I don’t often know how I want a page to look until I begin to play in Photoshop. I know it’s far more efficient to draw a sketch of a page before beginning to create. I don’t. That’s probably because I generally think about the photograph first, it’s orientation and perspective, when I begin to create a scrapbook page. However, just as often, the inspiration for choosing a photo comes from an ArtPlay Palette or .abr brush. That is the case for this page, Perfect Now.
When I opened up Anna’s new ArtPlay Palette Portiére late yesterday, I knew I wanted to use the transfer with brick and green paint as well as a brush from ArchiTextures No.5. Sometimes, it’s like that, I see a design element and it triggers an idea. That’s when I remembered a photograph of a brick wall surrounding some yellow glass pansies at a Craig M. Smith exhibit in a conservatory at Lauritzen Gardens.
Since my photo had a vertical orientation, I decided that would guide my page design. However, first, I tested out that transfer I wanted to use by placing it in the top left corner and then turned off it’s visibility. Next, I placed the photo on the left and reduced the size to better fit my 12×12 page. With a layer mask, I blended the photo into a solid paper from the ArtPlay Palette before stamping the iron gate brush on a new layer above the photo layers. I think of this brush as a second door suggesting an unknown and/or unconventional meaning to finding art behind doors.
I turned back on the visibility of the transfer and brought more light into my scene by adding FotoGlow Mix No. 2.
As I’m working, I think about design principles. In this case I needed to balance the weight of the transfer in the upper left corner. To do that, I added the frames from Artsy Layered Template No. 224 to my layout and adjusted their position to fit my vertical design. I clipped photos to the masks. The textbox is also a part of the template.
Another design principle I consider when scrapbooking is repetition. By adding a splash of yellow with an artsy stain stamped just above the transfer in the upper left corner, I repeated the color and created a diagonal line of yellow leading the eye across my page. By adding more yellow with a photo below the slide viewer as well as stamping a green stain on a new layer and placing an overlay in the lower right corner, I strengthened that diagonal line of yellow and balanced the weight of the transfer even more.
Over the foundation that I created for the framed photo with an overlay, brush, texture and slide viewer in the lower right corner, I added a cluster of small elements. Finally, I placed the word art and a beaded thread to finish off my page. I switched out the beaded letters in order to spell “now”.
So maybe it’s okay that I don’t draw a sketch of my page before beginning to create. While I may not have begun with a clear vision of my final page, what I know about design principles influenced my thinking as I worked on this scrapbook page.