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Tag: blending modes (Page 1 of 6)

Ferns

While I am preparing for an upcoming event in May, I found time to create this page with Anna’s new release, ArtPlay Palette Moira, using photos of ferns taken in the conservatory at Lauritzen Gardens. I do wish I could grow these outside the way I did in California.

I often use an artsy paper and/or a template as a basis for creating unique looking pages for my photographs. For this page, I used artsy paper 1 from ArtPlay Palette Moira as a starting point for the page design with my fern photo. I simply added the brushes, overlays and transfers I wanted to use to a solid paper. Artsy papers are excellent patterns for good design. 

Mask Photo
  • Place photo on Solid Paper #5 from ArtPlay Palette Moira.
  • Add inverted layer mask to original copy by pressing option and clicking on the mask icon at the bottom of the layers panel
  • Select an AnnaBlendz Artsy brush and stamp with white as the foreground color on the black mask to reveal the photo.
  • Duplicate the photo and mask layers twice and adjust the blend mode of each photo layer.

Note: On my page the bottom photo layer is on Normal blend mode at 40% opacity. The second layer is on Color Burn at 100% opacity. The top layer is on Linear Light at 40% opacity.

Build Background 

Below the masked photo layers, add two copies of a brush, a transfer and an overlay.

  • Just above Solid Paper #5, stamp Brush #1 on a new blank layer on the left side.
  • On the right side, add another new blank layer and stamp Brush #1 angling it differently.
  • Place Transfer #1 above the brush layers and align it with the top edge of the paper.
  • Above the transfer, place Splatter Overlay #1 along the bottom right edge of the fern photo.

Note: Brushes, overlays and transfers are included in ArtPlay Palette Moira.

Add Small Frames

Initially I dragged the group of small frames from Artsy Layered Template No. 289 above the blended photo layers. I then used that arrangement as a guide for placing the frames from Postage Frames No. 2.

  • Open the .psd file of Postage Frame #6 from Postage Frames No. 2 and drag on to layout.
  • Duplicate the .psd file four times.
  • Reduce the file size so that it just large enough to cover the template frames. There will be a difference in the width.
  • Slant and adjust positioning of the frames, masks and drop shadows to follow the positioning of the template frames.
  • Clip detail fern photos to the masks masks.

Note: My photos were all adjusted in Lightroom before exporting to Photoshop.

Define Edges and Add Depth

In the screenshot above, there is an unfinished gap at the bottom of the ferns on the right. It needs a more defined edge. Brushes and overlays help close gaps and finish photo edges. Glows add depth and light to a page.

  • Stamp Brush #6 from ArtPlay Palette Moira on a new blank layer in black above the blended photo layers.
  • Above that layer, stamp Different Stroke #17 from Different Strokes No. 12 on a new blank layer. Duplicate the stroke to darken appearance. Blend mode is Normal at 100%.
  • On the right edge, place Stain Overlay #1. On the left just below the frames, place Overlay #1. Both pieces are part of ArtPlay Palette Moira.
  • Add FotoGlow #5 from WarmGlows No. 8 and change the blend mode to Linear Burn at 100%. Duplicate the glow and place to balance the light.
Finish

Adding details creates interest and a finished look to a page.

Next time that you sit down to create a page, spend a little time analyzing the way Anna Aspnes designs her artsy papers and then experiment by manipulating the brushes, transfers and overlays from an artplay palette in order to create something unique. Let me know how it goes.

A Quiet Place

The Pope-Baldwin Estates at the Tallac Historic Site in South Lake Tahoe offer a glimpse into the luxurious lifestyle of wealthy society people who summered at Lake Tahoe at the turn of the 20th Century. After years of neglect, the estate buildings were beginning to deteriorate and restoration work was started in the early 1980s when the government purchased the property. The dock in this photo replaced the original boat dock and pier.

I began this layout working with just the photo. I duplicated the original three times. I gave the second copy a watercolor effect in Topaz Studio. Above that I placed a copy of the original photo on Soft Light blend mode at 100%.

To each copy I attached an inverted layer mask. I brought back the photo with an AnnaBlendz Artsy Brush as well as brush 11 and 13 from ArtPlay Palette Milieu.

Next, I placed artsy paper 5 from ArtPlay Palette Milieu below the photo layers. Above the photo layers, I placed another copy of paper 5 and changed the blend mode to Linear Burn at 75% opacity. Above the boats on the right, I placed transfer 2 from ArtPlay Palette Milieu. Finally, I created a composite of the original photo layers.

I then grouped my original photo layers and turned off that group. Using just my composite, I reduced it’s size to about 90% and clipped it to mask 3 from FotoBlendz Overlays No. 14.

I duplicated my composite and clipped it to mask 2 from Coastline FotoBlendz No. 1. I reduced the size of mask 1 from FotoBlendz Overlays No. 14 vertically to 60% and increased the horizontal size to 115%. I duplicated my composite one more time and clipped it to mask 1.

Note: Above the composite copies clipped to masks, I added two adjustment layers: one on Screen blend mode at 30% and another on Soft Light at 100%.

Just above solid paper 2 from ArtPlay Palette Milieu, I placed transfer 5. Above the transfer I added an adjustment layer on Soft Light at 100%. I also adjusted the color of the rounded area on the left with a Hue and Saturation layer and an inverted mask so that the changes would only affect that part.

To embellish my page, I placed all the layers of file 2 from MultiMedia Milieu No. 1. I turned off the grass frame and its shadow. Instead, I placed the branch from MultiMedia Branches No. 10 and its shadow as well as the thread. I adjusted the color of the branch with a color overlay.

With word art from WordART Mix Milieu No. 1 and brush 6 and some splatter brushes stamped on new blank layers, my page was finished.

After a Snowstorm

After a snowstorm earlier this month, a couple out walking their dogs graciously gave me permission to capture them from behind as they walked down a path near my home. I got three shots with my iPhone before they disappeared from view.

There are two steps to creating this page. First, I worked with just the photo in Photoshop following the steps outlined in a post on Anna’s blog, Create an Artsy Sketch Effect, by team member Ulna-May. While I didn’t change the image size as stated in the post, I followed the other instructions, changing opacity and blend modes on two layers. For example, my color layer is on blend mode Pin Light at 100%. I created a composite of all the photo layers.

Next, I moved the sketch composite and original photo on to solid paper 1 from ArtPlay Palette Inkling. I linked the two layers and resized them to fit the 12×12 layout. I duplicated the original photo and gave it a watercolor effect in Topaz Studio. I then used brush 2 from AnnaBlendz Artsy No. 3 on an inverted mask attached to sketch composite to bring back in the photo. I changed the blend mode to Linear Burn. I duplicated the mask and attached it to the watercolor copy, changing the blend mode to Overlay at 100%. Finally, I roughly extracted the couple and used the same brush on the mask to lighten them just a little.

With the photo layers finished, I placed transfer 4 from the artplay palette, reduced the size to 85% and adjusted the exposure with a levels adjustment layer on Overlay at 40%. Just below the man and woman I placed copies of the silver paint included in ArtPlay Palette Inkling. I also placed art stroke 3, erasing the right side.

To finish my page, I placed the psd layers of file 2 from MultiMedia Winter No. 3. I substituted a button from the artplay palette for the blue one included in the file. I added a title from Inkling WordArt Mix No. 1.

Capturing this photo took only a minute, but provided a wonderful afternoon for playing with Anna’s new release.

Santa’s Coming Soon

Friday afternoon, I spontaneously decided to drive to Lauritzen Gardens to capture the annual poinsettia display and maybe avoid the crowds. While the massive tree created from red poinsettias was still in the center of the room, there are always variations on how the staff displays the smaller Christmas trees, other varieties of poinsettias and the model trains running throughout. It was a great way to spend a few hours on a Friday afternoon.

It’s easy for me to capture the decorated trees and poinsettias. They don’t move. The little trains are another matter. I keep practicing. Notice the nice blur on the side of the caboose and behind the train. The focus is on Santa and the sign on the back of the caboose.

Camera settings: 55mm, 1/250 sec at f/4.0, ISO 1600.

While I don’t like the photo’s composition, I selected this photo for my layout because of the train’s angle and the amount of track showing on the right of the photo.

First, I placed solid paper 5 from ArtPlay Palette Mistletoe on a new 12×12 document. Next, I sized and placed my photo before extracting the caboose with Santa and the track across the bottom of the layout.

Second, I placed the psd layers of file 3 from Evergreen Fotoblendz No. 2 and clipped linked copies of the same train photo to the layers.

Note: I deleted two of the mistletoe layers.

Next, I added silver paint 1 from ArtPlay Palette Mistletoe below the extraction along the top of the train. Above the extraction layer, I added a copy of the solid paper with an inverted layer mask. I brought back in just the silver edge on the left with a hard round brush. Above and below the paper, I placed two copies of silver paint 2. The top copy is on normal at 50% and the bottom copy 100% on normal with a color overlay.

To finish my page, I placed the psd file of branch 3 from MultiMedia Branches No. 12 along the top of the train. I added a title.

Note: I darkened the berries a little with a Hue and Saturation layer and masked out one white splatter.

I’d like to return to the gardens to practice capturing Santa clearly in focus with his caboose on the left. It’s not enough for a photographer to get the focal point clear, the composition also has to be good. That’s my goal!!

I Remember the Music

A few weeks ago, a cousin sent me the photo of the house in Dallas that my Grandfather and Grandmother Kennamer moved to in 1939. I have few memories of my grandfather, but I do remember his music. I remember dancing on his porch while he played Mockingbird Hill on his fiddle. Independent of a few photos, music is my strongest memory of my grandfather. The extraction above is from the last photo I have of him, taken in 1964. Below are the steps for creating this page.

Create a new blank document. Place file 1 from Luster FotoBlendz No. 1 on solid paper 2 from ArtPlay Palette Luster.Clip the photo sketch to mask. Add Screen adjustment layers at 100%. Above the adjustment layer, place a duplicate of the original photo. Add an inverted mask and bring back in the roof. At the top of photo layers clipped to the mask, duplicate one more copy of the original photo on Pin Light blend mode at 50%. Place textures 3 and 6 from Paper Textures No. 1.

Note: I used a Lightroom preset by Studio Romy to create the sketch. I recolored the mask white so that I could change the blend mode of the sketch to multiply.Place transfers 1 and 6 from ArtPlay Palette Luster below the mask and photo layers.Above the fotoblendz mask and photo layers, extract subject with the Quick Selection tool from group photo. Give the extraction a custom shadow.Add a black and white adjustment layer to the photo. On the layer mask use a round brush to reveal the red bow tie and face. Above the black and white adjustment layer add an adjustment layer on Soft Light at 100%. Place musical instrument 6 of Instrumental No. 1 below the extraction. Give it a 1 px stroke. Place stitches 3 and 11 from UrbanStitchez No. 12 below the text box and extraction. Add title.On the left side, place the tag from ArtPlay Palette Luster. Add address of house. Add button from ArtPlay Palette Joyeux and a thread 6 from ButtonThreadz No. 3. Add text box and journaling.

I don’t have a photo, but I can see my grandfather standing on the porch and hear him playing his fiddle.

Fifty Years of Friendship

It’s been six years since we were last all together. We’ve shared more than fifty years of friendship with Bill and Sue Woods and Stu and Patty Macy. We’ve attended weddings and baby showers for one another, traveled together, i.e. the zoo, San Diego, Disneyland, even as far as the Philippines. We watched the Olympic Soccer finals in 1984 and numerous fireworks shows together. We made one more memory when we had lunch at Azul Latina Kitchen in South Lake Tahoe. For me the contrast between the photo of us all now and a few snapshots from the past are a treasure.

To create this page, I began with the template from Heritage Live and psd file 4 from Feuillemort FotoBlendz No 1.

I clipped a copy of the photo from our trip to the fotoblendz mask. I could have left it at that, but I wanted the photo to pop with depth.

I extracted parts of us from the photo and gave that extraction a shadow. Then I added two adjustment layers, one on Soft Light blend mode at 40% and the other on Screen blend mode at 30%. Between the two layers angled transfer 1 from ArtPlay Palette Feuillemort.

Note: I clipped copies of the photo to the stains included in the psd fotoblendz file.

Below those layers, I placed a combination of layers from Artsy Transfers Feuillemort 4 and 5.

On the right side, I used template 16 from WaterColor Template Album No. 3, deleting some of the stains included with the template. First, I clipped another photo to the fotoblendz mask included in the template and added an adjustment layer.

I clipped my photos to the small frames and added a stroke layer style to make the photos look as if they had the same frames used on the previous pages.

Note: the frames on the template are different from those that I’ve used for the other pages in this book. I deleted the masked included in the template, leaving just the frames. I added the stoke to the frames of the template by clicking the styles button at the bottom of my layers panel. Each frame has a style attached.

To finish my page, I added transfers from ArtPlay Palette Feuillemort and layers from transfer 5 of Artsy Transfers Feuillemort. I added a title with a thread from UrbanThreads No. 17.

I really didn’t take many photos with our friends over lunch, but that one was enough to tell this story.

Honeymoon

Bill’s brother handcuffed us together as we left the church following our wedding, but his dad unlocked the cuffs on the way to the airport to catch our flight to San Francisco for a short honeymoon. We only had a few days before I began my first teaching assignment at Langdon Elementary. I didn’t capture many photos on our trip; I can’t remember what kind of camera I used. However, I will have my Fuji X-T2 when we return to San Francisco in a few weeks.

To create the right side of this layout, I clipped solid paper 1 from ArtPlay Palette Riant to both sides of the template that I received in Anna’s class, Heritage Live. On the right edge, I placed the layers of frame 1 from UrbanThreadz FotoBlendz Frames No. 2.

Next, I clipped my photo to the fotoblendz mask included in the psd file. I used a brush to darken parts to reveal more of my photo. I extracted myself from the photo and gave the extraction a custom shadow. I also duplicated the entire photo twice, one on Screen blend mode at 50% and the other on Soft Light at 50%.

Note: I blended my legs into the mask to disguise the way my feet were cut off in the original photo.

I placed the frames from template 10 of WaterColor Template Album No. 7 on my page and adjusted the placement of one frame to accommodate one of my photos.

Note The thread and text boxes was included in the template. The button is from ArtPlay Palette Riant.

After adjusting the position of the frame grouping, I clipped my photos to the frames. I adjusted the exposure by duplicating the photo copies and changing the blend modes to Screen or Soft Light.

Below the group of frames, I placed most of the layers of psd file 3 from Artsy Transfers Riant, adjusting the position of the layers to line up with the top frame.

Below the circular frame, I placed transfers 3 and 7 from ArtPlay Palette Riant.

Note: I adjusted the yellow in transfer 7 with a Hue and Saturation adjustment layer after I rotated it. I had already created the textbox on the left before adding the transfers so all I needed to do was adjust its position.

My friend, Adryane, is going to help us recreate a couple of these photos for the opposing page of this layout when we are in San Francisco. We are really looking forward to our trip.

Family

“Strive to capture the heartbeat of love in this family: preserve and transplant it into the hearts of its members both present and future,” my grandfather said. His children, including my father, reflected that love of family and it’s history. That is what I wanted to capture with these two pages.

First, I extracted my parents from a photo with the Quick Selection tool using a layer mask and gave the masked result a shadow.

Note: I used the Clone Stamp tool on solid paper 4 from ArtPlay Palette Bravura so that I could erase the transfer on the paper to create a background for both pages.

Next, I placed the overlay from ArtPlay Palette Bravura and blended into the background another photo of my father. I changed the blend mode to Overlay blend mode at 60%.

I then placed a small frame from a template from WaterColor Template Album No. 7 to the left of my dad and clipped a photo of my dad with his siblings to the mask. Below the frame I placed a splatter and stain from the template.

I then positioned the layers of file 3 from MultiMedia Flowers No. 5 below my mother. To ground my parents, I also added file 6 from UrbanStitchez No. 1.

To finish the right side, I wrote my journaling in the textbox included in the template and added a title.

After placing the same solid paper on the left side, I dragged the layers of template 4 from WaterColor Template Album No. 7 onto the page. I clipped a photo to the templates’s fotoblendz mask and adjusted the focal photo by clipping duplicated copies to the original: black and white at 90%, Screen blend mode at 30% and Soft Light at 100%. I switched out one frame by duplicating the top one to accommodate my photos.

Note: I adjusted the size and position of the lower two text boxes.

I clipped my photos to the small frame masks. I added a button from the artplay palette.

Note: I initially adjusted these photos in Lightroom but added a duplicate copy of each and changed the blend mode to Soft Light.

Below the frames, I placed most of the layers of the layers of transfer 5 from Artsy Transfers Bravura.

Note: The splatter is part of the template.

Finally, I added the quote from my grandfather. I thought the word family summarizes what was most important in my dad’s family.

Extractions with Old Photos

My grandmother, the little girl on the far left, died in 1952 from a stroke at the age of 52. The small photo of me and my sister on the right is the only photo that I have with my grandparents. We moved to California not long after my Grandmother Irene died. Although I didn’t see my grandfather often, I have a few photos and memories for which I am grateful.

I love the effect of partially extracting the people from an old photo. That way I can change a background and add shadows to the people to create depth on my pages. That was my first step for this page, extracting the people from both photos.

Note: I didn’t have a lot of space with which to work in the photo on the left, so I blurred part with brushes on the layer mask. I duplicated each photo and changed the blend mode of the duplicated photos to soft light to increase the contrast.

Next I clipped the photo of my grandfather on the right to overlay 5 from FotoBlendz Overlays No. 12. On the left, I used overlay 1 from the same package. I will add a different background, i.e. artsy paper or artsy transfers to create a background within the mask/overlays.

To fill the black areas, I positioned artsy paper 2 from ArtPlay Palette Fernweh between the photo and mask on the right. On the left, I placed most of the layers of psd transfer 5 from ArtsyTransfers Fernweh between the photo and the overlay.

I continued to build the background on both sides. To the right, I added the layers of transfer 5 from ArtsyTransfers Fernweh. To the left, I positioned the psd layers of files 3 and 5 from the same set.

Note: When I work with Anna’s transfer layers, I often move them around, add layer masks to hide parts of a layer I don’t want or delete layers.

Once I had finished the background for each photo, I placed the small frames and thread from Hipster Plume Template Album No. 1 on the right. I clipped my photos to the frame masks. Below the frames, I added file 4 from MultiMedia Branches No. 10, reducing the size and adjusting the position. On the left, behind my grandmother, I placed file 1 from MultiMedia Branches No. 1o. I reduced the size of those layers, added masks so that the layers didn’t interfere with the photo and changed the position of other layers, i.e. the button. Finally, I added wrote my journaling and a title.

Although these pages took time, I enjoyed every minute.

Ready for Kindergarten

My granddaughter looks so grown up now. I have mixed feelings about this little girl beginning kindergarten in August. On one hand, I know how much I’m going to miss driving her to preschool, making lunch and playing with her in the afternoons.  However, I also know how much she will enjoy school, how much she’ll learn academically and socially. The teacher in me loves knowing all the wonderful possibilities waiting for her. I created this page in celebration of those possibilities. The steps are simple.

Roughly extract child from three photographs using the Quick Selection tool and a layer mask.

Clip photos of grass to mask 2 and 3 from WaterColor FotoBlendz No. 8.

Note: I photographed the grass to unify the extractions since each was a separate photo.

Add the psd layers of frame 1 from Postage Frames No. 1. Clip grass photo to masks. Above the masks, place a second copy of extractions. Add a custom shadow to each extraction.

Below the extractions and first set of frames, place a second frame set. Clip a copy of the grass photo to the frame masks.

Add one more psd frame 1. Again, clip grass photo to masks.

Add transfer 1, art stroke 2 and overlay 1 and 3 from ArtPlay Palette Ariose below the fotoblendz masks. Just below the top postage stamp frames, place two copies of overlay 4 and art stroke 2. Place solid paper 1. Lighten paper with a levels adjustment layer. Change blend mode to screen at 80%.

Note: I erased part of the paper with the Clone Stamp tool.

Finish with a title and cluster with elements from ArtPlay Palette Ariose.

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