Photo Storify

Photos, Stories and Scrapbooking

Tag: artsy transfers

Family Tree

At one time or another all of my grandchildren have asked me about my parents, even whether I ever had grandparents. While my parents and grandparents have all died, these photos keep them in my memories. I hope to share some stories about them so that my grandchildren will know them too. Working on this simple page has inspired me to consider working on a heritage project, but to take the perspective of my grandchildren and the questions they’ve asked as well as some of the stories I think they’d enjoy reading. Below are the steps for this page.

Move the template layers of Family Tree Template No. 6 to a new blank document. Recolor the branches behind the frames. Note: I chose a green.

Clip transfer 2 from ArtPlay Palette Moorlands to the tree brush layer of the template. Add a little brown to parts of the brush.

Note: Press command and the thumbnail of the brush layer to get the marching ants. Add a new blank layer above and stamp brown on some areas.

Clip photos to masks and add names. Add hue and saturation adjustment layers to give photos a similar sepia tone. Then add levels adjustment layers on overlay blend mode. Adjust as needed.

Note: I’ve added only first names for privacy purposes.

Next, to fill in the background, place transfer 1 and 3 from ArtPlay Palette Moorlands. Change blend mode of transfer 3 to darken at 75%.

Place most of the layers of psd file 3 from Artsy Transfers Moorlands. Turn off the gold paint.

Add a button from ArtPlay Palette Moorlands and journaling.

I’m looking forward to hearing the questions Kate will ask next week when I share this page with her.

Brush Play

Sometimes, I just play with brushes. While the end product may not be my favorite layout, I think that simply experimenting with blend modes and brushes is valuable. On this layout, I painted with digital brushes in Photoshop. Below, I explain my steps.

Stamp brush 6 from ArchiTextures No. 10 on a new blank document. Below the brush layer, place solid paper 1 from ArtPlay Palette Home.

Note: The brush is partially transparent which allows the texture to bleed through on normal blend mode.

Paint the house with brushes from ArtsyPaint No. 14 and ArtsyStains No. 6 on separate layers.

Note: Using separate layers allows you to rotate or duplicate a brush. I practice using the Brush Panel to rotate brushes, but sometimes it’s faster to move it after stamping.

Place a photo below the stamped painted house with added paint. Click command and the brush layer from ArchiTextures No. 10. Marching ants appear. Go to the photo layer and click the add layer mask icon. An inverted mask will appear linked to the photo. Then stamp with white as the foreground color on the black mask with brushes from ArtsyPaint No. 14, ArtsyPaint No. 8 and AnnaBlendz Artsy No. 10 to fill in a scene around the house.

Note: I “undo” a brush stroke if it doesn’t look the way I want. Once it looks right to me, then I duplicate the mask and clip it to other layers of the photo. The top layer is a sketch on linear burn at 70%. The second photo layer is linear light at 50%. The bottom photo layer is multiply at 50% with a screen adjustment layer attached.

Above the photo layers but below ArchiTexture brush 6 layer, place layers of file 3 from Artsy Transfers Evanish, a glow from ArtPlay Palette Glance, overlays from ArtPlay Palette Evanish and splatters from ArtPlay Palette Home.

Add word art 8 from ARTWord ART Mix No. 1, a red button from ArtPlay Palette Merry Tree and thread 7 from ButtonThreadz No. 1.

I’m not going to say that this is my favorite layout, but while playing, I enjoyed myself practicing.

On a Flight

On my flight to California, I created this page with Anna’s new ArtPlay Palette Lavaliere. I’m in California celebrating a birthday with my twin sister, so you are more likely to see photos rather than pages on my blog this week.

I began this page by placing solid paper 4 from ArtPlay Palette Lavaliere as well as the layers of file 4 from MultiMedia Lock and Key No. 1.

Note: I adjusted the color of the lock by clipping a Hue and Saturation adjustment layer to the group of file 4 layers. I also later added a layer mask to erase a part of the image so that it wouldn’t interfere with my photo.

Below the multimedia file layers, I stamped two copies of brush 4 in Lock and Key N0. 1 in a warm pink and changed the blend mode to linear burn at 100%. I added glow 2 from LoveGlows No. 2 and changed the blend mode to color at 100%.

I then placed a photo of my granddaughter between the lock and the brush layers and blended the photo into the background paper. I duplicated the photo and I extracted her with the Magic Wand tool before giving her image a custom drop shadow.

Next, I placed the layers of file 4 from Artsy Transfers Lavaliere. I adjusted the color of the transfer layer with a Hue and Saturation adjustment layer. I placed glow 1 from ArtPlay Palette Sun Fun on color burn at 100% to brighten the right corner.

Note: I added a Levels adjustment layer to the solid paper at 50% on screen blend mode. I also went back to adjust the blending of photo layers.

Finally, I added a title and journaling to finish my layout.

While working on this layout, I thought about what Anna shared in her AnnaNews email this week regarding changes she’s making in order to make more progress on the things she wants to accomplish. I think my art play was a great use of my time on the flight to Los Angeles even if I forgot to put on my AirPods so I could listen to some of my unfinished coursework while I played. That’s what I intended to do. Maybe on the flight home I will.

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Simple Techniques and Basic Skills

When the kids spent the night recently, we walked up to our newly renovated neighborhood park. Kate’s been anxious to play there again now that the fencing has been taken down. It was a riot watching Corbin convince his sister that sand on a saucer swing made swinging even better. All I had with me was my iPhone, but I took some shots as they played, never thinking that I would use them to create a page. Yes, there are only photos about just a few moments at the park on this page, but for me they tell an important story about play between a big brother and a little sister.

I wasn’t sure what I was going to do with these photos. Initially, I dragged three of them on to my page. I knew I wanted one spanning the gutter of the page, so I would need to make some adjustments to a template. I added a layer mask to the photo and used brushes at various opacities to bring back the part of the photo I wanted to reveal. I changed the blend mode to multiply. I used another copy to extract my two grandchildren and the swing on normal blend mode and 100% opacity in order to make them stand out more from the background.

I followed the same process with the other two photos, using the lines of the sidewalk in the background and the mat in the front to line up the photos. It seemed more important that the scene flowed across the page rather than that the figures were exactly the same size. Remember, I was just playing around with my iPhone when I captured these photos. The color in my photos in the late evening light appeared too strong for me, so I attached a hue and saturation layer to each photo and reduced the saturation to blend them together better.

Next, I placed frames from two templates from Hipster Plume Template Album No. 2. I made some adjustments in placement and size to fit my page design. I clipped my photos to the small frames and again added hue and saturation adjustment layers to reduce the saturation of each. I added the buttons for interest and depth.

I didn’t want more frames in the empty space below the center blended photo. So I imported another photo that showed more of the mat under the equipment. I used a paint brush on an inverted layer mask I attached to the photo to reveal enough to fill the space.

To recreate the sky in the photos, I added transfers from ArtPlay Palette Mountain High and ArtPlay Palette Summer Days. I attached inverted masks and blended away parts that interfered with the photos. I reduced the opacity, used hue and saturation adjustment layers to adjust the saturation and changed the blend modes to multiply.

I sampled the color of the mat under the equipment and stamped paint brushes from ArtsyPaint No. 7 and ArtsyPaint No. 10 on new blank layers to extend the look of the playground mat. I used an opacity of 60% as I stamped on new blank layers under the framed photos. I stamped two splatters to finish my page.

A reader recently wrote a comment thanking me for sharing easy to use ideas. I am very grateful that she took the time to let me know that the ideas were helpful. I really don’t use complex techniques for my book pages. I blend and extract with my photos. I use templates (or parts of templates) and transfers. I stamp with brushes using the brush panel on new blank layers. I experiment with blend modes and adjustment layers on my photos. Having developed some basic skills with Photoshop makes my creative process much easier. I can’t say that I’m fast at creating my pages. I enjoy experimenting as part of my creative process so I’m not in a hurry. However, simple techniques and basic skills are the key to creating my pages.

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More Brush Play

Fall isn’t quite here yet in Nebraska, but I looked back in Lightroom for some photos that I captured a couple of years ago because I love fall here. These photos remind me that looking up through a canopy of leaves to find the sky is a photo perspective that I have neglected. My Sunset Red maple tree is large enough this year for me to photograph from below the canopy when the leaves begin to change in November.

I’ve been working a lot with brushes and began this page playing with Anna’s new PaintedLeaves No. 3. I stamped brush 6 in brown on a new layer and clipped solid paper 5 from ArtPlay Palette Amidst. I then duplicated the brush layer and recolored it a blue.

Note: I attached the layer masks after I placed the frame so that I would know where to erase.

Initially I experimented with adding leaves from a photo of my Sunset Red maple tree, but the color didn’t work. I then roughly extracted the leaf from transfer 1 using a layer mask. I duplicated that extraction, placed it over the brush stains and gave each a color overlay with the styles panel in order vary the color of each leaf. I added a drop shadow to each extraction.

At this point, I moved the psd layers of file 3 from MultiMedia Accordion No. 1 on to my document and enlarged the layers about 20%. I clipped a photo to each mask before masking out some of the brush and transfers on the left. I adjusted the exposure with levels adjustment layers.

I then placed overlay 3 and three copies of transfer 6 (rotated) from ArtPlay Palette Amidst behind the photo frames.

To fill in more white behind the frames, I placed all but one of the layers of Artsy Transfers Notabilia that I had used on my previous layout.

I finished my page by adding the leaf word art from Autumn WordART Mix No. 3, a leaf from the ArtPlay Palette Amidst, and a stem from MultiMedia Accordion No. 1.

What I like most about this layout is that my eye still focuses on the vibrant photographs.

Artsy Transfers


Sometimes, I simply like to create something unexpected with a photograph. My favorite products for playing when I’m in one of these moods are Anna’s artsy transfers. I try not to make it too complicated, but I enjoy experimenting by combining a couple of different psd artsy transfers on one page. You wouldn’t think transfers from such different palettes would blend together, but they can.

I placed most of the layers of psd file 5 from ArtsyTransfers Notabilia.

Below those layers, I placed all of the layers of psd 5 from ArtsyTransfers Shine.

This is what the two look like combined.

To the white paint layer of the artsy transfer, I clipped an extraction of a flower to which I had applied a paint effect in Topaz Impression. I flipped that layer and placed it below.

To finish my page, I added a custom shadow to my flower extraction, the foliage from ArtPlay Palette Notabilia, splatters from Splatters No. 3 and several threads.

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