Photo Storify

Photos, Stories and Scrapbooking

Tag: blending modes (Page 1 of 6)

Honeymoon

Bill’s brother handcuffed us together as we left the church following our wedding, but his dad unlocked the cuffs on the way to the airport to catch our flight to San Francisco for a short honeymoon. We only had a few days before I began my first teaching assignment at Langdon Elementary. I didn’t capture many photos on our trip; I can’t remember what kind of camera I used. However, I will have my Fuji X-T2 when we return to San Francisco in a few weeks.

To create the right side of this layout, I clipped solid paper 1 from ArtPlay Palette Riant to both sides of the template that I received in Anna’s class, Heritage Live. On the right edge, I placed the layers of frame 1 from UrbanThreadz FotoBlendz Frames No. 2.

Next, I clipped my photo to the fotoblendz mask included in the psd file. I used a brush to darken parts to reveal more of my photo. I extracted myself from the photo and gave the extraction a custom shadow. I also duplicated the entire photo twice, one on Screen blend mode at 50% and the other on Soft Light at 50%.

Note: I blended my legs into the mask to disguise the way my feet were cut off in the original photo.

I placed the frames from template 10 of WaterColor Template Album No. 7 on my page and adjusted the placement of one frame to accommodate one of my photos.

Note The thread and text boxes was included in the template. The button is from ArtPlay Palette Riant.

After adjusting the position of the frame grouping, I clipped my photos to the frames. I adjusted the exposure by duplicating the photo copies and changing the blend modes to Screen or Soft Light.

Below the group of frames, I placed most of the layers of psd file 3 from Artsy Transfers Riant, adjusting the position of the layers to line up with the top frame.

Below the circular frame, I placed transfers 3 and 7 from ArtPlay Palette Riant.

Note: I adjusted the yellow in transfer 7 with a Hue and Saturation adjustment layer after I rotated it. I had already created the textbox on the left before adding the transfers so all I needed to do was adjust its position.

My friend, Adryane, is going to help us recreate a couple of these photos for the opposing page of this layout when we are in San Francisco. We are really looking forward to our trip.

Family

“Strive to capture the heartbeat of love in this family: preserve and transplant it into the hearts of its members both present and future,” my grandfather said. His children, including my father, reflected that love of family and it’s history. That is what I wanted to capture with these two pages.

First, I extracted my parents from a photo with the Quick Selection tool using a layer mask and gave the masked result a shadow.

Note: I used the Clone Stamp tool on solid paper 4 from ArtPlay Palette Bravura so that I could erase the transfer on the paper to create a background for both pages.

Next, I placed the overlay from ArtPlay Palette Bravura and blended into the background another photo of my father. I changed the blend mode to Overlay blend mode at 60%.

I then placed a small frame from a template from WaterColor Template Album No. 7 to the left of my dad and clipped a photo of my dad with his siblings to the mask. Below the frame I placed a splatter and stain from the template.

I then positioned the layers of file 3 from MultiMedia Flowers No. 5 below my mother. To ground my parents, I also added file 6 from UrbanStitchez No. 1.

To finish the right side, I wrote my journaling in the textbox included in the template and added a title.

After placing the same solid paper on the left side, I dragged the layers of template 4 from WaterColor Template Album No. 7 onto the page. I clipped a photo to the templates’s fotoblendz mask and adjusted the focal photo by clipping duplicated copies to the original: black and white at 90%, Screen blend mode at 30% and Soft Light at 100%. I switched out one frame by duplicating the top one to accommodate my photos.

Note: I adjusted the size and position of the lower two text boxes.

I clipped my photos to the small frame masks. I added a button from the artplay palette.

Note: I initially adjusted these photos in Lightroom but added a duplicate copy of each and changed the blend mode to Soft Light.

Below the frames, I placed most of the layers of the layers of transfer 5 from Artsy Transfers Bravura.

Note: The splatter is part of the template.

Finally, I added the quote from my grandfather. I thought the word family summarizes what was most important in my dad’s family.

Extractions with Old Photos

My grandmother, the little girl on the far left, died in 1952 from a stroke at the age of 52. The small photo of me and my sister on the right is the only photo that I have with my grandparents. We moved to California not long after my Grandmother Irene died. Although I didn’t see my grandfather often, I have a few photos and memories for which I am grateful.

I love the effect of partially extracting the people from an old photo. That way I can change a background and add shadows to the people to create depth on my pages. That was my first step for this page, extracting the people from both photos.

Note: I didn’t have a lot of space with which to work in the photo on the left, so I blurred part with brushes on the layer mask. I duplicated each photo and changed the blend mode of the duplicated photos to soft light to increase the contrast.

Next I clipped the photo of my grandfather on the right to overlay 5 from FotoBlendz Overlays No. 12. On the left, I used overlay 1 from the same package. I will add a different background, i.e. artsy paper or artsy transfers to create a background within the mask/overlays.

To fill the black areas, I positioned artsy paper 2 from ArtPlay Palette Fernweh between the photo and mask on the right. On the left, I placed most of the layers of psd transfer 5 from ArtsyTransfers Fernweh between the photo and the overlay.

I continued to build the background on both sides. To the right, I added the layers of transfer 5 from ArtsyTransfers Fernweh. To the left, I positioned the psd layers of files 3 and 5 from the same set.

Note: When I work with Anna’s transfer layers, I often move them around, add layer masks to hide parts of a layer I don’t want or delete layers.

Once I had finished the background for each photo, I placed the small frames and thread from Hipster Plume Template Album No. 1 on the right. I clipped my photos to the frame masks. Below the frames, I added file 4 from MultiMedia Branches No. 10, reducing the size and adjusting the position. On the left, behind my grandmother, I placed file 1 from MultiMedia Branches No. 1o. I reduced the size of those layers, added masks so that the layers didn’t interfere with the photo and changed the position of other layers, i.e. the button. Finally, I added wrote my journaling and a title.

Although these pages took time, I enjoyed every minute.

Ready for Kindergarten

My granddaughter looks so grown up now. I have mixed feelings about this little girl beginning kindergarten in August. On one hand, I know how much I’m going to miss driving her to preschool, making lunch and playing with her in the afternoons.  However, I also know how much she will enjoy school, how much she’ll learn academically and socially. The teacher in me loves knowing all the wonderful possibilities waiting for her. I created this page in celebration of those possibilities. The steps are simple.

Roughly extract child from three photographs using the Quick Selection tool and a layer mask.

Clip photos of grass to mask 2 and 3 from WaterColor FotoBlendz No. 8.

Note: I photographed the grass to unify the extractions since each was a separate photo.

Add the psd layers of frame 1 from Postage Frames No. 1. Clip grass photo to masks. Above the masks, place a second copy of extractions. Add a custom shadow to each extraction.

Below the extractions and first set of frames, place a second frame set. Clip a copy of the grass photo to the frame masks.

Add one more psd frame 1. Again, clip grass photo to masks.

Add transfer 1, art stroke 2 and overlay 1 and 3 from ArtPlay Palette Ariose below the fotoblendz masks. Just below the top postage stamp frames, place two copies of overlay 4 and art stroke 2. Place solid paper 1. Lighten paper with a levels adjustment layer. Change blend mode to screen at 80%.

Note: I erased part of the paper with the Clone Stamp tool.

Finish with a title and cluster with elements from ArtPlay Palette Ariose.

Family Tree

At one time or another all of my grandchildren have asked me about my parents, even whether I ever had grandparents. While my parents and grandparents have all died, these photos keep them in my memories. I hope to share some stories about them so that my grandchildren will know them too. Working on this simple page has inspired me to consider working on a heritage project, but to take the perspective of my grandchildren and the questions they’ve asked as well as some of the stories I think they’d enjoy reading. Below are the steps for this page.

Move the template layers of Family Tree Template No. 6 to a new blank document. Recolor the branches behind the frames. Note: I chose a green.

Clip transfer 2 from ArtPlay Palette Moorlands to the tree brush layer of the template. Add a little brown to parts of the brush.

Note: Press command and the thumbnail of the brush layer to get the marching ants. Add a new blank layer above and stamp brown on some areas.

Clip photos to masks and add names. Add hue and saturation adjustment layers to give photos a similar sepia tone. Then add levels adjustment layers on overlay blend mode. Adjust as needed.

Note: I’ve added only first names for privacy purposes.

Next, to fill in the background, place transfer 1 and 3 from ArtPlay Palette Moorlands. Change blend mode of transfer 3 to darken at 75%.

Place most of the layers of psd file 3 from Artsy Transfers Moorlands. Turn off the gold paint.

Add a button from ArtPlay Palette Moorlands and journaling.

I’m looking forward to hearing the questions Kate will ask next week when I share this page with her.

Tulip Garden

The tulips weren’t blooming at Lauritzen Gardens in April, but they were simply stunning at my photography class Wednesday evening. With optimal light on these tulips for about forty-five minutes, I worked the angles with my little camera. My instructor suggested that I capture more of the stems with the tulip flowers. I’m so glad I did because those shots work perfectly with Anna’s new postage stamp frames. Below, I share the steps for working with one photo for the background combined with some detail shots.

Place photo and resize to fit the boundaries of a 12×12 document. Add inverted layer masks and bring back in the photo with AnnaBlendz Artsy brushes. The bottom layer is on color burn blend mode at 100%, the second layer on normal at 75% and the extraction at the top is on normal at 100%. Create a custom shadow for the tulip extraction by putting it on a separate layer, then warping and erasing as desired.

Note: I processed all the photos on this page in Lightroom before adding them to my page. I also added a levels adjustment layer on soft light at 100% just above the masked copy on normal blend mode. I used solid paper 1 from ArtPlay Palette Amaranthine as a foundation for this page.

Below the masked photo and extraction, place transfers 4, 6 and 8 as well as the lace from ArtPlay Palette Amaranthine. Change the blend mode of transfer 4 to linear burn at 75%.

Add transfer 5; mask as needed and change blend mode to liner burn at 75%. At the top of the transfer group, place transfer 3 on normal blend mode at 100%.

Place psd frames 2 and 8 from Postage Frames No. 1. Clip photos to masks. Tilt frames to angle on the page.

Add thread 6 from UrbanStitchez No 12 as an edge for the extraction. Add stitch 11 to tack down the frames. Add button from ArtPlay Palette Hello Autumn and button thread 2 from ButtonThreadz No. 2. Finally, add a title and journaling.

Note: I adjusted the color of the button with two levels adjustment layers, one on overlay at 100% and the other on screen at 50%.

After all the browns, grays and whites of winter, I’m more than ready for some color.

Waiting on Spring

I fully intended to capture the tulips while I was at my evening photography class at Lauritzen Gardens a couple of weeks ago. Unfortunately the weather was so cold during April that they had hardly sprouted the day I was there. Frost killed my bowl of pansies in April, so I shouldn’t have been surprised to see that the large pots along the brick wall in the Victorial Garden were empty. There were a some daffodils and few struggling panies in the beds, but the tulips were just emerging from the ground. What a shame, I love a good tulip display. I’m going to my class again next week and hope to see a few left.

Even without any flowers, I decided that the photos that I made of the ornaments, urn and door with all the brick deserved a page.

For this page, place two copies of overlay 3 from ArtPlay Palette Ariose (free with a $20 purchase of Anna products during the NSD sale at Oscaps. Both layers are on normal blend mode.

Note: This might be an odd place to begin, but I love this overlay.

Place the layers of template 3 from WaterColor Template Album No. 6 on the page. Add two copies of the gold paint and change the blend mode to color burn at 50%.

Note: The overlay layers are just below the fotoblendz mask from the template. Initially, I turned off all the template layers except the fotoblendz mask. I also applied a painted treatment to the photo with Topaz Studio.

Recolor some stains and/or clip copies of the photo to others.

Turn on three of the small frames. Clip photos to two of the small frames. To the third, clip artsy paper 1 from ArtPlay Palette Ariose and adjust the position within the framed mask.

Place overlay 4 and art stroke 1 from ArtPlay Palette Ariose just below the small frames, both on normal blend mode. Complete journaling.

Turn on the template’s urban thread layer. For additional interest, add the flower, bird and thread from ArtPlay Palette Ariose. Add title.

Note: As I finished up, I decided that solid paper 2 with a levels adjustment layer on screen provided a better background than white.

Now I can’t wait to see what’s in the Victorian Garden next week.

Brush Play

Sometimes, I just play with brushes. While the end product may not be my favorite layout, I think that simply experimenting with blend modes and brushes is valuable. On this layout, I painted with digital brushes in Photoshop. Below, I explain my steps.

Stamp brush 6 from ArchiTextures No. 10 on a new blank document. Below the brush layer, place solid paper 1 from ArtPlay Palette Home.

Note: The brush is partially transparent which allows the texture to bleed through on normal blend mode.

Paint the house with brushes from ArtsyPaint No. 14 and ArtsyStains No. 6 on separate layers.

Note: Using separate layers allows you to rotate or duplicate a brush. I practice using the Brush Panel to rotate brushes, but sometimes it’s faster to move it after stamping.

Place a photo below the stamped painted house with added paint. Click command and the brush layer from ArchiTextures No. 10. Marching ants appear. Go to the photo layer and click the add layer mask icon. An inverted mask will appear linked to the photo. Then stamp with white as the foreground color on the black mask with brushes from ArtsyPaint No. 14, ArtsyPaint No. 8 and AnnaBlendz Artsy No. 10 to fill in a scene around the house.

Note: I “undo” a brush stroke if it doesn’t look the way I want. Once it looks right to me, then I duplicate the mask and clip it to other layers of the photo. The top layer is a sketch on linear burn at 70%. The second photo layer is linear light at 50%. The bottom photo layer is multiply at 50% with a screen adjustment layer attached.

Above the photo layers but below ArchiTexture brush 6 layer, place layers of file 3 from Artsy Transfers Evanish, a glow from ArtPlay Palette Glance, overlays from ArtPlay Palette Evanish and splatters from ArtPlay Palette Home.

Add word art 8 from ARTWord ART Mix No. 1, a red button from ArtPlay Palette Merry Tree and thread 7 from ButtonThreadz No. 1.

I’m not going to say that this is my favorite layout, but while playing, I enjoyed myself practicing.

Sayaka Ganz

At my photography class on Wednesday, suspended from the ceiling of the conservatory at Lauritzen Gardens hung a dolphin by Sayaka Ganz. She uses common household plastic objects to create animals with a sense of motion.  and assembles them to create the effect of a Van Gogh painting. She states, “I believe the best way for artists to help reduce waste is to show how beautiful these materials can be and what can be done with the mundane…When we think of these things as beautiful, we value them. If we value our resources, we will waste less.”

As I looked up, I struggled to get the angle of the dolphin amid the palms. I liked the shapes of the fronds, but in a way, they compete with the dolphin. With my 18-70 mm, f/3.4-5.6 zoom, standing below, I was too far away to blur the background in the late afternoon light. However, with photoshop, I can change the emphasis. Below, I share my steps.

Extract the dolphin. Duplicate twice; create a sketch with one and apply an effect to lighten in the second copy. Clip the sketch, 100% color burn, to the copy with the effect. Link the two copies and rotate clockwise so that the dolphin is headed down more. Add a standard shadow to the top dolphin from the style menu and a custom shadow to the original dolphin copy. To do that put the standard shadow on a separate layer and warp it.

Note: I learn a lot about my photography creating these pages. In this case, in an effort to get all the fins, I placed the dolphin in the center and chose a safe angle.

Below the extraction, place another linked copy of the photo. Clip the copy to mask 3 from WaterColor FotoBlendz No. 8. Duplicate the photo twice and apply effects. Above the photo copies position artsy paper 2 from ArtPlay Palette Evanish. Add a layer mask and bring back in just part of the paper with a soft round brush. Change the blend mode to linear burn at 80%.

Note: For this page, I experimented with a watercolor look and a painterly effect in Topaz Studio.

Place artsy paper 3 from ArtPlay Palette Evanish at the bottom of the layers panel.

Note: I chose this paper because the shape fit my photo so well.

To fill in the background, place art strokes 1 and 2 as well as the gold paint 2 from ArtPlay Palette Evanish. Above the gold paint layer, place file 4 from SeaSprinkles No. 2.

Add glows from CoolGlows No. 1 and CoolGlows No. 4, one on linear light at 60% and the other on soft light at 100%. Place blue buttons and tack down with thread 2 from ButtonThreadz No. 3 and thread 10 from ButtonThreadz No. 1.

Note: The buttons are from ArtPlay Palette Socialize and ArtPlay Mini Gelid.

Finally, add a title and journaling.

This is quite a change from my original photo.

Different Purposes

On Thursday during my week in California, I flew up to San Francisco to spend the day with my friends, Adryane and Don. Last year it rained, but this time, the weather was perfect t-shirt weather and perfect for making photographs.

I use the photos that I make not only to create art, but also to document the things I want to remember or share with family; in order words, I make pages that I will print through Persnickety or add to the my current book project. This two page spread is for my book.

While I have used both focal photos on this two page spread on two previous pages, I wanted to create something for the next book I will publish. Think about it from an efficiency perspective, I’ve already done some of the creative the work, so why not?

Note: I started with the photos that I previously used on layouts. For information on those previous layouts, see Quick and Simple and Pokemon Go.

I explain the process below.

Place layers of photo on left, deleting layers and changing blend modes as needed. Place photo on right, create a sketch, mask another layer to improve color and maintain blue in sky, add track extension.

Note: I used most of the layers of the photo on the left from a previous page. I placed only the photo on the right but repeated some steps, i.e. making a sketch.

Add frames, stains and art strokes from templates 2, 9 and 13 from WaterColor Template Album No. 5. Clip photos to masks and adjust as needed.

Note: I used the fotoblendz mask from template 9 on the right. I also substituted a frame and mask from template 13 to accommodate the screenshot on the right. I used the frames from template 2 on the left.

Below all the frames, place transfer 1 and 2 from ArtPlay Palette Surf’s Up on the right. On the left, place transfer 7. In the page gutter, place two gold transfers, reversing one. Stamp brushes 5 and 10 in blue. Pull layers from psd files 1 and 4 from Artsy Transfers Surf’s Up to fill in background. Stamp brush 5 in red, rotating for variation.

Note: I chose layers from the artsy transfers based on color and texture to fit my vision for this page.

Place additional photo in page gutter and add an inverted mask. Stamp with brushes from ArtsyPaint 7 and ArtsyPaint 8 on the mask in white to reveal the ship. Align photo with line of background brush on left.

Add Pokeball, red button from ArtPlay Palette Weihnachtsbaum and thread from template 15.

I think it’s okay to reuse photos for different pages, especially if you have different purposes, i.e. art or memory keeping. Both are valuable for me at this point in my life.

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