Photo Storify

Photos, Stories and Scrapbooking

Tag: adjustment layer (Page 1 of 3)

Christmas

Christmas has always been my favorite holiday; celebrating the birth of Christ by exchanging gifts, decorating a tree, dinner with family, the music and the lights. As a child I remember a tree appearing on Christmas morning decorated with lights and strings of silver tinsel, but when I was older my dad would bring home a tree on Christmas Eve for us to decorate.

On our first Christmas, Bill and I decorated a tree with lights, round balls Bill’s mother gave us and silver tinsel. On the top we placed a little red angel, thinking that we’d have a collection of ornaments some day.

For these two layouts, I began by placing templates from Project Album Template No. 4 above solid paper 3 from ArtPlay Palette Rejoice that I had clipped to the masks from Heritage Live template. On the left I placed the layers from template 15 and on the right I placed the layers of template 5. I turned off all but the fotoblendz masks from both templates.

I clipped my photos to the large fotoblendz masks but gave them each a sepia look with a Hue and Saturation layer. The color in my photos didn’t work well together.

Note: On the left I used the basic arrangement of the fotoblendz mask and text boxes, but on the right, I moved the mask to accommodate my overall page design.

Before deciding how to arrange the small photos that I wanted to include, I worked with layers from transfers 2, 4 and 5 of Artsy Transfers Rejoice. I placed all the layers for each psd file and began to turn off layers and move some around. On the right I used a combination of layers from psd files 4 and 5. On the left, I combined layers from psd files 2 and 4.

Next, I turned back on the frames on the left and deleted all but two square frames to accommodate the photo format of a Kodak Instamatic camera. On the right, I selected similar frames from those included in the template but moved them down below the fotoblendz mask. I clipped my photos to the small frames and added adjustment layers.

Note: I toned down the color in the two photos on the right by adding a Hue and Saturation adjustment layer for a sepia tone but reduced the opacity to 50%.

I filled the area to the left of the small frames on the right with two layers from transfer 4 of Artsy Transfers Rejoice.

To finish my layout I opened frame 3 from MultiMedia Frames No. 5 and placed only the deer included in the file on my layout. On the right, I used the heart, word art and branch from file 1 of MultiMedia Frames No. 5. I added the red and green paint from file 4. I completed my journaling, changing the size of one of the text boxes included with the template. With a title and a little more of the red and green paint, I finished my layout.

You may not be old enough to remember 1968, but gold was a very popular color. Anna’s new palette, ArtPlay Palette Rejoice, was perfect for remembering our first Christmas.

Best Man

I can’t tell you how difficult it was to work with that old photo of my husband and his best man. I had to figure out how to correct the color and hide the photo crop and bland background. Stu and Bill have been friends for a long time; their parents had known each other for years. They both loved the outdoors: camping, fishing and hunting. That’s what gave me the idea to create an unexpected look for the background of them at our wedding. The guys were good sports when I asked them to recreate a wedding photo for our 50th anniversary.

To begin, I extracted my husband and his best man from the photo on the left. I gave the extraction a custom shadow. I placed the layers of file 13 from WaterColor Template Album No. 2 on the right side. On the left, I pulled the text box from page 1 of WaterColor Template Album 1. I moved one frame, duplicated another from the other side and changed the stitching.

Next, I extracted the guys from a photo I captured on our recent anniversary trip. I added a custom shadow.

I clipped some photos to the small frames and adjusted the exposure with adjustment layers.

To fill in the background on the right side, I placed layers of files 1 and 4 from Artsy Transfers Sonoma.

On the left, I placed transfer edge overlay 1 and transfer 4 from ArtPlay Palette Sonoma. In addition, I added artsy transfer layers to create a better edge for the old photo.

I am going to revise the journaling I think and try to find that photo of the red Mustang convertible.

Fifty Years of Friendship

It’s been six years since we were last all together. We’ve shared more than fifty years of friendship with Bill and Sue Woods and Stu and Patty Macy. We’ve attended weddings and baby showers for one another, traveled together, i.e. the zoo, San Diego, Disneyland, even as far as the Philippines. We watched the Olympic Soccer finals in 1984 and numerous fireworks shows together. We made one more memory when we had lunch at Azul Latina Kitchen in South Lake Tahoe. For me the contrast between the photo of us all now and a few snapshots from the past are a treasure.

To create this page, I began with the template from Heritage Live and psd file 4 from Feuillemort FotoBlendz No 1.

I clipped a copy of the photo from our trip to the fotoblendz mask. I could have left it at that, but I wanted the photo to pop with depth.

I extracted parts of us from the photo and gave that extraction a shadow. Then I added two adjustment layers, one on Soft Light blend mode at 40% and the other on Screen blend mode at 30%. Between the two layers angled transfer 1 from ArtPlay Palette Feuillemort.

Note: I clipped copies of the photo to the stains included in the psd fotoblendz file.

Below those layers, I placed a combination of layers from Artsy Transfers Feuillemort 4 and 5.

On the right side, I used template 16 from WaterColor Template Album No. 3, deleting some of the stains included with the template. First, I clipped another photo to the fotoblendz mask included in the template and added an adjustment layer.

I clipped my photos to the small frames and added a stroke layer style to make the photos look as if they had the same frames used on the previous pages.

Note: the frames on the template are different from those that I’ve used for the other pages in this book. I deleted the masked included in the template, leaving just the frames. I added the stoke to the frames of the template by clicking the styles button at the bottom of my layers panel. Each frame has a style attached.

To finish my page, I added transfers from ArtPlay Palette Feuillemort and layers from transfer 5 of Artsy Transfers Feuillemort. I added a title with a thread from UrbanThreads No. 17.

I really didn’t take many photos with our friends over lunch, but that one was enough to tell this story.

A Hunting Together We Went

On Monday I signed up for Anna’s course, The Art of Heritage. The challenge of creating a cohesive book without a template using my favorite products appeals to me. I have a great deal of information about my husband’s family as well as my own from genealogy books, but I don’t have a lot of old family photos. However rather than cover that history, I thought that I might create a book about my fifty years of history with the man I married on September 7, 1968. I could culminate the project with photos from the anniversary trip we’ve planned as a celebration.

We definitely have a history together. One day, I went out hunting with Bill and his college friend. They gave me a gun to carry. As we were eating lunch this afternoon, I asked Bill why he gave me the gun.

This is the photo that our friend captured with an old Instamatic. I worked on it in Lightroom, exported it to Photoshop CC and added an adjustment layer on overlay blend mode at 70%. I placed it above solid paper 1 from ArtPlay Palette Lateritious.

To give it an artsy look, I clipped it to overlay 3 from FotoBlendz Overlays No. 12.

Note: I enlarged the 3.5 x 3.5 photo about 20% and reduced the size of the overlay to accommodate the photo.

Below the photo and overlay, I placed the layers of transfer 3 from Artsy Transfers Lateritious. I used only six of the layers to support my photo.

Note: Artsy Transfers are one of my favorite products by Anna. I am seriously considering using them throughout this book.

I wrote my journaling, added a yellow button, a thread from UrbanThreadz No. 16 and a title.

When I asked Bill why he gave me that gun to carry. He responded, “to keep you feeling like you were with us. Good grief, that was 50 years ago.”

“Not quite,” I replied.

Ready for Kindergarten

My granddaughter looks so grown up now. I have mixed feelings about this little girl beginning kindergarten in August. On one hand, I know how much I’m going to miss driving her to preschool, making lunch and playing with her in the afternoons.  However, I also know how much she will enjoy school, how much she’ll learn academically and socially. The teacher in me loves knowing all the wonderful possibilities waiting for her. I created this page in celebration of those possibilities. The steps are simple.

Roughly extract child from three photographs using the Quick Selection tool and a layer mask.

Clip photos of grass to mask 2 and 3 from WaterColor FotoBlendz No. 8.

Note: I photographed the grass to unify the extractions since each was a separate photo.

Add the psd layers of frame 1 from Postage Frames No. 1. Clip grass photo to masks. Above the masks, place a second copy of extractions. Add a custom shadow to each extraction.

Below the extractions and first set of frames, place a second frame set. Clip a copy of the grass photo to the frame masks.

Add one more psd frame 1. Again, clip grass photo to masks.

Add transfer 1, art stroke 2 and overlay 1 and 3 from ArtPlay Palette Ariose below the fotoblendz masks. Just below the top postage stamp frames, place two copies of overlay 4 and art stroke 2. Place solid paper 1. Lighten paper with a levels adjustment layer. Change blend mode to screen at 80%.

Note: I erased part of the paper with the Clone Stamp tool.

Finish with a title and cluster with elements from ArtPlay Palette Ariose.

Family Tree

At one time or another all of my grandchildren have asked me about my parents, even whether I ever had grandparents. While my parents and grandparents have all died, these photos keep them in my memories. I hope to share some stories about them so that my grandchildren will know them too. Working on this simple page has inspired me to consider working on a heritage project, but to take the perspective of my grandchildren and the questions they’ve asked as well as some of the stories I think they’d enjoy reading. Below are the steps for this page.

Move the template layers of Family Tree Template No. 6 to a new blank document. Recolor the branches behind the frames. Note: I chose a green.

Clip transfer 2 from ArtPlay Palette Moorlands to the tree brush layer of the template. Add a little brown to parts of the brush.

Note: Press command and the thumbnail of the brush layer to get the marching ants. Add a new blank layer above and stamp brown on some areas.

Clip photos to masks and add names. Add hue and saturation adjustment layers to give photos a similar sepia tone. Then add levels adjustment layers on overlay blend mode. Adjust as needed.

Note: I’ve added only first names for privacy purposes.

Next, to fill in the background, place transfer 1 and 3 from ArtPlay Palette Moorlands. Change blend mode of transfer 3 to darken at 75%.

Place most of the layers of psd file 3 from Artsy Transfers Moorlands. Turn off the gold paint.

Add a button from ArtPlay Palette Moorlands and journaling.

I’m looking forward to hearing the questions Kate will ask next week when I share this page with her.

Tulip Garden

The tulips weren’t blooming at Lauritzen Gardens in April, but they were simply stunning at my photography class Wednesday evening. With optimal light on these tulips for about forty-five minutes, I worked the angles with my little camera. My instructor suggested that I capture more of the stems with the tulip flowers. I’m so glad I did because those shots work perfectly with Anna’s new postage stamp frames. Below, I share the steps for working with one photo for the background combined with some detail shots.

Place photo and resize to fit the boundaries of a 12×12 document. Add inverted layer masks and bring back in the photo with AnnaBlendz Artsy brushes. The bottom layer is on color burn blend mode at 100%, the second layer on normal at 75% and the extraction at the top is on normal at 100%. Create a custom shadow for the tulip extraction by putting it on a separate layer, then warping and erasing as desired.

Note: I processed all the photos on this page in Lightroom before adding them to my page. I also added a levels adjustment layer on soft light at 100% just above the masked copy on normal blend mode. I used solid paper 1 from ArtPlay Palette Amaranthine as a foundation for this page.

Below the masked photo and extraction, place transfers 4, 6 and 8 as well as the lace from ArtPlay Palette Amaranthine. Change the blend mode of transfer 4 to linear burn at 75%.

Add transfer 5; mask as needed and change blend mode to liner burn at 75%. At the top of the transfer group, place transfer 3 on normal blend mode at 100%.

Place psd frames 2 and 8 from Postage Frames No. 1. Clip photos to masks. Tilt frames to angle on the page.

Add thread 6 from UrbanStitchez No 12 as an edge for the extraction. Add stitch 11 to tack down the frames. Add button from ArtPlay Palette Hello Autumn and button thread 2 from ButtonThreadz No. 2. Finally, add a title and journaling.

Note: I adjusted the color of the button with two levels adjustment layers, one on overlay at 100% and the other on screen at 50%.

After all the browns, grays and whites of winter, I’m more than ready for some color.

Waiting on Spring

I fully intended to capture the tulips while I was at my evening photography class at Lauritzen Gardens a couple of weeks ago. Unfortunately the weather was so cold during April that they had hardly sprouted the day I was there. Frost killed my bowl of pansies in April, so I shouldn’t have been surprised to see that the large pots along the brick wall in the Victorial Garden were empty. There were a some daffodils and few struggling panies in the beds, but the tulips were just emerging from the ground. What a shame, I love a good tulip display. I’m going to my class again next week and hope to see a few left.

Even without any flowers, I decided that the photos that I made of the ornaments, urn and door with all the brick deserved a page.

For this page, place two copies of overlay 3 from ArtPlay Palette Ariose (free with a $20 purchase of Anna products during the NSD sale at Oscaps. Both layers are on normal blend mode.

Note: This might be an odd place to begin, but I love this overlay.

Place the layers of template 3 from WaterColor Template Album No. 6 on the page. Add two copies of the gold paint and change the blend mode to color burn at 50%.

Note: The overlay layers are just below the fotoblendz mask from the template. Initially, I turned off all the template layers except the fotoblendz mask. I also applied a painted treatment to the photo with Topaz Studio.

Recolor some stains and/or clip copies of the photo to others.

Turn on three of the small frames. Clip photos to two of the small frames. To the third, clip artsy paper 1 from ArtPlay Palette Ariose and adjust the position within the framed mask.

Place overlay 4 and art stroke 1 from ArtPlay Palette Ariose just below the small frames, both on normal blend mode. Complete journaling.

Turn on the template’s urban thread layer. For additional interest, add the flower, bird and thread from ArtPlay Palette Ariose. Add title.

Note: As I finished up, I decided that solid paper 2 with a levels adjustment layer on screen provided a better background than white.

Now I can’t wait to see what’s in the Victorian Garden next week.

Brush Play

Sometimes, I just play with brushes. While the end product may not be my favorite layout, I think that simply experimenting with blend modes and brushes is valuable. On this layout, I painted with digital brushes in Photoshop. Below, I explain my steps.

Stamp brush 6 from ArchiTextures No. 10 on a new blank document. Below the brush layer, place solid paper 1 from ArtPlay Palette Home.

Note: The brush is partially transparent which allows the texture to bleed through on normal blend mode.

Paint the house with brushes from ArtsyPaint No. 14 and ArtsyStains No. 6 on separate layers.

Note: Using separate layers allows you to rotate or duplicate a brush. I practice using the Brush Panel to rotate brushes, but sometimes it’s faster to move it after stamping.

Place a photo below the stamped painted house with added paint. Click command and the brush layer from ArchiTextures No. 10. Marching ants appear. Go to the photo layer and click the add layer mask icon. An inverted mask will appear linked to the photo. Then stamp with white as the foreground color on the black mask with brushes from ArtsyPaint No. 14, ArtsyPaint No. 8 and AnnaBlendz Artsy No. 10 to fill in a scene around the house.

Note: I “undo” a brush stroke if it doesn’t look the way I want. Once it looks right to me, then I duplicate the mask and clip it to other layers of the photo. The top layer is a sketch on linear burn at 70%. The second photo layer is linear light at 50%. The bottom photo layer is multiply at 50% with a screen adjustment layer attached.

Above the photo layers but below ArchiTexture brush 6 layer, place layers of file 3 from Artsy Transfers Evanish, a glow from ArtPlay Palette Glance, overlays from ArtPlay Palette Evanish and splatters from ArtPlay Palette Home.

Add word art 8 from ARTWord ART Mix No. 1, a red button from ArtPlay Palette Merry Tree and thread 7 from ButtonThreadz No. 1.

I’m not going to say that this is my favorite layout, but while playing, I enjoyed myself practicing.

Anywhere, Everywhere

We stopped at the park last Thursday for a short time before picking up her brothers from school. I captured her moves when she jumped up on the bench at the park with my iPhone. Actually, Kate is always moving, sometimes to music and at other time just imitating what she has seen, for example these gymnastic moves. She doesn’t mind my taking pictures as long as I slide, swing, climb and dance right along with her. In fact, she will often tell me what I should photograph.

Extractions are one of my scrapbooking strengths. I use them often, so they are fairly quick now. On this page I did use my tablet to control the Quick Selection Tool and masking. Often, I just use the trackpad on my computer. Below, I detail the steps for creating this page.

To create an extraction, trace the image to extract with the Quick Selection Tool, choose refine mask and then output to a mask. With a small, hard round brush, clean up any unwanted pixels. Add a custom shadow.

Complete the other extractions and add shadows. Reduce the size to about 50%. Place psd layers of file 3 from MultiMedia Accordion No. 2. Delete the gold elements and adjust the position of the thread. Rotate the frame 90°. Clip copies of artsy paper 1 from ArtPlay Palette Infatuated to each mask. Add file 1 from UrbanStitchez No. 2 to ground large extraction. Add thread 10 from ButtonThreadz No. 2 to the right side of the frame.

Note: I reduced the size of the paper and linked the copies.

Stamp brush 10 from MiniDots No. 2 vertically and horizontally behind the extraction and frames.

Note: Use the eraser tool to remove overlapping areas.

Place pattern paper 1 from ArtPlay Palette Glance. Using the dots as a pattern, stamp randomly with a hard round brush some black and pink dots. Add and journaling.

I’m going to miss this girl when she’s in kindergarten next year. She is so much fun!!

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