There is still snow here, piles of snow, so much that I haven’t seen the lawn in weeks. Thus I found the color in Anna’s new ArtPlay Palette Melic very appealing as I long for spring and the tulips that will bloom in April. Below I explain my process for creating this page.
First, place solid paper 3 on a new blank 12×12 inch document.
Extract three tulip blooms with the Quick Selection Tool, arrange and give each a shadow.
Note: I adjusted the color a little by applying a Hue and Saturation Adjustment to each bloom.
Place transfer 3 and transfer 1 from ArtPlay Palette Melic above the paper. Change the blend mode of both transfers to Linear Burn. Attach a layer mask to transfer 1 to hide parts of the transfer.
Stamp brush 7 and 4 from ArtPlay Palette Melic in a red orange on Normal blend mode on new blank layers just above the transfers. Tilt as needed to create the effect of stems extending from blooms.
Arrange three of the stitching .png files from MultiMedia Melic No. 1 below the blooms as well as a splatter and piece of lace. Roughly align the stitching with the brush lines
Drag one .psd leaf file from ArtPlay Palette Melic and place above the stitching. Adjust the position of the shadow included with the leaves. Place a second leaf file, rotate and reduce its size.
Finish the page with beaded word art from Melic WordART Mix No. 1 and a thread from ArtPlay Mini Palette Breeze. On the left, place a button and splatter from MultiMedia Melic No. 1.
The Pope-Baldwin Estates at the Tallac Historic Site in South Lake Tahoe offer a glimpse into the luxurious lifestyle of wealthy society people who summered at Lake Tahoe at the turn of the 20th Century. After years of neglect, the estate buildings were beginning to deteriorate and restoration work was started in the early 1980s when the government purchased the property. The dock in this photo replaced the original boat dock and pier.
I began this layout working with just the photo. I duplicated the original three times. I gave the second copy a watercolor effect in Topaz Studio. Above that I placed a copy of the original photo on Soft Light blend mode at 100%.
To each copy I attached an inverted layer mask. I brought back the photo with an AnnaBlendz Artsy Brush as well as brush 11 and 13 from ArtPlay Palette Milieu.
Next, I placed artsy paper 5 from ArtPlay Palette Milieu below the photo layers. Above the photo layers, I placed another copy of paper 5 and changed the blend mode to Linear Burn at 75% opacity. Above the boats on the right, I placed transfer 2 from ArtPlay Palette Milieu. Finally, I created a composite of the original photo layers.
I then grouped my original photo layers and turned off that group. Using just my composite, I reduced it’s size to about 90% and clipped it to mask 3 from FotoBlendz Overlays No. 14.
I duplicated my composite and clipped it to mask 2 from Coastline FotoBlendz No. 1. I reduced the size of mask 1 from FotoBlendz Overlays No. 14 vertically to 60% and increased the horizontal size to 115%. I duplicated my composite one more time and clipped it to mask 1.
Note: Above the composite copies clipped to masks, I added two adjustment layers: one on Screen blend mode at 30% and another on Soft Light at 100%.
Just above solid paper 2 from ArtPlay Palette Milieu, I placed transfer 5. Above the transfer I added an adjustment layer on Soft Light at 100%. I also adjusted the color of the rounded area on the left with a Hue and Saturation layer and an inverted mask so that the changes would only affect that part.
To embellish my page, I placed all the layers of file 2 from MultiMedia Milieu No. 1. I turned off the grass frame and its shadow. Instead, I placed the branch from MultiMedia Branches No. 10 and its shadow as well as the thread. I adjusted the color of the branch with a color overlay.
With word art from WordART Mix Milieu No. 1 and brush 6 and some splatter brushes stamped on new blank layers, my page was finished.
I am finally experiencing some California sunshine. It’s mostly been a cold and rainy week so I haven’t been out with my camera as much as I would have liked. My sister and I did stop at Roger’s Gardens yesterday; I’m helping her learn how to use her camera, especially how to blur the background in her photos. I captured some beautiful blue hydrangeas, a favorite flower of mine.
I began this page by placing a photo on a new blank 12×12 document in Photoshop. I duplicated the photo twice. The bottom layer is the original on Normal blend mode at 100%. The second layer I took into Topaz Studio and gave it a sketchy look. I changed the blend mode to Hard Light at 100%. The top photo layer I also took into Topaz Studio and gave it a graphic look and changed the blend mode to Normal at 40%. I linked all the layers.
Next, I placed fotoblendz 1 from Sirenic FotoBlendz No. 1 on my page. I clipped the three photo layers to the fotoblendz mask.
Note: I had already decided that I was going to use this paper from the ArtPlay Palette.
Just above the paper but below the photo layers, I placed transfer 2 from ArtPlay Palette Sirenic on Normal blend mode at 100% opacity. Above the photo layers, I placed the same transfer, rotated it and changed the blend mode to Multiply at 100%. I added a layer mask to hide part of the transfer. I also placed the gold paint from ArtPlay Palette Sirenic.
It’s a simple page, but a good reminder of some of the beauty I saw during my week in California. Now I’ve got to get back to helping my sister organize her photos.
It seems like yesterday, not fifty years ago, that we honeymooned in San Francisco. We didn’t stay at the same hotel, the American Motor Lodge, but instead chose Hotel Zoe Fisherman’s Wharf this time, with its ultra modern decor. I hoped we would be able to replicate some of the photos from 1968 on this trip as we remembered our honeymoon.
We searched for the Fisherman’s Wharf sign and finally found a man who recognized it in copy of the photo where I sat. He told us it had been removed a long time ago. Even though we couldn’t access the balcony at the top of Ghiradelli Square, we found the sign at the top of the building. We posed on Pier 39, a tourist trap or a Pokemon player’s dream, depending on your perspective.
For the focal photo, I used frame set 3 from UrbanThreadz FotoBlendz Frames No. 2 in order to tie the two pages together. The photo I clipped to the mask is actually a blended composite so that I could have the entire heart behind us.
I chose the frames, threads and text box from template 10 in Travel Album No. 2 to accommodate the photos I wanted to include on my page. I reduced the size to 85%, before clipping my photos to the masks and adding adjustment layers.
Note: Because I am reducing the size of frames, masks and shadows from different templates, I am deleting the frames and giving each mask a stroke style of 20px so that all frames are consistent throughout my book.
I want to thank my friend Adryane and her husband for helping us replicate some old photos for this page. It was Adryane’s idea to capture some shots holding our wedding photo. What a wonderful day searching for landmarks and remembering!
After a snowstorm earlier this month, a couple out walking their dogs graciously gave me permission to capture them from behind as they walked down a path near my home. I got three shots with my iPhone before they disappeared from view.
There are two steps to creating this page. First, I worked with just the photo in Photoshop following the steps outlined in a post on Anna’s blog, Create an Artsy Sketch Effect, by team member Ulna-May. While I didn’t change the image size as stated in the post, I followed the other instructions, changing opacity and blend modes on two layers. For example, my color layer is on blend mode Pin Light at 100%. I created a composite of all the photo layers.
Next, I moved the sketch composite and original photo on to solid paper 1 from ArtPlay Palette Inkling. I linked the two layers and resized them to fit the 12×12 layout. I duplicated the original photo and gave it a watercolor effect in Topaz Studio. I then used brush 2 from AnnaBlendz Artsy No. 3 on an inverted mask attached to sketch composite to bring back in the photo. I changed the blend mode to Linear Burn. I duplicated the mask and attached it to the watercolor copy, changing the blend mode to Overlay at 100%. Finally, I roughly extracted the couple and used the same brush on the mask to lighten them just a little.
With the photo layers finished, I placed transfer 4 from the artplay palette, reduced the size to 85% and adjusted the exposure with a levels adjustment layer on Overlay at 40%. Just below the man and woman I placed copies of the silver paint included in ArtPlay Palette Inkling. I also placed art stroke 3, erasing the right side.
To finish my page, I placed the psd layers of file 2 from MultiMedia Winter No. 3. I substituted a button from the artplay palette for the blue one included in the file. I added a title from Inkling WordArt Mix No. 1.
Capturing this photo took only a minute, but provided a wonderful afternoon for playing with Anna’s new release.
We used to rent bicycles for the 3.8 mile ride from Camp Richardson to Spring Creek, the place where we turned around for the ride back. From the bike trail we’d take the road into the Tallic Estates. We walked the paths on the estate this year. We sat on a bench near the boat house where we had sat previously and we battled for a virtual creature, a Rhydon, at one of the Pokemon gyms on the grounds. There were no Pokemon gyms five years ago although I did have an iPhone by then. Below are the details for creating this page.
I then placed .jpeg mask 3 from Coolth FotoBlendz No. 1 on the left and mask 1 on the right. I clipped a photo to each mask, adjusted the masks to accommodate my photos and extracted us on a separate layers. I gave the extraction layers a shadow.
Next, I clipped additional photos to the small frames and added adjustment layers to the photos.
On the left, I combined layers from the artsy template with five of the layers from transfer 3 of Artsy Transfers Coolth below the masked photo and frames. On the right, I placed six layers from transfer 3 below the lower two frames and 7 layers from transfer 2 below the masked photo.
Note: I adjusted the color of one layer with a Color Overlay to accommodate the colors in my photos.
To finish the page, I placed three copies of the watercolor flower from ArtPlay Palette Coolth, rotating and resizing for variation. I also repeated a button from the ArtPlay palette. I tacked down the button on the left with thread 11 from ButtonThreadz No. 2. The threads on the right were included with the frames in the template.
Note: My title is in the same position as suggested by the template.
While the small photo on the right, taken in 1999, is the earliest photo that I could find at Pope Estates, we began exploring South Lake Tahoe much earlier. It’s been our favorite place to vacation over the years.
This photo of us sitting on our fireplace has become a tradition on Christmas. I looked back in my photo collection to find exactly when I began asking for a photo with grandchildren on Christmas. The first photo together sitting on the fireplace was in 2013. Five years seems like such a short time to me, but the photos tell the story of how much they have changed. I enjoy these little Christmas moments.
I began this page by placing solid paper 3 from ArtPlay Palette Silver Bells on a new 12×12 inch document. I changed the opacity of the paper to 80% on normal to lighten the color. I then placed transfer 4 from the artplay palette over the same image on the paper to bring the color of that part to full strength.
I then placed two of the frames from ArtPlay Mini Palette Milestone above the transfers and enlarged them 25% vertically to accommodate my photos. I recreated the white frames with a 20px white stroke positioned inside the rectangular shape mask shape. I clipped the two photos to the frames and added the date each was captured.
Note: I gave the photos a black and white look in Topaz Studio.
I then placed the red heart, evergreen and word art from file 1 of MultiMedia Frames No. 5. I added a silver color overlay to the word Love at 100% on Color blend mode at 100%.
Finally, I added journaling.
I didn’t even notice until now that the kids are in about the same position this year as they were in 2013. I didn’t plan it: I just wanted to continue the tradition one more year.
Creating artsy digital pages with photos and Anna Aspnes’ designs requires organization, especially for book projects. I use Lightroom to organize and edit my photos before exporting them to Photoshop for use on my digital scrapbook pages or the pages I create for books. I share below how I organize for my projects within Lightroom, but keep in mind that there are lots of ways to organize in Lightroom. Below are a few highlights of my system.
Import Photos into Lightroom
Select Copy photos from camera to external hard drive at the top of the import screen. Select move photos for scans or photos located on your hard drive.
Check the boxes for building Smart Previews and don’t import suspected duplicates in File Handling panel.
Rename files using the File Name Editor based on date.
Note: My photos are currently stored on an external 4TB LaCie Rugged Mini. Renaming photos to their capture date and putting them in folders by year is the system that I started with in 2010 when I began using Lightroom. See the sample at the bottom of the File Renaming panel. Save the steps you use for importing your photos as a preset in the drop down menu at the bottom of the screen to speed up the process.
Add Smart Previews to Photos Stored on an External Drive
Build Smart Preview upon import.
Or build after by going to the Library drop down menu, selecting Previews and then “Build Smart Previews”.
The small rectangle on the top right side of each photo grid indicates that a smart preview was build.
Note: When I stored my photos on my internal SSD drive, I didn’t need to build smart previews. Although it will take extra time to build smart previews when importing photos, those previews make it possible to tag, label and edit photos when the external drive is not connected. The information added to the catalog will write to the photos when the external drive is reconnected. All edits are non-destructive, meaning the original copy is not changed.
Develop a System for Adding Keywords to Photos
Add keywords to photos after importing them. Use the shift key to select those needing the same keyword.
Choose from a Keyword Set; sets are created with keywords most frequently used, i.e. immediate family.
Or choose from Keyword List, a list in the panel on the left that might include for example, bokeh, lights, tree, etc. under Christmas.
Note: Adding keywords is a quick task now because I began using them in 2010, long before my photo collection was so large. Keywords are written to both jpeg and raw photo files. With time, I’ve refined my list, grouping them for ease of use. Lightroom rewrites keywords to your photos when you rearrange their hierarchy and saves any edits made in the Develop Module.
Use Filters to Find Photos for Pages
Access filters by pressing the slash key in the Library module. Create filter presets with the most used criteria, i.e. date, keyword, flag, camera
Search for photos to use on layouts by keyword and whether flagged.
Note: I searched for the photos that I used on the Christmas page for my anniversary book project by choosing specific dates and Christmas keywords. Once I located them, I flagged the ones I thought I would use by pressing P for pick. Those are the ones that I edited before exporting to Photoshop.
Add Digital Pages to Lightroom Catalog
Save pages created in Photoshop to folders on an external drive.
Import, (choose Add on the Import screen), pages and check the box for “Build Smart Previews, but do not rename the layouts.
Add keywords to imported pages.
Note: My catalog also includes the pages that I am creating for my anniversary book project as well as the pages that I’ve created for other book projects. Each project is saved to a different folder.
Lightroom is a catalog of my collection of more than 100,000 photos and the layouts that I’ve created. It includes not only photos from several cameras but also scans of old negatives and photos. Having a database system like Lightroom for naming and storing photos, adding keywords and searching my photo collection allows me to focus on my creative process, combining my photos with Anna’s designs on artsy pages. Once a system is set up, maintenance is easy. Think of it as a habit that becomes easier with practice.
Note: If you have a photographer’s subscription through Adobe, you have access to Photoshop, Lightroom and Bridge. A number of free training videos are available through Adobe.
Friday afternoon, I spontaneously decided to drive to Lauritzen Gardens to capture the annual poinsettia display and maybe avoid the crowds. While the massive tree created from red poinsettias was still in the center of the room, there are always variations on how the staff displays the smaller Christmas trees, other varieties of poinsettias and the model trains running throughout. It was a great way to spend a few hours on a Friday afternoon.
It’s easy for me to capture the decorated trees and poinsettias. They don’t move. The little trains are another matter. I keep practicing. Notice the nice blur on the side of the caboose and behind the train. The focus is on Santa and the sign on the back of the caboose.
Camera settings: 55mm, 1/250 sec at f/4.0, ISO 1600.
While I don’t like the photo’s composition, I selected this photo for my layout because of the train’s angle and the amount of track showing on the right of the photo.
First, I placed solid paper 5 from ArtPlay Palette Mistletoe on a new 12×12 document. Next, I sized and placed my photo before extracting the caboose with Santa and the track across the bottom of the layout.
Second, I placed the psd layers of file 3 from Evergreen Fotoblendz No. 2 and clipped linked copies of the same train photo to the layers.
Note: I deleted two of the mistletoe layers.
Next, I added silver paint 1 from ArtPlay Palette Mistletoe below the extraction along the top of the train. Above the extraction layer, I added a copy of the solid paper with an inverted layer mask. I brought back in just the silver edge on the left with a hard round brush. Above and below the paper, I placed two copies of silver paint 2. The top copy is on normal at 50% and the bottom copy 100% on normal with a color overlay.
To finish my page, I placed the psd file of branch 3 from MultiMedia Branches No. 12 along the top of the train. I added a title.
Note: I darkened the berries a little with a Hue and Saturation layer and masked out one white splatter.
I’d like to return to the gardens to practice capturing Santa clearly in focus with his caboose on the left. It’s not enough for a photographer to get the focal point clear, the composition also has to be good. That’s my goal!!
Christmas has always been my favorite holiday; celebrating the birth of Christ by exchanging gifts, decorating a tree, dinner with family, the music and the lights. As a child I remember a tree appearing on Christmas morning decorated with lights and strings of silver tinsel, but when I was older my dad would bring home a tree on Christmas Eve for us to decorate.
On our first Christmas, Bill and I decorated a tree with lights, round balls Bill’s mother gave us and silver tinsel. On the top we placed a little red angel, thinking that we’d have a collection of ornaments some day.
For these two layouts, I began by placing templates from Project Album Template No. 4 above solid paper 3 from ArtPlay Palette Rejoice that I had clipped to the masks from Heritage Live template. On the left I placed the layers from template 15 and on the right I placed the layers of template 5. I turned off all but the fotoblendz masks from both templates.
I clipped my photos to the large fotoblendz masks but gave them each a sepia look with a Hue and Saturation layer. The color in my photos didn’t work well together.
Note: On the left I used the basic arrangement of the fotoblendz mask and text boxes, but on the right, I moved the mask to accommodate my overall page design.
Before deciding how to arrange the small photos that I wanted to include, I worked with layers from transfers 2, 4 and 5 of Artsy Transfers Rejoice. I placed all the layers for each psd file and began to turn off layers and move some around. On the right I used a combination of layers from psd files 4 and 5. On the left, I combined layers from psd files 2 and 4.
Next, I turned back on the frames on the left and deleted all but two square frames to accommodate the photo format of a Kodak Instamatic camera. On the right, I selected similar frames from those included in the template but moved them down below the fotoblendz mask. I clipped my photos to the small frames and added adjustment layers.
Note: I toned down the color in the two photos on the right by adding a Hue and Saturation adjustment layer for a sepia tone but reduced the opacity to 50%.
I filled the area to the left of the small frames on the right with two layers from transfer 4 of Artsy Transfers Rejoice.
To finish my layout I opened frame 3 from MultiMedia Frames No. 5 and placed only the deer included in the file on my layout. On the right, I used the heart, word art and branch from file 1 of MultiMedia Frames No. 5. I added the red and green paint from file 4. I completed my journaling, changing the size of one of the text boxes included with the template. With a title and a little more of the red and green paint, I finished my layout.
You may not be old enough to remember 1968, but gold was a very popular color. Anna’s new palette, ArtPlay Palette Rejoice, was perfect for remembering our first Christmas.
