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Tag: brush (Page 1 of 2)

Color Challenge

This is the first layout that I have finished as part of the 100th Color Challenge with Anna Aspnes Designs. It’s all about red, black and white in combination with one of the quotes provided in the forum at Oscraps. I already had an idea for a photo when Kate and I walked to the park Saturday afternoon. Below are the steps for creating this page.

After extracting Kate and the play apparatus from four photos, I combined them to create one composite. I gave the composite a custom shadow.

Note: I made the black and white adjustments to the photos in Lightroom.

To color just part of the apparatus, I duplicated the composite and then used the Quick Selection tool to extract just the part I wanted red. I added a color overlay using the styles panel at the bottom of the layers panel.

To build a background, I placed brush 1 from Countryside No. 2 and brush 2 from Countryside No. 1 on the page below the extractions. I blended out part of the second brush with a layer mask.

To ground the play equipment, I added threads from UrbanThreadz No. 9 and three layers of stitching from UrbanStitchez Misc. No. 1.

The hardest part was scaling and combining the four extractions so that I could have a complete scene. That and adjusting to a new version of Photoshop CC. The rest was easy!

Start with a Brush

Sometimes all you need to begin a piece of art is just one brush as I share below.

Stamp brush 1 of San Francisco No. 1 on a new blank document.

Drag the frames, stitching and one text box from template 3 of Travel Album No. 4 on to the document above the brush.

Clip a photo to each mask. In this case I used just one photo, but changed the crop for each mask.

Below the brush place transfers 1, 3 and 4 from ArtPlay Mini Palette Harken.

Add heart and button from mini palette. Create title and write journaling.

Yes, I left my heart in San Francisco and I’d go back to see all the things I didn’t see.

Alexander

Anna always packs a lot of information into her classes; last Friday was no exception. Although I want to view the recorded version of Heritage Live, I now have the format, based on a template provided in the class materials, for my anniversary project. I have already changed the first two pages that I had already completed to fit my new format.

I love the white border because it will unify my book no matter what color I use on the pages. This format will also provide more flexibility when it is time for me to publish the book. It took time to rework my original pages, adjusting the text especially, so I am going to begin each page with the template. It will be easier for me.

Bill taught biology and math; sometimes his students brought him critters that he would bring home as pets. While it was nice that our first pet was a good size for our small apartment, I really didn’t want a pet rat. The left side tells two stories: one about Alexander, our pet rat, and the second story about a rosy boa for which I don’t have a photo. However, as you read, you’ll see that the two stories are connected.

I began my page by clipping solid paper 3 from ArtPlay Palette Elysium to each large mask on the template.

Next I placed overlay 4 from FotoBlendz Overlays No. 12 on the left mask and clipped the photo of my husband, Bill, feeding our pet rat with an eye dropper. I masked out the background on the photo and clipped artsy paper 4, placed below the photo, to the overlay. I adjusted parts of the overlay with AnnaBlendz Artsy brushes.

Below the masked photo, I placed transfer 3 from ArtPlay Palette Elysium and the layers of transfer 3 from Artsy Transfers Elysium. I added a layer mask to hide a part of one layer that interfered with the text.

I clipped two photos to the frames from WaterColor Template Album No. 4. The thread was part of the template.

Finally, I added a button, title and wrote my journaling.

While I’ve added a bordered template, I am still using fotoblendz overlays and masks, small frames from template and artsy transfers. My project is not complicated; I like that when I’m attempting to create a book.

Brush Play

Sometimes, I just play with brushes. While the end product may not be my favorite layout, I think that simply experimenting with blend modes and brushes is valuable. On this layout, I painted with digital brushes in Photoshop. Below, I explain my steps.

Stamp brush 6 from ArchiTextures No. 10 on a new blank document. Below the brush layer, place solid paper 1 from ArtPlay Palette Home.

Note: The brush is partially transparent which allows the texture to bleed through on normal blend mode.

Paint the house with brushes from ArtsyPaint No. 14 and ArtsyStains No. 6 on separate layers.

Note: Using separate layers allows you to rotate or duplicate a brush. I practice using the Brush Panel to rotate brushes, but sometimes it’s faster to move it after stamping.

Place a photo below the stamped painted house with added paint. Click command and the brush layer from ArchiTextures No. 10. Marching ants appear. Go to the photo layer and click the add layer mask icon. An inverted mask will appear linked to the photo. Then stamp with white as the foreground color on the black mask with brushes from ArtsyPaint No. 14, ArtsyPaint No. 8 and AnnaBlendz Artsy No. 10 to fill in a scene around the house.

Note: I “undo” a brush stroke if it doesn’t look the way I want. Once it looks right to me, then I duplicate the mask and clip it to other layers of the photo. The top layer is a sketch on linear burn at 70%. The second photo layer is linear light at 50%. The bottom photo layer is multiply at 50% with a screen adjustment layer attached.

Above the photo layers but below ArchiTexture brush 6 layer, place layers of file 3 from Artsy Transfers Evanish, a glow from ArtPlay Palette Glance, overlays from ArtPlay Palette Evanish and splatters from ArtPlay Palette Home.

Add word art 8 from ARTWord ART Mix No. 1, a red button from ArtPlay Palette Merry Tree and thread 7 from ButtonThreadz No. 1.

I’m not going to say that this is my favorite layout, but while playing, I enjoyed myself practicing.

Different Purposes

On Thursday during my week in California, I flew up to San Francisco to spend the day with my friends, Adryane and Don. Last year it rained, but this time, the weather was perfect t-shirt weather and perfect for making photographs.

I use the photos that I make not only to create art, but also to document the things I want to remember or share with family; in order words, I make pages that I will print through Persnickety or add to the my current book project. This two page spread is for my book.

While I have used both focal photos on this two page spread on two previous pages, I wanted to create something for the next book I will publish. Think about it from an efficiency perspective, I’ve already done some of the creative the work, so why not?

Note: I started with the photos that I previously used on layouts. For information on those previous layouts, see Quick and Simple and Pokemon Go.

I explain the process below.

Place layers of photo on left, deleting layers and changing blend modes as needed. Place photo on right, create a sketch, mask another layer to improve color and maintain blue in sky, add track extension.

Note: I used most of the layers of the photo on the left from a previous page. I placed only the photo on the right but repeated some steps, i.e. making a sketch.

Add frames, stains and art strokes from templates 2, 9 and 13 from WaterColor Template Album No. 5. Clip photos to masks and adjust as needed.

Note: I used the fotoblendz mask from template 9 on the right. I also substituted a frame and mask from template 13 to accommodate the screenshot on the right. I used the frames from template 2 on the left.

Below all the frames, place transfer 1 and 2 from ArtPlay Palette Surf’s Up on the right. On the left, place transfer 7. In the page gutter, place two gold transfers, reversing one. Stamp brushes 5 and 10 in blue. Pull layers from psd files 1 and 4 from Artsy Transfers Surf’s Up to fill in background. Stamp brush 5 in red, rotating for variation.

Note: I chose layers from the artsy transfers based on color and texture to fit my vision for this page.

Place additional photo in page gutter and add an inverted mask. Stamp with brushes from ArtsyPaint 7 and ArtsyPaint 8 on the mask in white to reveal the ship. Align photo with line of background brush on left.

Add Pokeball, red button from ArtPlay Palette Weihnachtsbaum and thread from template 15.

I think it’s okay to reuse photos for different pages, especially if you have different purposes, i.e. art or memory keeping. Both are valuable for me at this point in my life.

Pokemon Go

As part of my birthday celebration in February, I flew up to San Francisco to play Pokemon Go on Pier 39 with Adryane and Don. Besides finding enough Wailmer candies to evolve a Wailord, I captured the Dragonite in the screenshot and fought level 5 raids. We played, stopping only for photographs, lunch and dark chocolate, until I had to catch my flight back late that afternoon.

When I caught the screenshot of the Ferry Arch from inside the app and the photo of the Ferry Arch with my FujiX-T2, I was already thinking about making a page remembering the day. This was one of the easiest pages I’ve ever created. It involved combining two photos and some iPhone screenshots using artsy brushes on inverted masks. Directions for creating this page follow.

Create a sketch of the photo, change the blend mode to linear burn and duplicate. Add an inverted mask and use brushes from ArtsyPaint No. 14 and AnnaBlendz Artsy No. 10 to bring back the sketch.

Note: I used Topaz Simplify to create my sketch. You can also create a sketch with Photocopy in the Filter gallery.

Use the same brush sets on inverted masks to add color from the photo copies to the sketch. Place the top color layer on color burn at 100% and the layer below on linear burn at 100%. Use the same technique on the extension of the track.

Place textures 2 and 3 from PaperTextures No. 6 above the photo layers.

Stamp brushes from ArtsyPaint No. 14 on new blank layers in a light blue below the photo.

Place iPhone screenshots on the page, resize and give each a custom shadow. Add thread 9 from UrbanThreadz No. 15 above the cards. Add a Poke ball above the screenshots and give it a shadow.

Note: I found the Poke ball on the internet.

Place photo just below the Pokemon screen shots. Extract and give it a shadow.

Add title and journaling to finish the page.

I want to thank Adryane and her husband, Don for a fabulous day: talking, walking and playing Pokemon Go.

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Time Enough

I love butterflies: photographing, extracting, and scrapbooking them. They are delicate and short lived, but so very beautiful. When I saw Anna’s new brush set, Butterflies No. 1, I wanted to create with them again.

I began by stamping brush 8 in a mid gray on a new 12×12 document. I changed the blend mode of the brush image to linear burn.

Then, I added color by stamping stains from ArtsyStains No. 2 and Artsy Stains No. 3. All are on blend mode linear burn.

Next, I extracted three butterflies from photos using the quick selection tool and an inverted layer mask. I experimented with the position of the color stains.

I added several twigs from ArtPlay Palette Tinge, ArtPlay Palette Yule, ArtPlay Palette Glance and ArtPlay Palette Swell.  Again, I experimented, adjusting the position of the twigs and stains until it looked right to me.

Next, I placed urban threads from ButtonThreadz No. 1, ButtonThreadz No. 2 and UrbanThreadz No. 9.  I adjusted their position. I also added glow 7 from Butterfly Glows No. 1 and changed the blend mode to linear burn at 70%.

Finally, I added a quote for a title to finish my very simple layout combining brushes and extractions, two strategies that I use often and that characterize my style. I love it when a layout is easy!

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Play With Me Grandma!

I just finished sorting about 3000 photos from our trip last week down to more than eight hundred with which I might create pages for my annual book. Yesterday, while I was sorting, my daughter shared with me some of her memories as a child. Without even opening an old album, I remembered what she was describing. I also knew that despite not having many photos from when she was a child, the photos I had captured helped her remember things we did together as a family.

After my daughter called, I thought about my granddaughter Kate and how much I want her to remember our time playing together. In my last post, I wrote that I don’t often hand my camera off to anyone else. That’s the reason I’m not often in the family photos. I just don’t like having my picture taken. As I’ve gotten older the dislike has only gotten worse. However, on this trip, I handed my camera to my son twice and asked him to take a few pictures of me and Kate playing together. Since photos of me are rare, I decided to begin creating pages about our trip with these photos of the two of us.

If I can get beyond the dilemma of too many photos, creating pages with templates is the easy part of my process. I began this 24×12 inch page with mask 5 from Hipster Plume FotoBlendz No. 7 placed over solid paper 1 from ArtPlay Palette Paraiso. To each layer of the psd mask, I clipped linked copies of my photo.

I did not know exactly which template I would use. Sometimes, I switch out the masks included in templates just for the variety. Sometimes, I just like the look of a mask and then search for small frames from a template that fit the shape of the mask.

Since I wanted to combine photos from both days on one two page spread, I looked for a template that would accommodate a vertical photo of me and Kate standing in the water. I loved Kate’s wave to her daddy in this photo. I clipped it to the mask included with template 3 from WaterColor Template Album No. 4 as well as some of the template stains.

However, rather than use the supplied small frames, I chose two from template 11 from the same album. I had already used template 3 once, but by switching out the small frames with those from template 11, I changed the look and better accommodated two more vertical photos. I added brush 7,overlay 2 and a little boat (recolored with a color overlay from the style menu) from ArtPlay Palette Paraiso.

Note: I extracted Kate’s foot for an out of bounds look on the left side.

For color balance on my page, I decided to mix the photos across both sides rather than separate them by date. I chose just the frames, text boxes and urban thread from Simple FotoBlendz Template Album No. 2. However, I tilted the small frames a little so that they looked more like the style on the left. I clipped my photos to the small frames and adjusted the exposure and color of the water with adjustment layers. Because the included frames were a little larger, I deleted those and added a stroke style in white to the masks to simulate frames.

To add interest on the page gutter and to tie the two pages together, I placed another mask from Hipster Plume FotoBlendz No. 7, png file 4.

My page style is consistent with the other pages I’ve already finished for my book this year: a light background, journaling, clear page edges, something across the page gutter, an informal font title, urban threadz, minimal elements, masks and blending. However, this page is extra special in that I am now pictured in my book; I’m not just the author and photographer. The next time Kate says, “Grandma, play with me,” I will remember this page of memories playing together: holding hands while floating on our backs, jumping in the waves, riding a boat and climbing ladders to slip down slides.

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Serious About Play

Kate is very serious about her play. When she says “talk about it” or directs saying “play with me”, that means let’s pretend play now! Every time we repeat the lines of a story we’ve read together or stop to examine something interesting, she is learning as she plays. It has been quite a while since we’ve walked out to the little bridge on the creek among the trees beyond the pond. The area was covered with dandelion seed heads on Thursday.

Every time we go out on an adventure together, I’m playing and learning too. I play with Kate and learn a little more about how to work more quickly with my camera to capture our moments together. I’m very grateful for the time with Kate and for a process that allows me to bring together some photos to create another story page. We are both very serious about our play. Today, I share part of my Photoshop play with some photos that I captured on an adventure Thursday afternoon.

I began this page with a composite of a photo and the psd layers of file 3 from MultiLayered FotoBlendz No. 7 and AnnaBlendz Artsy Brushes No. 8. I made adjustments to the large mask and clipped the composite to that layer. I duplicated the composite and clipped it to the other fotoblendz layers.

Note: Near the bottom of the layer’s panel is the folder that contains the original layers I used to create this composite. They are all linked. I sent a copy of the original photo to Topaz Simplify to get the painterly look for the background and attached a layer mask to that copy and masked out my granddaughter to allow the original photo of just her to show through. There is also another layer on soft light above the Simplify and original layers.

I used the same process using file 4 from Multilayered FotoBlendz No. 7 for the second photo. This time, I turned off two of the layers that didn’t work with my photo’s placement. I again made some adjustments directly on the mask as well as an attached layer mask with AnnaBlendz Artsy No. 8.

Next, I placed the layers of templates 4 and 5 from WaterColor Template Album No 4. While I used primarily the frames, I also used a texture and recolored the stains on template 4. I used the same photo treatment on all the framed photos. To create the out of bounds effect, I duplicated the photo layer and moved it above the frame. I stamped with brushes from ArtsyStains No. 3 to fill in the area.

For more depth I added png files from Spackle Textured No. 6. I stamped a paper texture from Paper Textures No. 3 on a new blank layer. I used brush files from MiniDots No. 1 to create the look of dandelion seeds blowing in the wind.

Finally, I incorporated my title with the layers of MultiMedia Suns No. 1, added another dandelion and wrote my journaling.

I think one could say that I have definitely been seriously playing this weekend.

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ArtPlay Homework

While I just finished an advanced class on brushes with Anna Aspnes, I am concurrently enrolled in A Year of ArtPlay 2017. One of the assignments for the ArtPlay class was to create a page blending multiple images. This page actually reflects my learning in both classes. I am delighted that these classes build on one another.

These are four of the photos, captured in March at Lauritzen Gardens, that I blended together to create my composite.

First I began by placing artsy paper 1 from ArtPlay Palette Hygge above solid paper 1. Starting with an artsy paper made page design easier. In the layers panel, note that I used a layer mask to blend out part of the dark brown stain so that it wasn’t so dominant. I also stamped with gray on a new layer over that part and added a gray overlay on color at 100%.

Next, I placed transfer 1 above the corresponding part on the artsy paper and clipped my first photo to the transfer. I adjusted my image with levels adjustment layers, one on screen and the other overlay. Then I clipped the closeup of the plants and blended it into the shelf. It is on normal at 50% Above those layers, I placed another copy of transfer 1 on soft light at 100%. For blending, I am using a brush set that I compiled from some of my favorite AnnaBlendz Artsy brushes.

Next, I added the head of the statue, attached an inverted layer mask and brought back in just what I wanted with brushes before giving the image a drop shadow as well as a gray overlay with the styles menu.

On the right, I placed the vertical photo of the stone wall, attached an inverted mask and again used brushes to reveal parts of the photo. One of the brushes I used was brush 12 from ArtPlay Palette Hygge. I also added brush 2 to my abr file of favorite blending brushes. I adjusted the light with a screen adjustment layer and glow 5 from WarmGlows 2.

Note: For blending, I created a new .abr file with brushes from Anna’s AnnaBlendz Artsy brush sets. For my file, I selected the brushes from Anna’s blending series that were simpler in that they look like primarily one texture. I am also finding that when I load the brushes from a palette I am more likely to use them and discover new favorites to add to my favorite brush abr file.

I decided that my scene needed someone to enjoy it. I found this photo of Kate that I’d taken in January 2016 sitting in about the same spot. In a way Kate’s curls reminded me of those on the statue.

I roughly extracted her using the Quick Selection Tool on an inverted layer mask and added a shadow. I added two levels adjustment layers: the first on screen and the second on overlay. I also placed another copy of the closeup photo of the plants, blending out the edges on a layer mask as needed.

Finally, I placed the layers of file 5 from MultiMedia Hygge No. 1 on the right below Kate in the layers panel. I added a phrase in the heart with the type tool. On the left, I created a cluster with a button from ArtPlay MiniPalette Cherish, a leaf that I copied from the multimedia file and thread 3 from ButtonThreadz No. 2. I am hoping that with the gray button and the gray moss in my photo that I’ve picked up enough gray. I also placed four glows to correct the color and simulate the light above my granddaughter.

Do I like it? Yes. I especially like how much what I have learned about working with brushes shows in this layout. It’s hard to see the texture in these screen shots. While this won’t go in this year’s book, I am going to put it in an album after printing.

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