adjusted the color of one layer with a Color Overlay to accommodate the colors in my photos.

To finish the page, I placed three copies of the watercolor flower from ArtPlay Palette Coolth, rotating and resizing for variation. I also repeated a button from the ArtPlay palette. I tacked down the button on the left with thread 11 from ButtonThreadz No. 2. The threads on the right were included with the frames in the template.

Note: My title is in the same position as suggested by the template.

While the small photo on the right, taken in 1999, is the earliest photo that I could find at Pope Estates, we began exploring South Lake Tahoe much earlier. It’s been our favorite place to vacation over the years.

Summer 1970

We hadn’t been married two years when we volunteered to serve as leaders for a group of college students on a summer long trip to promote a singing group from our church, Van Nuys Baptist. We spent most of our time in the Philippines. I kept a journal in summer, 1970, handwritten pages tied together with yarn, filled with details about the Philippines: waking up to the sound of jeepneys, shopping for meat in open air markets, cooking in a pressure cooker, listening to the daily rain on a tin roof collected for cold showers, riding a bus out of the city, walking to a small village into a corn field to find a bathroom, laughing at our caribou ride, hearing Bill preach on David and Goliath in a little dirt floor church.The words tell a story not seen in these photos, my thoughts and feelings. Now that I think about it, summers before we had children, a detail about which Philippinos questioned us, are some of our best memories.

I continue to work on my heritage project, deciding which photos to include, what to write and simply remembering what it was like 50 years ago. It’s not as easy as I thought to create a page that conveys the essence of an experience in our early marriage. I took some time to think and plan before beginning this two page spread.

I began by reducing the size of templates 7 and 8 from Hipster Plume Album Template No. 2 to about 85% and placing them above solid paper 3 from ArtPlay Palette Sage on the template provided in Heritage Live.

Note: I deleted the masks included with the template for the small photos. To each matte, I added a stroke style to keep the framing consistent through my project.

Next, I clipped a photo to each of the fotoblendz masks and some of the stains. I also extracted us from the photos and created a custom shadow.

Note: The photos on these pages are from old slides and required some work in Lightroom as well as adjustments in Photoshop.

On the left, I placed the layers from transfer 5 of Artsy Transfers Sage between the extraction and the photo copy clipped to the fotoblendz mask. I placed layers from transfer 1 below the cluster of frames on the far left. On the right, layers from transfer 4 of Artsy Transfers Sage are below both the extraction and the fotoblendz mask.

To accommodate one additional photo, I duplicated the square matte and shadow on the right and moved it to the place where the text box was originally. I gave the matte the same stroke style and clipped my photo to it.

Finally, I photographed the handwritten journal I kept that summer, reduced the size and gave it a shadow. I tucked it next to one of the small photos. I gave the gold yarn, a popular color then, it’s own custom shadow.

After rereading my journal, I decided that if my family wants more details about the summer of 1970, they can read my journal too.

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