Photo Storify

Photos, Stories and Scrapbooking

A Colorful Sketch

This evening, I played with a mini palette, ArtPlay MiniPalette Jocund, that Anna will release free with a $20 purchase on Black Friday as part of Oscraps’ sales. I thought the gold and white would create a beautiful contrast for a colorful photo.

In Lightroom, I chose the sketch version of a Christmas tree photo. I altered the original photo on the right using a technique that Ulla-May shared. On my layout below, I had simplified the technique.

Unfortunately, I didn’t write down my exact steps at that time, so I hope viewing the video helps you create the effect on a photo of your own. Remember, you don’t have to use smart objects to get this effect so this technique works in Photoshop and Elements.

This was a quick layout because I had already given my photo an artsy sketch effect based on the video. I placed the layers of my altered photo below the frame on solid paper 2. I changed the blend mode of the grouped layers to multiply at 100%.

I placed lace 1 and 2, gold paint 2 and two copies of transfer 3 below the photo and frame.

I created a cluster with elements from the artplay palette and a piece of pine from ArtPlay Palette Pinery. However, my layout appeared unfinished to me.

So I placed a copy of tree sketch composite between the gold paint and two copies of transfer 3. I changed the blend mode to linear burn at 50% and used a brush on a mask to conceal parts.

I hope you will play with Ulla-May’s technique to create a colorful sketch of your own. It really is easy.

SaveSaveSaveSave

SaveSave

SaveSave

SaveSave

An iPhone and a Template

 

When Corbin and Kate spent the night a couple of weeks ago, we walked down to the trees beyond the pond. All I had with me was my iPhone 6 to capture my grandson’s gallantry towards his sister as he helped her mimic whatever he did, including leaping over a little stream. I did warn them about getting wet if they fell into the water below. As you can tell by the photos, Kate was hesitant at first, but soon enough began directing her brother exactly where she wanted him to stand in order to help her. It was getting dark so I had to increase the exposure later in Lightroom. Some of the photos were a little blurry, something I accepted as part of making photos of active children with an iPhone, or any camera for that matter, as the sun was setting.

For this two page spread, I used two templates from Anna’s new album, Project Template Album No. 3. Note: I put a title in the place of a textbox on the template and deleted the numbers as well as the tape and hipster plumes.

First, I clipped photos to the large fotoblendz masks and stains below, adjusting the exposure with adjustment layers.

Next, I clipped photos to the small frames, again making adjustments to the photos with adjustment layers. Note: I changed two of the photos to black and white with Topaz Studio.

I then placed copies of three small photos above their respective frames, extracted my granddaughter and grandson with the Quick Selection tool and cleaned up the framing with a small hard brush on the layer mask created with the extraction.

I stamped stains from ArtsyStains No. 3 and ArtsyStains No. 5 below both templates for additional color.

For the gutter, I placed another photo and changed it to black and white with an adjustment layer. I then added an inverted layer mask to the photo and stamped with brushes from ArtsyPaint No. 8 and ArtsyStains No. 3 to reveal just parts of the photo.

Finally, I added paper textures from PaperTextures No. 4 and PaperTextures No. 5 to finish my page.

My layout was quick and easy to complete with the snapshots I captured that evening with my old iPhone. Digital scrapbooking can’t get much easier!!

However, technology changes quickly, definitely on phone cameras. Like my grandchildren, I made a leap too and bought a new iPhone X last week. I haven’t gotten to take many photos with it yet, but what I captured of Kate last weekend, see examples below, with the new portrait mode definitely show the technical improvements over my older iPhone. I don’t think the blur is as good as my Fuji X-T2, but if you look closely, you will see that the background is indeed blurred, much like you would get with a DSLR. I’m looking forward to experimenting more with my new iPhone.

SaveSave

SaveSave

SaveSave

SaveSave

SaveSaveSaveSave

SaveSaveSaveSaveSaveSaveSaveSave

SaveSave

Embrace the Change

The Red Sunset Maple we planted in our yard in 2012 isn’t quite so little anymore. I’ve been taking photos of it every year when the leaves change. This year, it’s just now in full color. I keep trying different angles. I’m waiting for some sunshine before capturing some photos this year.

Anna Aspnes has a knack for creating shadowed overlays and transfers in her artplay palettes, but overlay 2 has got to be one of my all time favorites. I dragged just the overlay from ArtPlay Palette Rudeneja onto a new blank document with solid paper 1 below and started thinking.

Although I don’t have the skills to create the kind of shadows that Anna creates, I decided to import a photo of just a branch from my Red Sunset Maple tree and try creating something similar. I extracted the branch and created custom shadow by duplicating the extraction, filling it with a dark brown, tweaking the shape with the warp transform tool and changing the blend mode to linear burn. I added a layer mask to the shadow, reduced the opacity in order to try to get it to look more realistic.

To fill the background, I placed artsy paper 2 below my extraction. That helped give my branch more dimension.

I then placed transfer 3, transfer 5 and art stroke 1 from ArtPlay Palette Rudeneja. I adjusted the position of overlay 2 so that it was directly above the overlay on solid paper 2 and changed the blend mode of overlay 2 to multiply to add depth to the paper. Note: That overlay is part of solid paper 2.

With a title from Change WordART Mix No. 1, a mix of two psd files from MultiMedia Branches No. 9 and a sentence of journaling, I decided my page was finished.

Now, what I really want to learn is how to shadow the way Anna does!

SaveSave

SaveSave

SaveSave

Carving Pumpkins

One of my goals for this year’s book has been to look back in time on some pages, something I did on this one. The earliest photos were taken in 2008, a time when only Owen, my oldest grandson, was old enough to carve a pumpkin. By 2010, Logan carved a pumpkin and by 2012, Corbin, my youngest grandson, was old enough to get involved. I captured the photos of Kate yesterday.

Have you ever started a page but had to wait to fill in the remaining photos until you could make them? That’s what happened with this page, I had everything finished, I just needed to place photos of Kate carving her pumpkin on the layout. I actually could have created an entire two page spread with just photos of Kate with all the photos I made yesterday. However, I want the boys to have pumpkin carving photos to remind them of they’ve also had this experience.

I began this page in Lightroom, searching for photos of my grandchildren carving pumpkins. I made some adjustments in the develop module and then exported them to Photoshop. Note: Lightroom is especially convenient for searches when you want to combine photos that deal with a common theme from different years.

After placing all the layers of templates 15 and 16 from Hipster Plume Template Album No. 2, I turned off most of the layers. I deleted a text box and put my title there. I also deleted the hipster plumes because I didn’t think they worked with my topic.

The background of the focal photo on the left was green, so I extracted my grandson and recolored the mask a soft brown. It was simpler than finding a paper that worked.

Then I turned on the small frames on the left and clipped my photos to the frames. I added adjustment layers to the photos to create a more consistent look to the page. I added some splatters.

Next, I opened the layers of psd file 1 from ArtsyHalloween No. 1 on a new blank psd page. I wanted to add the eyes and nose from file 3, but I was finding it difficult to work with all the layers on my original document. So I stacked the layers from the two psd files on a new file and deleted most of the file 3 layers until I got the playful look I wanted.

I then dragged the layers to my original document and created a group. On the far left, I reduced the size and flipped the layers horizontally as a group. On the other side, I moved the eyes but resized the group larger than on the left.

For the page gutter, I masked a photo of just carved pumpkins. The bottom layer is on linear blend mode at 20% opacity. The copy above is on overlay at 30%.

Next, I began turning back on the layers of the template on the right. I clipped three more photos to the small frames, adding adjustment layers as needed.

I added another group of the artsy pumpkin on the far right, resizing and flipping the orientation of the eyes. At this point, I had to stop until I had some photos of Kate to add to the page.

To the large mask on the right, I clipped Kate’s photos. I added a stain from ArtsyStains No. 5 to the right of my granddaughter to fill the space that one of the plumes that I had deleted. I clipped another copy of the photo to that stain. As I’ve explained in previous posts, I often clip copies of the focal photo to stains below a fotoblendz mask.

I turned on the last two small frames, clipped photos and adjusted the exposure with adjustment layers.

Kate wanted a turn to use my camera and take my picture. I handed it off so that she could hold the camera and push the little button. I stamped a brush from ArtsyPaint No. 13 and placed that in the background, softening the edges with a brush from AnnaBlendz Artsy No. 9. I changed the blend mode to linear burn at 30% and clipped my photo to it after giving the photo a black and white filter from Topaz Studio.

I finished my page with textures from PaperTextures No. 5 and ArtsyPaint No. 13.

I love the older photos combined with the new on this page. It won’t be long before they all outgrow pumpkin carving. Only three dressed up to go trick or treating this year; it’s a little sad to me how quickly the time has passed. Every moment with them is precious.

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

Thank you and Congratulations

More than a year and a half ago, February 4, 2016, in my first blog post, I shared some photographs at Balboa Island that I had made while in California celebrating a birthday with my sister. My first few posts dealt with photographs that I captured while in California, but on February 10, I wrote a post, On a Winter Morning, about how I created a digital scrapbook page combining those photographs with Anna Aspnes’ Designs. Since those first posts, I have written 140 more, a few dealing only with photography but the majority explaining how I create artsy scrapbook pages with my photographs. When I began posting, I had no idea whether anyone would be interested in reading the content, but I loved the idea of having a place to share photographs and how I use them to create digital scrapbook pages.

This evening, I would like to thank the first 100 readers who have subscribed to my blog and encouraged me with your comments and support.  As a thank you, Anna Aspnes has generously provided a coupon to her store for me to give to one reader. Thank you to Anna Aspnes for all her encouragement. After creating a randomized list, Marie will receive the coupon to Anna’s store. Congratulations to Marie!!

This slideshow requires JavaScript.

Refining Skills to Develop Your Style

I was out playing Pokemon Go with my husband when I saw a staged display of different pumpkins and mums. I was focusing on just a part of the display with my iPhone when a mom stopped to coax her elementary age girls to pose for a picture. She was delighted when I asked if she’d like to sit with them while I took her picture with her phone. Today I gave what I’d have loved to have had, an informal portrait with my kids in front of a pumpkin display. I hope she posts it to her Facebook page.

With my quick photo, I created a page that reflects me, my style, my photography. I clipped multiple copies of a photo to the layers of file 3 from Evanescent FotoBlendz No. 1. To get the blue color, I applied a blue color overlay with the styles panel before separating it on a separate layer so that I could reveal the brown of the hay. I added a fill layer above that in brown on color blend mode to turn the yellow mums straw by hiding everything but the flowers on a layer mask.

Next, I placed solid paper 4 from ArtPlay Palette Evanescent. On the right I added the layers of Artsy Transfers Evanescent 3. I turned off one layer.

On the left, I placed the layers of file 5 from Artsy Transfers Evanescent. I adjusted the position of my fotoblendz mask and photo layers as a group.

Inside the group of transfer layers, I placed psd file 2 from MultiMedia Pumpkins N. 3. I added a color overlay from the style menu to make the black fabric blue.

Next, I placed two additional pumpkin files from MultiMedia Pumpkins No. 3 to add to my pumpkin display.

With a piece of word art from Moments WordArt Mix No. 1 and a subtitle, I finished  my artsy page.

This page came together fairly easily. The only different technique I used was to give the pumpkins in my photo a blue cast. I’ve used color overlays on previous pages, but I’ve not recolored pumpkins blue. Yet, I think they look pretty with the blue in the multimedia pumpkins. Basically, I’m experimenting with color overlays; I’m using them in a different way.

I’ve been thinking about a statement that Anna made about the expectation that one needs to continually learn new techniques. While I am continually learning, it’s more about refining my skills with my camera, whether my iPhone or my Fuji X-T2. I don’t need a new camera, I need to get better at making photos with what I have. I think that in the same way I am perfecting my skills with the designs that I use to create my scrapbook pages. I enjoy the process of experimenting and figuring out what else I can do with Anna’s designs in combination with my photos. Rather than using a new technique on every page, I want to continually develop my style, to clarify the look I want on my pages. That may involve incorporating a new technique periodically, or applying a technique in a different way, but my creative process is more about refining my skills because they define my style.

 

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

Choosing Background Paper

I arrived at Lauritzen Gardens about 5pm for an evening photography class that began at 7pm. I used the time before class to capture mums in the Victorian Garden and garden art in the Japanese Garden during the magic light just before sunset. What I couldn’t figure out was what I could capture after dark in an unlit outdoor garden without a flash, let alone the tripod that I forgot. Think about it, photography is all about light. Without it there are no photographs. Yet in the dark of night, I found a bit of light in the conservatory.

Inside the conservatory the white flowers under a light above stood out against the the darkness of the room and the black night outside the windows. If you look carefully at the small photo on the left, you can see the grid of the windows. With camera settings, 1/80 sec at f/2.4, ISO 6400, I was able to hand hold my camera securely enough to capture these white flowers. My instructor recommended I use auto white balance. This is one of the angles I tried as I walked around the large potted plant. If it hadn’t been for the light above I would not have been able to capture a photo.

Initially I tried masking the photo on the darkest black paper I could find, solid paper 2 from ArtPlay Palette City Limits, before I decided that I would finish this page quicker to use Artsy Layered Template No. 257. I clipped copies of one photo to several of the template layers. I masked additional copies that I had placed above other layers.

Once I knew that the template layers would work with my photos, I placed the black paper and made additional adjustments with levels adjustment layers. I recolored a few of the stains a lighter color to blend with the flowers. I deleted a couple of the template layers. I also added transfer 3, art stroke 2 and splatters from ArtPlay Palette Evanescent. I adjusted opacity and blended into the edges.

Next, I clipped my photos to the small frames. extending one photo into the frame below it. I lightened the white in the flowers with a levels adjustment layer on screen blend mode and used a brush on the adjustment layer mask to keep that part dark.

To finish off my layout, I added a button from ArtPlay Palette Evanescent, two threads from ButtonThreadz No. 2 and ButtonThreadz No. 3.

I generally use light backgrounds for my layouts, but occasionally a black background provides a better contrast for some photos. Using black paper with photos having a black background also made it easier to blend these night photos. In fact, blending is generally easier with paper that blends with the background color of photos.

SaveSave

SaveSave

Simple Techniques and Basic Skills

When the kids spent the night recently, we walked up to our newly renovated neighborhood park. Kate’s been anxious to play there again now that the fencing has been taken down. It was a riot watching Corbin convince his sister that sand on a saucer swing made swinging even better. All I had with me was my iPhone, but I took some shots as they played, never thinking that I would use them to create a page. Yes, there are only photos about just a few moments at the park on this page, but for me they tell an important story about play between a big brother and a little sister.

I wasn’t sure what I was going to do with these photos. Initially, I dragged three of them on to my page. I knew I wanted one spanning the gutter of the page, so I would need to make some adjustments to a template. I added a layer mask to the photo and used brushes at various opacities to bring back the part of the photo I wanted to reveal. I changed the blend mode to multiply. I used another copy to extract my two grandchildren and the swing on normal blend mode and 100% opacity in order to make them stand out more from the background.

I followed the same process with the other two photos, using the lines of the sidewalk in the background and the mat in the front to line up the photos. It seemed more important that the scene flowed across the page rather than that the figures were exactly the same size. Remember, I was just playing around with my iPhone when I captured these photos. The color in my photos in the late evening light appeared too strong for me, so I attached a hue and saturation layer to each photo and reduced the saturation to blend them together better.

Next, I placed frames from two templates from Hipster Plume Template Album No. 2. I made some adjustments in placement and size to fit my page design. I clipped my photos to the small frames and again added hue and saturation adjustment layers to reduce the saturation of each. I added the buttons for interest and depth.

I didn’t want more frames in the empty space below the center blended photo. So I imported another photo that showed more of the mat under the equipment. I used a paint brush on an inverted layer mask I attached to the photo to reveal enough to fill the space.

To recreate the sky in the photos, I added transfers from ArtPlay Palette Mountain High and ArtPlay Palette Summer Days. I attached inverted masks and blended away parts that interfered with the photos. I reduced the opacity, used hue and saturation adjustment layers to adjust the saturation and changed the blend modes to multiply.

I sampled the color of the mat under the equipment and stamped paint brushes from ArtsyPaint No. 7 and ArtsyPaint No. 10 on new blank layers to extend the look of the playground mat. I used an opacity of 60% as I stamped on new blank layers under the framed photos. I stamped two splatters to finish my page.

A reader recently wrote a comment thanking me for sharing easy to use ideas. I am very grateful that she took the time to let me know that the ideas were helpful. I really don’t use complex techniques for my book pages. I blend and extract with my photos. I use templates (or parts of templates) and transfers. I stamp with brushes using the brush panel on new blank layers. I experiment with blend modes and adjustment layers on my photos. Having developed some basic skills with Photoshop makes my creative process much easier. I can’t say that I’m fast at creating my pages. I enjoy experimenting as part of my creative process so I’m not in a hurry. However, simple techniques and basic skills are the key to creating my pages.

SaveSave

SaveSaveSaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

Artsy Paper Play

I missed getting out in the yard to capture some photos of my hydrangeas along the northeast wall. There was way too much happening this past summer. However, in some ways, I prefer the intensity of color that comes with the seasonal change. The greens turn rosy pink and the pinks darken to burgundy. I hate to cut them back for fall before they’ve dried out entirely. As soon as all the rain is over, I will go out to capture some more photos so that I can create a page for my flower book.

I often play with Anna’s papers by mimicking and rearranging her designs using the transfers included in each ArtPlay Palette. It’s simple way to learn about design from an expert. I started this page by placing artsy paper 2 from ArtPlay Palette Cider on a new blank document.

Note: ArtPlay Palette Cider is available for free with a $20 purchase during the sale.

Just above the artsy paper, I placed solid paper 2.

Above the solid paper, I placed two copies of transfer 1 on normal blend mode.

Then I turned off the solid paper and lined up the transfers with their placement on the artsy paper.

After turning back on the solid paper layer, I placed overlay 3, two copies of the gold paint (the top one on color burn to intensify the color), and two copies of art stroke 1. In essence, I used the basic design of Anna’s paper to create something different. I might add something more once the artsy transfers are available, but for the moment, this is enough.

Then I extracted a hydrangea, changed the blend mode to multiply and applied a filter. Next, I another copy of the photo on normal blend mode at 50%. I linked the two together and adjusted their position above transfer 1.

Above the extraction, I placed stains, the frames, text boxes, and thread from template 4 of Hipster Plume Template Album No. 2.

I clipped additional photo to the small frames.

To create more dimension, I duplicated the two copies and moved them above the frames. I extracted just enough of the flower and leaf to overlap on the frames. With a title from the artplay palette, I was finished with my quick and easy page.

I encourage you to experiment with Anna’s transfers to create your own version of artsy papers.

SaveSave

Clipping Photos to MultiLayered Masks

In response to questions about how I clip copies of one photo to multiple layers of Anna’s MultiLayered FotoBlendz Masks I have created a short video. I often clip linked copies of one photo to multiple psd layer masks. I have also simply clipped parts of a photo to stains. In those cases I do not link the photo copies.

For a look at what I shared previously, see this post, Perspective, on the blog. You can find more of Anna’s clipping masks here.

Page 1 of 15

Powered by WordPress & Theme by Anders Norén