Photo Storify

Photos, Stories and Scrapbooking

Tag: adjustment layer (Page 1 of 2)

Anywhere, Everywhere

We stopped at the park last Thursday for a short time before picking up her brothers from school. I captured her moves when she jumped up on the bench at the park with my iPhone. Actually, Kate is always moving, sometimes to music and at other time just imitating what she has seen, for example these gymnastic moves. She doesn’t mind my taking pictures as long as I slide, swing, climb and dance right along with her. In fact, she will often tell me what I should photograph.

Extractions are one of my scrapbooking strengths. I use them often, so they are fairly quick now. On this page I did use my tablet to control the Quick Selection Tool and masking. Often, I just use the trackpad on my computer. Below, I detail the steps for creating this page.

To create an extraction, trace the image to extract with the Quick Selection Tool, choose refine mask and then output to a mask. With a small, hard round brush, clean up any unwanted pixels. Add a custom shadow.

Complete the other extractions and add shadows. Reduce the size to about 50%. Place psd layers of file 3 from MultiMedia Accordion No. 2. Delete the gold elements and adjust the position of the thread. Rotate the frame 90°. Clip copies of artsy paper 1 from ArtPlay Palette Infatuated to each mask. Add file 1 from UrbanStitchez No. 2 to ground large extraction. Add thread 10 from ButtonThreadz No. 2 to the right side of the frame.

Note: I reduced the size of the paper and linked the copies.

Stamp brush 10 from MiniDots No. 2 vertically and horizontally behind the extraction and frames.

Note: Use the eraser tool to remove overlapping areas.

Place pattern paper 1 from ArtPlay Palette Glance. Using the dots as a pattern, stamp randomly with a hard round brush some black and pink dots. Add and journaling.

I’m going to miss this girl when she’s in kindergarten next year. She is so much fun!!

Different Purposes

On Thursday during my week in California, I flew up to San Francisco to spend the day with my friends, Adryane and Don. Last year it rained, but this time, the weather was perfect t-shirt weather and perfect for making photographs.

I use the photos that I make not only to create art, but also to document the things I want to remember or share with family; in order words, I make pages that I will print through Persnickety or add to the my current book project. This two page spread is for my book.

While I have used both focal photos on this two page spread on two previous pages, I wanted to create something for the next book I will publish. Think about it from an efficiency perspective, I’ve already done some of the creative the work, so why not?

Note: I started with the photos that I previously used on layouts. For information on those previous layouts, see Quick and Simple and Pokemon Go.

I explain the process below.

Place layers of photo on left, deleting layers and changing blend modes as needed. Place photo on right, create a sketch, mask another layer to improve color and maintain blue in sky, add track extension.

Note: I used most of the layers of the photo on the left from a previous page. I placed only the photo on the right but repeated some steps, i.e. making a sketch.

Add frames, stains and art strokes from templates 2, 9 and 13 from WaterColor Template Album No. 5. Clip photos to masks and adjust as needed.

Note: I used the fotoblendz mask from template 9 on the right. I also substituted a frame and mask from template 13 to accommodate the screenshot on the right. I used the frames from template 2 on the left.

Below all the frames, place transfer 1 and 2 from ArtPlay Palette Surf’s Up on the right. On the left, place transfer 7. In the page gutter, place two gold transfers, reversing one. Stamp brushes 5 and 10 in blue. Pull layers from psd files 1 and 4 from Artsy Transfers Surf’s Up to fill in background. Stamp brush 5 in red, rotating for variation.

Note: I chose layers from the artsy transfers based on color and texture to fit my vision for this page.

Place additional photo in page gutter and add an inverted mask. Stamp with brushes from ArtsyPaint 7 and ArtsyPaint 8 on the mask in white to reveal the ship. Align photo with line of background brush on left.

Add Pokeball, red button from ArtPlay Palette Weihnachtsbaum and thread from template 15.

I think it’s okay to reuse photos for different pages, especially if you have different purposes, i.e. art or memory keeping. Both are valuable for me at this point in my life.

Quick and Simple Art

My art is what I create with my photos. On this page, I combined a brush from Pier No. 1 and a photo that I captured in February while visiting Adryane in San Francisco. My sister paints from photos; I combine photo treatments, with papers, transfers, threads and small frames to create art. Below are the steps that I followed for this page.

Stamp brush 6 from Pier No. 1 in a dark blue black. Change the blend mode to linear burn at 100%.

Place mask 4 from WaterColor FotoBlendz No. 6. Duplicate photo 4 times and clip to mask. Create a sketch, normal blend mode at 100%. I lightened the sketch with a levels adjustment layer. Change the blend mode of the second copy to vivid light at 100%. Change the blend mode of the third copy to normal at 70%. Change the blend mode of the fourth copy to lighten at 100%.

Note: While I used Topaz Studio to create a quick sketch, this can be done in the filters menu. I also masked out a part of the fourth copy.

Add a small frame and threads for the photo. Clip photo to frame and adjust as needed.

Note: I pulled a frame and thread from WaterColor Template Album No. 4 for this page.

Place solid paper 1 and pattern paper 2 from ArtPlay Palette Sea Life. Add a layer mask and divide space using the dashed brush line as a guide. Above the papers, place transfers 5 and 11 from ArtPlay Palette Sea Life.

Place word art 6 and beaded thread from Art WordART Mix No. 1. Add text to title in a different font.

Note: I erased part of the stamped title and substituted words to fit what I wanted to convey.

When time is short, I am learning that I can still enjoy my art creating something quick and simple with a photo.

Chrysanthemums

I went early for my evening classes at Lauritzen Gardens last fall just for the light at the magic hour. These evening classes are one of the few times that anyone can enter the gardens just as the sun sets. Normally, they close at five. So I’ve decided that this year, I’m going focus on attending the evening photography classes. I’m looking forward to what I find in April’s evening class.

I’ve been trying to catch up on some pages for my flower album. For this page, I used Anna’s new FotoInspired Template Pack 2H. As I have done with the previous pages, I reduced the size of the template base. However, I did not change the size of the small frame. I deleted the framed mask’s shadow. I changed the color of the mask to white and blurred it so that the photos would show behind the journaling. I then gave the frame a custom shadow using the warp tool.

I clipped my photos to the masks and adjusted as needed with levels adjustment layers.

Below the masks, I layered a brush and overlay from ArtPlay Palette Euphoria as well as layers from transfers 3, 5 and 5 in Artsy Transfers Euphoria.

Finally, I added a title consistent with the other pages I have created for this book. Showcasing my photos couldn’t be easier.

Perfect Birthday

I’ve finally finished the layout with the photos I captured on our birthday. Glenda and I have had a birthday tradition for more than 20 years, having tea at the Huntington Library. This year instead of tea, we had salads under a lovely canopy at a new place on the library grounds.

We spent some time during our walk making photographs. Glenda has a new camera, but not a lot of experience using it. Personally, I’m glad that she has taken up this hobby that I love so much. Photography is a wonderful complement to her painting.

For the first time that I remember, there were geese floating in the waters of the Chinese Garden. We see them all year here at a large pond at Lakeside Park, huddling together on the frozen ice during the winter. I’m wondering if the garden staff will let them stay.

One thing that I appreciate about Anna’s templates as I create pages is how easy it is to switch masks and frames to create a new look. For this layout,I used only the frames, textboxes, stitching and a few stains from templates templates 5 and 12 of WaterColor Template Album No. 5. Below, I explain my process.

Place file 3 and the psd version of file 4 from Scenic FotoBlendz No. 1 on a new blank 24×12 document. Open the templates, drag over only the textboxes, stitching, frames and stains below the frames. Place above the large fotoblendz masks. Note: I adjusted the position of one frame on the left side to accommodate a photo.

Clip photos to fotoblendz masks. Clip a levels adjustment layer to each photo and change the blend mode to overlay at 50%. Duplicate the photo on the right and clip it to the psd layers. Note: I deleted the splatter and tape layers.

Clip photos to small masks and add adjustment layers as needed. Stamp brush 6 from ArtsyCameras No. 1 below one frame on the right. Note: I often clip photos to the stains below the frames so that I can extend the framed photo. I clipped another photo to the camera brush on the right and clipped a photo to it (lowered saturation) just to repeat the pink on the left side.

To expand or intensify the sky, place transfer 6 from ArtPlay Palette Scenic on the right below the fotoblendz mask layers. Add a layer mask to hide any part bleeding through the focal photo. On the left, place transfer 3 from Sky Transfers No. 1 below the mask. Place transfer 5 from ArtPlay Palette Scenic and png file 3 from Sky Transfers No. 1 across the gutter of the page and mask as needed. Note: I lined it up with the bridge on the right.

To finish, add the camera charm from ArtPlay Palette Traveler; add a mask to place part of the charm under the threads and create a title. In this case I combined two fonts to say what I wanted but in a format similar to a file in Scenic WordART Mix No. 2.

Winter Walk

Hundreds of geese strutted in the fresh snow coverng the ground as we walked around Lakeside Park. There were even a few ducks. And my granddaughter, Kate, did everything a girl normally does in the snow: footprints, snowballs, snow angels and chased the geese. I’m going to make a two page spread with some of the other photos that I captured Thursday afternoon, but in the meantime, a new brush set by Anna Aspnes inspired my artplay this morning.

I began this page by stamping brush 6 from Trees No. 3 in a dark green in normal blend mode at 100%.

Next, I extracted Kate with the Quick Selection Tool. I added a black and white adjustment layer to erase the photo’s blue tones in her shadow across the snow. I gave her body a custom shadow and created two sketches of the photo to reconstruct her shadow from the original photo. I then added a levels adjustment layer and changed the blend mode to soft light at 50%.

To bring in the geese that Kate chased, I placed a photo below, resized it and changed the blend mode to linear burn at 100%. I added an inverted layer mask and brought back in just the geese with a brush.

Note: With linear burn blend mode, the white background disappeared, making it easy to bring back in only the geese, but it necessitated the use of two adjustment layers to lighten the geese.

To create the snow effect, I stamped several brushes from SnowSpray No. 4 in black. I then used an old Gesso style that I had. That turned the brushes white and added  dimension to the snow.

Next I placed the layers of psd file 5 from Artsy Transfers Brumal. I deleted two layers and recolored the stains a pink to match Kate’s jacket. I also stamped stain 6 from ArtsyStains No. 5 in the same pink on the left side of the page. I changed the blend mode to hard light just as the stain in the artsy transfer was.

To finish my scene, I placed glow 2 from FotoGlow Mix No. 1 and changed the blend mode to luminosity at 100%. I also placed a pink button from ArtPlay Palette Love Story, color adjusted with a hue and saturation layer, to balance my granddaughter and add a little dimension. I tacked it down with thread 5 from ButtonThreadz No. 3.

With a title and journaling, I finished my page.

I enjoyed every minute of my artplay this morning.

Forever Together

Anna’s latest release reminded me that next September will mark our 50th anniversary, yes 50 years living life together. Geese generally mate for life. In fact, if one mate dies, the other goes off in seclusion to mourn, often never mating again. I think Bill and I are a lot like these geese. We’ve been together for nearly fifty years. If he dies, I’m not going to choose another man. It would simply be too much work in my mind, not that our marriage hasn’t been good because it has. I just think that after 50 years, I’m too old for a second go around. I know that I’d never find a better man!!

I began this page by clipping a photo of a pair of geese to png mask 1 from Flock FotoBlendz No. 1. I added adjustment layers to improve the color and contrast of my photo.

Below the masked photo, I placed transfers 2, 3 and 5 from ArtPlay Palette Flock as well as overlay 1, 2 and the gold overlay to create a variation on an artsy paper as I explained in another post, Artsy Paper Play. In addition, I also placed artsy paper 2 just above solid paper 1. With an artsy brush on an inverted mask, I revealed part of the right side of the paper.

In the screenshot above, part of the tail of the goose on the right fades away into the mask. To solve that problem, I extracted both geese with the Quick Selection tool, gave them a shadow and placed both above the original photo. The extractions also add depth to the page.

Above the geese, I placed transfer 1 along the same line as the grass on transfer 3 which is hidden by the mask and photo.

I added the layers of file 2 from MultiMedia Birds No. 2 just as they are provided in the set.

I created the title by erasing part of word art from Gather WordART Mix No. 2 and added a word that better fit my journaling.

Finally, I used three pieces of the grass, resized, a word label and a flower to create a small cluster to border the journaling.

This page came together quickly which was a good thing this weekend. I’ve been out playing Pokemon Go for the special Thanksgiving event in our beautiful weather and finally made level 37.

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An iPhone and a Template

 

When Corbin and Kate spent the night a couple of weeks ago, we walked down to the trees beyond the pond. All I had with me was my iPhone 6 to capture my grandson’s gallantry towards his sister as he helped her mimic whatever he did, including leaping over a little stream. I did warn them about getting wet if they fell into the water below. As you can tell by the photos, Kate was hesitant at first, but soon enough began directing her brother exactly where she wanted him to stand in order to help her. It was getting dark so I had to increase the exposure later in Lightroom. Some of the photos were a little blurry, something I accepted as part of making photos of active children with an iPhone, or any camera for that matter, as the sun was setting.

For this two page spread, I used two templates from Anna’s new album, Project Template Album No. 3. Note: I put a title in the place of a textbox on the template and deleted the numbers as well as the tape and hipster plumes.

First, I clipped photos to the large fotoblendz masks and stains below, adjusting the exposure with adjustment layers.

Next, I clipped photos to the small frames, again making adjustments to the photos with adjustment layers. Note: I changed two of the photos to black and white with Topaz Studio.

I then placed copies of three small photos above their respective frames, extracted my granddaughter and grandson with the Quick Selection tool and cleaned up the framing with a small hard brush on the layer mask created with the extraction.

I stamped stains from ArtsyStains No. 3 and ArtsyStains No. 5 below both templates for additional color.

For the gutter, I placed another photo and changed it to black and white with an adjustment layer. I then added an inverted layer mask to the photo and stamped with brushes from ArtsyPaint No. 8 and ArtsyStains No. 3 to reveal just parts of the photo.

Finally, I added paper textures from PaperTextures No. 4 and PaperTextures No. 5 to finish my page.

My layout was quick and easy to complete with the snapshots I captured that evening with my old iPhone. Digital scrapbooking can’t get much easier!!

However, technology changes quickly, definitely on phone cameras. Like my grandchildren, I made a leap too and bought a new iPhone X last week. I haven’t gotten to take many photos with it yet, but what I captured of Kate last weekend, see examples below, with the new portrait mode definitely show the technical improvements over my older iPhone. I don’t think the blur is as good as my Fuji X-T2, but if you look closely, you will see that the background is indeed blurred, much like you would get with a DSLR. I’m looking forward to experimenting more with my new iPhone.

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Carving Pumpkins

One of my goals for this year’s book has been to look back in time on some pages, something I did on this one. The earliest photos were taken in 2008, a time when only Owen, my oldest grandson, was old enough to carve a pumpkin. By 2010, Logan carved a pumpkin and by 2012, Corbin, my youngest grandson, was old enough to get involved. I captured the photos of Kate yesterday.

Have you ever started a page but had to wait to fill in the remaining photos until you could make them? That’s what happened with this page, I had everything finished, I just needed to place photos of Kate carving her pumpkin on the layout. I actually could have created an entire two page spread with just photos of Kate with all the photos I made yesterday. However, I want the boys to have pumpkin carving photos to remind them of they’ve also had this experience.

I began this page in Lightroom, searching for photos of my grandchildren carving pumpkins. I made some adjustments in the develop module and then exported them to Photoshop. Note: Lightroom is especially convenient for searches when you want to combine photos that deal with a common theme from different years.

After placing all the layers of templates 15 and 16 from Hipster Plume Template Album No. 2, I turned off most of the layers. I deleted a text box and put my title there. I also deleted the hipster plumes because I didn’t think they worked with my topic.

The background of the focal photo on the left was green, so I extracted my grandson and recolored the mask a soft brown. It was simpler than finding a paper that worked.

Then I turned on the small frames on the left and clipped my photos to the frames. I added adjustment layers to the photos to create a more consistent look to the page. I added some splatters.

Next, I opened the layers of psd file 1 from ArtsyHalloween No. 1 on a new blank psd page. I wanted to add the eyes and nose from file 3, but I was finding it difficult to work with all the layers on my original document. So I stacked the layers from the two psd files on a new file and deleted most of the file 3 layers until I got the playful look I wanted.

I then dragged the layers to my original document and created a group. On the far left, I reduced the size and flipped the layers horizontally as a group. On the other side, I moved the eyes but resized the group larger than on the left.

For the page gutter, I masked a photo of just carved pumpkins. The bottom layer is on linear blend mode at 20% opacity. The copy above is on overlay at 30%.

Next, I began turning back on the layers of the template on the right. I clipped three more photos to the small frames, adding adjustment layers as needed.

I added another group of the artsy pumpkin on the far right, resizing and flipping the orientation of the eyes. At this point, I had to stop until I had some photos of Kate to add to the page.

To the large mask on the right, I clipped Kate’s photos. I added a stain from ArtsyStains No. 5 to the right of my granddaughter to fill the space that one of the plumes that I had deleted. I clipped another copy of the photo to that stain. As I’ve explained in previous posts, I often clip copies of the focal photo to stains below a fotoblendz mask.

I turned on the last two small frames, clipped photos and adjusted the exposure with adjustment layers.

Kate wanted a turn to use my camera and take my picture. I handed it off so that she could hold the camera and push the little button. I stamped a brush from ArtsyPaint No. 13 and placed that in the background, softening the edges with a brush from AnnaBlendz Artsy No. 9. I changed the blend mode to linear burn at 30% and clipped my photo to it after giving the photo a black and white filter from Topaz Studio.

I finished my page with textures from PaperTextures No. 5 and ArtsyPaint No. 13.

I love the older photos combined with the new on this page. It won’t be long before they all outgrow pumpkin carving. Only three dressed up to go trick or treating this year; it’s a little sad to me how quickly the time has passed. Every moment with them is precious.

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More Brush Play

Fall isn’t quite here yet in Nebraska, but I looked back in Lightroom for some photos that I captured a couple of years ago because I love fall here. These photos remind me that looking up through a canopy of leaves to find the sky is a photo perspective that I have neglected. My Sunset Red maple tree is large enough this year for me to photograph from below the canopy when the leaves begin to change in November.

I’ve been working a lot with brushes and began this page playing with Anna’s new PaintedLeaves No. 3. I stamped brush 6 in brown on a new layer and clipped solid paper 5 from ArtPlay Palette Amidst. I then duplicated the brush layer and recolored it a blue.

Note: I attached the layer masks after I placed the frame so that I would know where to erase.

Initially I experimented with adding leaves from a photo of my Sunset Red maple tree, but the color didn’t work. I then roughly extracted the leaf from transfer 1 using a layer mask. I duplicated that extraction, placed it over the brush stains and gave each a color overlay with the styles panel in order vary the color of each leaf. I added a drop shadow to each extraction.

At this point, I moved the psd layers of file 3 from MultiMedia Accordion No. 1 on to my document and enlarged the layers about 20%. I clipped a photo to each mask before masking out some of the brush and transfers on the left. I adjusted the exposure with levels adjustment layers.

I then placed overlay 3 and three copies of transfer 6 (rotated) from ArtPlay Palette Amidst behind the photo frames.

To fill in more white behind the frames, I placed all but one of the layers of Artsy Transfers Notabilia that I had used on my previous layout.

I finished my page by adding the leaf word art from Autumn WordART Mix No. 3, a leaf from the ArtPlay Palette Amidst, and a stem from MultiMedia Accordion No. 1.

What I like most about this layout is that my eye still focuses on the vibrant photographs.

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