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Photos, Stories and Scrapbooking

Tag: digital scrapbooking (Page 1 of 6)

One Thing Led to Another

I went off by myself to Lauritzen Gardens on Friday. The staff creates a beautiful display each December with miniature trains, Christmas trees and Poinsettias. This year native little bluestem, goldenrod and Western meadowlark adorned the trees. The bird ornaments were cleverly made from paper plates. You would think that after nearly a five hundred shots, I would have captured everything. Unfortunately, it’s often not until I get home that I realize I should have tried a different perspective on a photo. There is always something new to learn in photography.

I would also like to be able to say that I purposefully created this page based on a preconceived design for the final product. I can’t. It was more a series of experiments that followed an initial idea to simply clip a photo to a mask and then extract the paper meadowlark for dimension.

Unfortunately, the page just wasn’t working in my mind. Rather than waste the extraction, I reduced the meadowlarks’ size and gave it a custom shadow. I placed some berries from MultiMedia Christmas Trees No. 2 just above his beak.

That first extraction led me back to Lightroom to find the tree decorated with paper meadowlarks in order to provide a context for the extraction. I clipped the tree to mask 5 in MultiLayered FotoBlendz No. 6. I made some adjustments directly on the mask with blending brushes and attached a layer mask to eliminate a part of the mask.

Next, I extracted three more paper birds, gave them each a shadow and hung them on the tree.

To build the background, I stamped brushes 2 and 3 from WaterColor Trees No. 2. I clipped copies of the first photo I placed on this page and moved it around for variety in the trees’ color.

Below the trees, I placed transfer 3 from ArtPlay Palette Joyeux on normal blend mode and hid parts using a brush on a layer mask.

Above the stamped trees, I placed the layers of psd file 3 from MultiMedia Holiday No. 4.

I could have left the page asymmetrical in design but chose to recreate the horizontal design of artsy paper 3, I placed the layers of transfer 4 from Artsy Transfers Joyeux as well as pieces from transfers 1 and 3 on the left and below the focal tree.

Finally, I placed the title from Holiday WordART Mix No. 7 in the space on the upper left to balance the journaling. This page is busier than I normally like, but when I turned off parts, it didn’t look right to me.

I usually find it helpful to try turning off and on parts in the layers panel if a page isn’t working or looks cluttered. I did that several times during the process of creating this page. Rather than labor on this any more, I’m going to let it go and move on to working with some of the other photos that I captured on Friday at Lauritzen Gardens.

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Carving Pumpkins

One of my goals for this year’s book has been to look back in time on some pages, something I did on this one. The earliest photos were taken in 2008, a time when only Owen, my oldest grandson, was old enough to carve a pumpkin. By 2010, Logan carved a pumpkin and by 2012, Corbin, my youngest grandson, was old enough to get involved. I captured the photos of Kate yesterday.

Have you ever started a page but had to wait to fill in the remaining photos until you could make them? That’s what happened with this page, I had everything finished, I just needed to place photos of Kate carving her pumpkin on the layout. I actually could have created an entire two page spread with just photos of Kate with all the photos I made yesterday. However, I want the boys to have pumpkin carving photos to remind them of they’ve also had this experience.

I began this page in Lightroom, searching for photos of my grandchildren carving pumpkins. I made some adjustments in the develop module and then exported them to Photoshop. Note: Lightroom is especially convenient for searches when you want to combine photos that deal with a common theme from different years.

After placing all the layers of templates 15 and 16 from Hipster Plume Template Album No. 2, I turned off most of the layers. I deleted a text box and put my title there. I also deleted the hipster plumes because I didn’t think they worked with my topic.

The background of the focal photo on the left was green, so I extracted my grandson and recolored the mask a soft brown. It was simpler than finding a paper that worked.

Then I turned on the small frames on the left and clipped my photos to the frames. I added adjustment layers to the photos to create a more consistent look to the page. I added some splatters.

Next, I opened the layers of psd file 1 from ArtsyHalloween No. 1 on a new blank psd page. I wanted to add the eyes and nose from file 3, but I was finding it difficult to work with all the layers on my original document. So I stacked the layers from the two psd files on a new file and deleted most of the file 3 layers until I got the playful look I wanted.

I then dragged the layers to my original document and created a group. On the far left, I reduced the size and flipped the layers horizontally as a group. On the other side, I moved the eyes but resized the group larger than on the left.

For the page gutter, I masked a photo of just carved pumpkins. The bottom layer is on linear blend mode at 20% opacity. The copy above is on overlay at 30%.

Next, I began turning back on the layers of the template on the right. I clipped three more photos to the small frames, adding adjustment layers as needed.

I added another group of the artsy pumpkin on the far right, resizing and flipping the orientation of the eyes. At this point, I had to stop until I had some photos of Kate to add to the page.

To the large mask on the right, I clipped Kate’s photos. I added a stain from ArtsyStains No. 5 to the right of my granddaughter to fill the space that one of the plumes that I had deleted. I clipped another copy of the photo to that stain. As I’ve explained in previous posts, I often clip copies of the focal photo to stains below a fotoblendz mask.

I turned on the last two small frames, clipped photos and adjusted the exposure with adjustment layers.

Kate wanted a turn to use my camera and take my picture. I handed it off so that she could hold the camera and push the little button. I stamped a brush from ArtsyPaint No. 13 and placed that in the background, softening the edges with a brush from AnnaBlendz Artsy No. 9. I changed the blend mode to linear burn at 30% and clipped my photo to it after giving the photo a black and white filter from Topaz Studio.

I finished my page with textures from PaperTextures No. 5 and ArtsyPaint No. 13.

I love the older photos combined with the new on this page. It won’t be long before they all outgrow pumpkin carving. Only three dressed up to go trick or treating this year; it’s a little sad to me how quickly the time has passed. Every moment with them is precious.

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Thank you and Congratulations

More than a year and a half ago, February 4, 2016, in my first blog post, I shared some photographs at Balboa Island that I had made while in California celebrating a birthday with my sister. My first few posts dealt with photographs that I captured while in California, but on February 10, I wrote a post, On a Winter Morning, about how I created a digital scrapbook page combining those photographs with Anna Aspnes’ Designs. Since those first posts, I have written 140 more, a few dealing only with photography but the majority explaining how I create artsy scrapbook pages with my photographs. When I began posting, I had no idea whether anyone would be interested in reading the content, but I loved the idea of having a place to share photographs and how I use them to create digital scrapbook pages.

This evening, I would like to thank the first 100 readers who have subscribed to my blog and encouraged me with your comments and support.  As a thank you, Anna Aspnes has generously provided a coupon to her store for me to give to one reader. Thank you to Anna Aspnes for all her encouragement. After creating a randomized list, Marie will receive the coupon to Anna’s store. Congratulations to Marie!!

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Artsy Paper Play

I missed getting out in the yard to capture some photos of my hydrangeas along the northeast wall. There was way too much happening this past summer. However, in some ways, I prefer the intensity of color that comes with the seasonal change. The greens turn rosy pink and the pinks darken to burgundy. I hate to cut them back for fall before they’ve dried out entirely. As soon as all the rain is over, I will go out to capture some more photos so that I can create a page for my flower book.

I often play with Anna’s papers by mimicking and rearranging her designs using the transfers included in each ArtPlay Palette. It’s simple way to learn about design from an expert. I started this page by placing artsy paper 2 from ArtPlay Palette Cider on a new blank document.

Note: ArtPlay Palette Cider is available for free with a $20 purchase during the sale.

Just above the artsy paper, I placed solid paper 2.

Above the solid paper, I placed two copies of transfer 1 on normal blend mode.

Then I turned off the solid paper and lined up the transfers with their placement on the artsy paper.

After turning back on the solid paper layer, I placed overlay 3, two copies of the gold paint (the top one on color burn to intensify the color), and two copies of art stroke 1. In essence, I used the basic design of Anna’s paper to create something different. I might add something more once the artsy transfers are available, but for the moment, this is enough.

Then I extracted a hydrangea, changed the blend mode to multiply and applied a filter. Next, I another copy of the photo on normal blend mode at 50%. I linked the two together and adjusted their position above transfer 1.

Above the extraction, I placed stains, the frames, text boxes, and thread from template 4 of Hipster Plume Template Album No. 2.

I clipped additional photo to the small frames.

To create more dimension, I duplicated the two copies and moved them above the frames. I extracted just enough of the flower and leaf to overlap on the frames. With a title from the artplay palette, I was finished with my quick and easy page.

I encourage you to experiment with Anna’s transfers to create your own version of artsy papers.

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Variety of Greens

There is usually a story behind every photo made. In this case after walking in the warm sunshine my sister, Glenda, and I enjoyed a salmon salad at the Farmhouse, a lovely open air bistro on the grounds of Roger’s Gardens. I suppose a photo of the salad might have marked our day better than these fake succulents, but this trip was filled with work days helping my daughter move. Once we found a little shade, I helped my sister photograph these with her new camera. Sometimes, I simply take what I get and fill in the details of the story in order to document an event. Sometimes, I just want to remember a time together.

This was a very simple layout to put together using Anna’s new release. I actually chose this photo to document our lunch based on the color scheme of the new ArtPlay Palette Notabilia. I placed transfer 1 from the new artplay palette on a new blank document and blended my photo into the transfer using an inverted layer mask.

Note: I adjusted the color in my photo with a hue and saturation adjustment layer, but I learned a valuable lesson on color as I worked with this page.

Next, I placed the layers of psd file 2 from MultiMedia Documents No. 2 to create a frame effect around my photo. I switched out the flower with one from the artplay palette and added word art from Notabilia WordART Mix No. 1. I clipped an extracted copy of the same photo I had clipped to the transfer to the paper layer for the document multimedia file.

While I liked the photo on the multimedia document, I did not think there was enough interest on my page. I then opened Artsy Layered Template No. 255 and dragged the layers below my multimedia layers and turned them off. First, I moved the frames, text boxes, splatter and art stroke above the document layers but below the succulent element, thread and word art. I reduced the size of the frames slightly and recolored them an off white. The white frames appeared too stark with the color scheme. I wrote my journaling and added a subtitle from Notabilia WordART Mix No. 1. I could have left my page as below, but it appeared incomplete to me.

I began turning on the template layers that I had grouped below the multimedia layers. I recolored some stains, adjusted the blend mode and deleted some layers until I though I had created a soft background for the document file. I especially liked the look of the textured paper on the left with the paper in the document file.

I though I was finished with this page, until I looked again at the lack of variation in color on my page. So I reopened the file, adjusted my framed photos a little more, recolored some of the template stains and reduced the opacity.

I like the more natural variety in greens on this page much better now. Too much matching of color is not always a good thing.

Perspective

What I see as I look through my camera lens isn’t always what my artist side puts on a layout. Often, I don’t even know what a piece of art will look like until I begin experimenting. However, that’s the joy I find in creating, finding a different perspective than what I initially saw in my camera.

For this page, I began with a photo that I captured last week and file 4 of MultiLayered FotoBlendz No. 7. After working with my photo, I clipped copies to the different layers.

Next, I extracted the gates to the Victorian Garden from another photo and placed that over the first photo. While I liked the look, I didn’t think it looked as artsy as I wanted.

So I created a composite by pressing the keys command + option + shift + 6.

I turned off my composite temporarily and placed brush 1 from Cameras No. 4 on my page and changed the blend mode to linear burn.

I used the Elliptical Marquee tool to cut a copy of the center of the lens on the brush. I placed the copy just above the original and filled it in more with brushes.

I reduced the size of a copy of my composite and clipped it to the copy of the brush lens that I had created.

Next I clipped a larger copy of my composite to the original camera brush.

I placed brush 7 from Camera No. 4 below and clipped another linked copy of the photo to it. I placed one more copy of brush 1 on normal at 40% normal blend mode.

To emphasize the lens of the camera brush, I placed two threads from UrbanThreadz No. 14 and one from UrbanThreadz No. 3. I stamped some splatters from Splatters No. 1 on new blank layers and positioned them on a diagonal.

To finish my layout, I added a title and journaling explaining why I created this piece of art. I think it important for my family to know why I create from a different perspective at times.

Adventure Trails

It’s hard to get back to scrapbooking after nearly three weeks of the non stop activity involved in moving. So I was glad to see a new template album set, Travel Template Album No. 3, this week. I simply chose photos from one of the collections that I had created in Lightroom to create another page for my book. That proved to be just enough of a project to rekindle my creativity this weekend.

On the left, I placed the layers of template 6 and the layers from template 7 on the right. I deleted the stains in the middle, the postage and some of the word art and script. Note: I made a few adjustments to the fotoblendz masks to accommodate my photos after I clipped them to the masks.

Next, I clipped my photos to the fotoblendz and framed masks. I added adjustment layers to improve the look of my photos. I considered color when I placed the photos, i.e. Owen’s red shirt, to help move the eye across the page.

To fill in the gutter of my page, I first, repositioned a copy of the large photo on the left and used an inverted mask to bring back in just my youngest grandson rolling on the grass by stamping with white on the black mask. He was actually on the left side of that photo, but didn’t show in the fotoblendz mask. Next, I duplicated the original photo clipped to the mask but did not change it’s position as I had with the part of my youngest grandson. Instead, I linked it to the original, attached an inverted layer mask and stamped brush 8 from ArtsyPaint No. 9 directly on the mask to extend the scene. Finally, I extracted my grandson’s leg by placing a copy of the photo above the frame and revealing just his leg with a round brush on an inverted mask. I gave the extraction a custom shadow and erased as needed.

I placed my title in basically the same position as the word art included with the template set. I also added file 5 from MultiMedia Suns No. 1. I placed the layers to emphasize the direction of the light in the photos on the left and on the right. It’s not perfect, but gives the feel of the sun’s direction in most of the photos. I also placed two word art labels from ArtPlay Palette Traveler for a little more interest.

This page came together so easily; it was a perfect project when you are pressed for time but still want to make progress on a book or to create something. To be honest, I was disappointed with these photos when I imported them from my camera to Lightroom. Yet, I think the template helped me crop and arrange them to tell the story of our visit to a new exhibit at the zoo on a very hot summer morning in July. So I’ve decided that the photos were better than I thought!

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News

Have you wondered why I haven’t posted any new photos and scrapbook pages? At the end of July, I flew back to California to help my daughter finish packing for her move to be near us in Nebraska. If you’ve ever moved a short or a long distance, then you know the challenges. Nothing ever goes quite like you plan. It’s a hectic and tiring process. I do have some stories to tell; unfortunately few photos to tell those stories. I’m going to give myself a little more time before trying to create a two page spread for my book. I should be able to laugh by then.

I also wanted to share that I’ve been asked to participate in Scrapaneer’s Style Symposium, representing the shape shifter style. I am scheduled for an online chat session on Saturday, August 26 at 8 pm EDT. I am honored and looking forward to sharing how I use Anna Aspnes’ Designs to create my pages as Tiffany Tillman and I chat during the video.

I’ll be back soon to share another new scrapbook page. There are more boxes to unpack and details to coordinate for setting up a new home. I am loving having my daughter close again.

Mixing Masks and Templates

Photos often tell the stories on my pages, but journaling fills in details to help my family remember our time together. On this trip, the wave pool was a favorite place to play for everyone. Even Kate, wearing a life vest, walked out into the water to jump the waves. If the boys weren’t jumping the waves, they were wrestling with one another in the water. Yes, I put my camera down to get in the water to play with them.

I created a special collection in Lightroom to make it easier to find and organize my favorite photos from our recent trip to Wisconsin Dells before I started creating pages with them for my book this year.  This book isn’t just about this trip; I anticipate that I will create only seven or eight pages with photos from this collection. I created this page by mixing masks with frame arrangements from three different templates. I think mixing and matching this way actually makes it easier to ensure that the pages uniquely work with my photos whether portrait or landscape orientation.

After creating a new 24×12 inch document, I first imported a family photo that I wanted to highlight by masking. I clipped it to mask 4 from MultiLayered FotoBlendz No. 7. I chose it based on the shape created by my family photo. Once I had that blended, I went back to Lightroom to choose some small photos to tell the story.

I chose the small frame arrangement from Hipster Plume Template Album No. 1 based on those photos. I clipped the photos to the small frames and added adjustment layers to adjust exposure and contrast. Note: I make adjustments in Lightroom before importing but often find that I need to adjust more when the photos are all together on a page.

I placed the frames and then extracted my son with the Quick Selection Tool from a second copy of the large masked family photo and placed that layer above the smaller frames. In other words, that family photo is clipped to a mask below the small frames and the extraction is above the frames.

After clipping the small photos to the frames, I imported another photo and blended it into mask 1 from MultiLayered FotoBlendz No 5 that I placed on the right side of my page. This mask allowed me to hide the young woman assisting everyone out of the boat. Then I added hue and saturation adjustment layers to ensure that the color tone was the same over the entire page.

I again selected a frame template arrangement based on my photos. In this case, I combined photo frames from Simple FotoBlendz Template Album No. 3 and Hipster Plume Template Album No. 1.

To fill in the background, I blended in another photo with a different perspective of the tubing slide by stamping with AnnaBlendz Artsy brushes on an inverted layer mask. I added two textures from Paper Textures No. 4 below two frame edges. I also placed an overlay and transfer from ArtPlay Palette H2O just above the paper and adjusted their color with hue and saturation adjustment layers.

To finish off my page, I added a title, some bubbles from Magic Bubble Overlays No. 1, a blue fish to help balance and create a visual triangle color, threads and a few splatters.

I finished my page journaling on the other side with another story that day about Kate sadly watched her brother and daddy ride down a tube slide. She wanted a turn. So I put my camera inside a helper’s jacket so it wouldn’t get wet and went down with her, Corbin and Daddy. She seemed to like it. However, by the look on her face after a second ride, I don’t think she really liked it all that much.

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ArtPlay Homework

I have gotten a little behind with the lessons from A Year of ArtPlay 2017, but I found some time over the holiday weekend to tackle the June class that Anna released a week ago. I like to call my pages following classes my homework assignments, as I have found that when I apply the concepts soon after watching the class videos, I am much more likely to consistently incorporate Anna’s techniques into my own artily.

As a retired teacher, I also know the value of applying new information in my own unique way. I literally practice applying what is presented in a class, but I try to change or adapt the lesson content to my own prior learning. Simply put, practice the skills taught and then try to use them in a different way.

After viewing June’s lesson, which entails three videos each just over 20 minutes long, I went in search of a photo that I could use. Although Anna provided her layout and photo, I chose not to use those tools because I prefer to practice with my own photos. So my layout does not look like Anna’s. Using a different photo pushes me to adapt and apply what I viewed in class videos.

I’m not going to explain in depth specifically what I did on this page as Anna does a far better job in the three videos. Rather I hope these screen shots will encourage you to take a look at A Year of ArtPlay 2017.

First I blended a photo and sketch together.

Second, I worked with an artsy paper and transfers. I tried at least a half dozen papers before making my decision to blend an artsy paper with a solid from ArtPlay Palette Parasio and transfers from Artsy Transfers Parasio. Note: the idea for the glow in the background was taken from a completely different ArtPlay artsy paper.

The last steps involved something Anna calls “puzzle blending”, working with several brush techniques, embellishing and creating a title.

I am always pleased after finishing one of Anna’s lessons from A Year of ArtPlay 2017, pleased with my art homework and pleased with the new ideas I learn from class.

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