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Photos, Stories and Scrapbooking

Tag: digital scrapbooking (Page 1 of 6)

Artsy Paper Play

I missed getting out in the yard to capture some photos of my hydrangeas along the northeast wall. There was way too much happening this past summer. However, in some ways, I prefer the intensity of color that comes with the seasonal change. The greens turn rosy pink and the pinks darken to burgundy. I hate to cut them back for fall before they’ve dried out entirely. As soon as all the rain is over, I will go out to capture some more photos so that I can create a page for my flower book.

I often play with Anna’s papers by mimicking and rearranging her designs using the transfers included in each ArtPlay Palette. It’s simple way to learn about design from an expert. I started this page by placing artsy paper 2 from ArtPlay Palette Cider on a new blank document.

Note: ArtPlay Palette Cider is available for free with a $20 purchase during the sale.

Just above the artsy paper, I placed solid paper 2.

Above the solid paper, I placed two copies of transfer 1 on normal blend mode.

Then I turned off the solid paper and lined up the transfers with their placement on the artsy paper.

After turning back on the solid paper layer, I placed overlay 3, two copies of the gold paint (the top one on color burn to intensify the color), and two copies of art stroke 1. In essence, I used the basic design of Anna’s paper to create something different. I might add something more once the artsy transfers are available, but for the moment, this is enough.

Then I extracted a hydrangea, changed the blend mode to multiply and applied a filter. Next, I another copy of the photo on normal blend mode at 50%. I linked the two together and adjusted their position above transfer 1.

Above the extraction, I placed stains, the frames, text boxes, and thread from template 4 of Hipster Plume Template Album No. 2.

I clipped additional photo to the small frames.

To create more dimension, I duplicated the two copies and moved them above the frames. I extracted just enough of the flower and leaf to overlap on the frames. With a title from the artplay palette, I was finished with my quick and easy page.

I encourage you to experiment with Anna’s transfers to create your own version of artsy papers.

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Variety of Greens

There is usually a story behind every photo made. In this case after walking in the warm sunshine my sister, Glenda, and I enjoyed a salmon salad at the Farmhouse, a lovely open air bistro on the grounds of Roger’s Gardens. I suppose a photo of the salad might have marked our day better than these fake succulents, but this trip was filled with work days helping my daughter move. Once we found a little shade, I helped my sister photograph these with her new camera. Sometimes, I simply take what I get and fill in the details of the story in order to document an event. Sometimes, I just want to remember a time together.

This was a very simple layout to put together using Anna’s new release. I actually chose this photo to document our lunch based on the color scheme of the new ArtPlay Palette Notabilia. I placed transfer 1 from the new artplay palette on a new blank document and blended my photo into the transfer using an inverted layer mask.

Note: I adjusted the color in my photo with a hue and saturation adjustment layer, but I learned a valuable lesson on color as I worked with this page.

Next, I placed the layers of psd file 2 from MultiMedia Documents No. 2 to create a frame effect around my photo. I switched out the flower with one from the artplay palette and added word art from Notabilia WordART Mix No. 1. I clipped an extracted copy of the same photo I had clipped to the transfer to the paper layer for the document multimedia file.

While I liked the photo on the multimedia document, I did not think there was enough interest on my page. I then opened Artsy Layered Template No. 255 and dragged the layers below my multimedia layers and turned them off. First, I moved the frames, text boxes, splatter and art stroke above the document layers but below the succulent element, thread and word art. I reduced the size of the frames slightly and recolored them an off white. The white frames appeared too stark with the color scheme. I wrote my journaling and added a subtitle from Notabilia WordART Mix No. 1. I could have left my page as below, but it appeared incomplete to me.

I began turning on the template layers that I had grouped below the multimedia layers. I recolored some stains, adjusted the blend mode and deleted some layers until I though I had created a soft background for the document file. I especially liked the look of the textured paper on the left with the paper in the document file.

I though I was finished with this page, until I looked again at the lack of variation in color on my page. So I reopened the file, adjusted my framed photos a little more, recolored some of the template stains and reduced the opacity.

I like the more natural variety in greens on this page much better now. Too much matching of color is not always a good thing.

Perspective

What I see as I look through my camera lens isn’t always what my artist side puts on a layout. Often, I don’t even know what a piece of art will look like until I begin experimenting. However, that’s the joy I find in creating, finding a different perspective than what I initially saw in my camera.

For this page, I began with a photo that I captured last week and file 4 of MultiLayered FotoBlendz No. 7. After working with my photo, I clipped copies to the different layers.

Next, I extracted the gates to the Victorian Garden from another photo and placed that over the first photo. While I liked the look, I didn’t think it looked as artsy as I wanted.

So I created a composite by pressing the keys command + option + shift + 6.

I turned off my composite temporarily and placed brush 1 from Cameras No. 4 on my page and changed the blend mode to linear burn.

I used the Elliptical Marquee tool to cut a copy of the center of the lens on the brush. I placed the copy just above the original and filled it in more with brushes.

I reduced the size of a copy of my composite and clipped it to the copy of the brush lens that I had created.

Next I clipped a larger copy of my composite to the original camera brush.

I placed brush 7 from Camera No. 4 below and clipped another linked copy of the photo to it. I placed one more copy of brush 1 on normal at 40% normal blend mode.

To emphasize the lens of the camera brush, I placed two threads from UrbanThreadz No. 14 and one from UrbanThreadz No. 3. I stamped some splatters from Splatters No. 1 on new blank layers and positioned them on a diagonal.

To finish my layout, I added a title and journaling explaining why I created this piece of art. I think it important for my family to know why I create from a different perspective at times.

Adventure Trails

It’s hard to get back to scrapbooking after nearly three weeks of the non stop activity involved in moving. So I was glad to see a new template album set, Travel Template Album No. 3, this week. I simply chose photos from one of the collections that I had created in Lightroom to create another page for my book. That proved to be just enough of a project to rekindle my creativity this weekend.

On the left, I placed the layers of template 6 and the layers from template 7 on the right. I deleted the stains in the middle, the postage and some of the word art and script. Note: I made a few adjustments to the fotoblendz masks to accommodate my photos after I clipped them to the masks.

Next, I clipped my photos to the fotoblendz and framed masks. I added adjustment layers to improve the look of my photos. I considered color when I placed the photos, i.e. Owen’s red shirt, to help move the eye across the page.

To fill in the gutter of my page, I first, repositioned a copy of the large photo on the left and used an inverted mask to bring back in just my youngest grandson rolling on the grass by stamping with white on the black mask. He was actually on the left side of that photo, but didn’t show in the fotoblendz mask. Next, I duplicated the original photo clipped to the mask but did not change it’s position as I had with the part of my youngest grandson. Instead, I linked it to the original, attached an inverted layer mask and stamped brush 8 from ArtsyPaint No. 9 directly on the mask to extend the scene. Finally, I extracted my grandson’s leg by placing a copy of the photo above the frame and revealing just his leg with a round brush on an inverted mask. I gave the extraction a custom shadow and erased as needed.

I placed my title in basically the same position as the word art included with the template set. I also added file 5 from MultiMedia Suns No. 1. I placed the layers to emphasize the direction of the light in the photos on the left and on the right. It’s not perfect, but gives the feel of the sun’s direction in most of the photos. I also placed two word art labels from ArtPlay Palette Traveler for a little more interest.

This page came together so easily; it was a perfect project when you are pressed for time but still want to make progress on a book or to create something. To be honest, I was disappointed with these photos when I imported them from my camera to Lightroom. Yet, I think the template helped me crop and arrange them to tell the story of our visit to a new exhibit at the zoo on a very hot summer morning in July. So I’ve decided that the photos were better than I thought!

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News

Have you wondered why I haven’t posted any new photos and scrapbook pages? At the end of July, I flew back to California to help my daughter finish packing for her move to be near us in Nebraska. If you’ve ever moved a short or a long distance, then you know the challenges. Nothing ever goes quite like you plan. It’s a hectic and tiring process. I do have some stories to tell; unfortunately few photos to tell those stories. I’m going to give myself a little more time before trying to create a two page spread for my book. I should be able to laugh by then.

I also wanted to share that I’ve been asked to participate in Scrapaneer’s Style Symposium, representing the shape shifter style. I am scheduled for an online chat session on Saturday, August 26 at 8 pm EDT. I am honored and looking forward to sharing how I use Anna Aspnes’ Designs to create my pages as Tiffany Tillman and I chat during the video.

I’ll be back soon to share another new scrapbook page. There are more boxes to unpack and details to coordinate for setting up a new home. I am loving having my daughter close again.

Mixing Masks and Templates

Photos often tell the stories on my pages, but journaling fills in details to help my family remember our time together. On this trip, the wave pool was a favorite place to play for everyone. Even Kate, wearing a life vest, walked out into the water to jump the waves. If the boys weren’t jumping the waves, they were wrestling with one another in the water. Yes, I put my camera down to get in the water to play with them.

I created a special collection in Lightroom to make it easier to find and organize my favorite photos from our recent trip to Wisconsin Dells before I started creating pages with them for my book this year.  This book isn’t just about this trip; I anticipate that I will create only seven or eight pages with photos from this collection. I created this page by mixing masks with frame arrangements from three different templates. I think mixing and matching this way actually makes it easier to ensure that the pages uniquely work with my photos whether portrait or landscape orientation.

After creating a new 24×12 inch document, I first imported a family photo that I wanted to highlight by masking. I clipped it to mask 4 from MultiLayered FotoBlendz No. 7. I chose it based on the shape created by my family photo. Once I had that blended, I went back to Lightroom to choose some small photos to tell the story.

I chose the small frame arrangement from Hipster Plume Template Album No. 1 based on those photos. I clipped the photos to the small frames and added adjustment layers to adjust exposure and contrast. Note: I make adjustments in Lightroom before importing but often find that I need to adjust more when the photos are all together on a page.

I placed the frames and then extracted my son with the Quick Selection Tool from a second copy of the large masked family photo and placed that layer above the smaller frames. In other words, that family photo is clipped to a mask below the small frames and the extraction is above the frames.

After clipping the small photos to the frames, I imported another photo and blended it into mask 1 from MultiLayered FotoBlendz No 5 that I placed on the right side of my page. This mask allowed me to hide the young woman assisting everyone out of the boat. Then I added hue and saturation adjustment layers to ensure that the color tone was the same over the entire page.

I again selected a frame template arrangement based on my photos. In this case, I combined photo frames from Simple FotoBlendz Template Album No. 3 and Hipster Plume Template Album No. 1.

To fill in the background, I blended in another photo with a different perspective of the tubing slide by stamping with AnnaBlendz Artsy brushes on an inverted layer mask. I added two textures from Paper Textures No. 4 below two frame edges. I also placed an overlay and transfer from ArtPlay Palette H2O just above the paper and adjusted their color with hue and saturation adjustment layers.

To finish off my page, I added a title, some bubbles from Magic Bubble Overlays No. 1, a blue fish to help balance and create a visual triangle color, threads and a few splatters.

I finished my page journaling on the other side with another story that day about Kate sadly watched her brother and daddy ride down a tube slide. She wanted a turn. So I put my camera inside a helper’s jacket so it wouldn’t get wet and went down with her, Corbin and Daddy. She seemed to like it. However, by the look on her face after a second ride, I don’t think she really liked it all that much.

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ArtPlay Homework

I have gotten a little behind with the lessons from A Year of ArtPlay 2017, but I found some time over the holiday weekend to tackle the June class that Anna released a week ago. I like to call my pages following classes my homework assignments, as I have found that when I apply the concepts soon after watching the class videos, I am much more likely to consistently incorporate Anna’s techniques into my own artily.

As a retired teacher, I also know the value of applying new information in my own unique way. I literally practice applying what is presented in a class, but I try to change or adapt the lesson content to my own prior learning. Simply put, practice the skills taught and then try to use them in a different way.

After viewing June’s lesson, which entails three videos each just over 20 minutes long, I went in search of a photo that I could use. Although Anna provided her layout and photo, I chose not to use those tools because I prefer to practice with my own photos. So my layout does not look like Anna’s. Using a different photo pushes me to adapt and apply what I viewed in class videos.

I’m not going to explain in depth specifically what I did on this page as Anna does a far better job in the three videos. Rather I hope these screen shots will encourage you to take a look at A Year of ArtPlay 2017.

First I blended a photo and sketch together.

Second, I worked with an artsy paper and transfers. I tried at least a half dozen papers before making my decision to blend an artsy paper with a solid from ArtPlay Palette Parasio and transfers from Artsy Transfers Parasio. Note: the idea for the glow in the background was taken from a completely different ArtPlay artsy paper.

The last steps involved something Anna calls “puzzle blending”, working with several brush techniques, embellishing and creating a title.

I am always pleased after finishing one of Anna’s lessons from A Year of ArtPlay 2017, pleased with my art homework and pleased with the new ideas I learn from class.

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Two Pages At a Time

I don’t usually work on more than one two page spread at a time, but I decided that creating two double page spreads for the photos from Deer Park for the book that I’m creating this year might help me pare down more than two hundred photos of family playing with the deer, not an easy task in my mind. I also wanted to coordinate the look of two pages about our trip to Deer Park.

To make it easy on myself, I selected four templates from Anna’s new Hipster Plume Template Album No. 1 and placed them on two 24×12 inch blank pages. As I worked with my photos, I made some adjustments in the position of the frames to accommodate them, turned off a few layers, including text boxes, and used a brush to fill in places on the fotoblendz masks.

Next, I selected from my favorites, the photos that I wanted to clip to the larger masks. On each page, I selected one family group photo for one of the masks. I duplicated those photos to clip to the stains included in the templates.

Once I had the larger photos placed, I clipped additional photos to the small frames, trying to balance color across the page and include everyone. I also clipped a levels layer on soft light blend mode at about 50% opacity to each photo and adjusted the opacity.

I could have left my pages as above, but I like to place something across the gutter of my pages so that they look more connected. On the top page, I masked a photo. On the bottom page, I placed mask 5 from Hipster Plume FotoBlendz No. 7 and clipped a photo to that mask. I lightened the opacity of both masks across the page gutter.

Finally, to coordinate the two pages, I filled in the background, stamping stains and splatters on new blank layers as well as adding transfers from ArtPlay Palette Mountain High and another transfer from ArtPlay Palette Heartland.

Was it more work to do two pages at one time? No, in fact, I think I’ll use the strategy again. Doing two pages at the same time made it easier for me to coordinate the pages by selecting templates from the same album set. I also think that determining how many pages I was going to include for this event in my book helped me to decided which photos to include. Finally, working on the two pages at the same time helped me to coordinate the color scheme and page look with transfers on both pages. I’m definitely going to try this strategy again for the pages at some waterparks that I still need to complete.

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Oh the Places She’ll Go

Yesterday, I went to the zoo with my grandchildren. Sometimes they will stop and pose for me, generally they don’t. While there I captured a series of shots of Kate dramatically posing and twirling as she danced on the wooden planks in a pavilion for viewing the new elephants. I didn’t have a specific idea for a page as I played with my camera; I simply wanted to capture her fun movements as I quickly angled my camera in different directions following the lines in the wooden planks. I don’t think this was the best shot, but the perspective worked well for the page I created. It’s always a good idea to capture at least one shot from behind someone. You never know when it might be needed in a scene.

Generally, I begin my scrapbook pages with a photo. In this case I began this page by placing transfer 6 from ArtPlay Palette Meadow on a new 12×12 inch document. There is a meadow near our home that looks very much like this transfer and I simply wanted to play with it to create a scene.

I decided to place that photo from the back of Kate in my scene. I extracted her with the Quick Selection tool and applied a layer mask. I rotated the photo to get a better angle and reduced the photo size just a little so that her head appeared to be just above the horizon line on the transfer in order to create perspective. The transfer has a watercolor look so I duplicated the photo and applied a filter using Topaz Simplify. I added a drop shadow style, created a layer from the style, warped it and masked out a part that was too dark. I then added another drop shadow. In other words, there are two shadows giving my granddaughter dimension on this page.

To ground my granddaughter, I placed transfer 3 from APP Meadow below her and above transfer 6. I added an inverted mask and brought back in just enough to fill in the ground.

I added two copies of png file 2, each sized differently and rotated, from MultiMedia Flowers No. 4 for color and to create an unmatched visual triangle with Kate’s pink shoes. I could have recolored the blooms a pink, but I thought that was too soft for the vibrant blues and greens in the scene. I placed word art 5 from Summer WordArt Mix No. 1 and thread 12 from ButtonThreadz No. 2.

Finally, I added a title and another copy of the multimedia flower higher on the left side to create a diagonal visual line of flowers across my page.

I’m not usually so quick with my creative process, but once I saw that transfer, I knew exactly what I wanted to do.

Bleeding Hearts

If you had asked me ten years ago the name of these flowers, Dicentra ‘Bleeding Hearts’, I wouldn’t have been able to tell you. I have tried to grow them, but they don’t seem to like my gardening style. I have a gardening philosophy that if a plant is too picky in my yard, it is promptly replaced. I am actually more familiar with the phrase “bleeding heart” in reference to labeling someone, i.e. myself. However, that idea didn’t come to me until I was ready to write the journaling for this page. I do think the flowers are beautiful. I captured these bleeding hearts in April while walking Lauritzen Gardens.

There is nothing quite like a template to simplify my process for creating a page. For this one, I used Artsy Layered Template No. 237. Sometimes, I turn off all the background layers and use just the frames for a page. In fact, I store most templates with only the frames, stains, and artstrokes visible on my hard drive. In this case, I turned off the frames to get a better idea of the background layers and how I might use them.

To each of the stains I clipped a copy of one photo to which I had first applied a basic filter in Topaz Studio in order to brighten it. I linked all the duplicated photo copies after I applied the filter to the original. I deleted a few of the template layers and added layer masks to blend out some edges. I placed solid paper 3 from ArtPlay Across the Miles at the bottom of the layers panel. I chose the green background because I thought the photo blended better into the background than it did on white. I do love white backgrounds, but sometimes the contrast in color makes the edges too harsh.

I clipped three photos showing details of the bleeding hearts to each of the small frames.

Finally, I added some stitched hearts from UrbanStitched Hearts No. 3 to balance the black in my title and journaling.

As I mentioned above, the content of my journaling didn’t come to me until I had finished the page. I don’t think I am excessive in the way that some might use the words “bleeding heart”, although I do hope to leave the world a better place for my grandchildren. Yes, I am a bleeding heart in the sense that I think it would be a shame not to be a good steward of all we’ve been given.

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